Luz (Tilman Singer, 2018) – Ithaca Fantastik 2018

A STYLISH AND DEMONIC DEBUT

On a dark and stormy night in an unnamed German city, a young taxi driver named Luz (Luana Velis) arrives at a police station in a state of shock. Meanwhile, at a nearby bar, the mysterious psychiatrist Dr. Rossini (Jan Bluthardt) is approached by Nora (Julia Riedler), a woman with a disconcerting manner and an unexpected connection to Luz. They strike up a conversation over drinks and before it’s too late, Rossini falls into the thrall of a malevolent force intent on finding Luz. When Dr. Rossini arrives at the station to hypnotize Luz and assist in taking her statement, a claustrophobic journey into anxiety-inducing horror reaches a terrible crossroads.

Shot on 16mm with impeccable visuals, Tilman Singer’s audacious art school thesis project is an unexpected horror revelation. An experimental shocker with an irresistible retro vibe, this first feature fluidly assembles elements from the horror and art house cinema of the 1970s and ’80s, deftly deconstructing the demonic possession narrative and turning a simple police station into an intersection for the occult.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Newly translated English subtitles
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with writer/director Tilman Singer
  • Under the Influence, new interviews with actors Luana Velis, Jan Bluthardt, Julia Reidler, Nora Vanderkurt, and Johannes Benecke
  • New interviews with Singer, director of photography Paul Faltz, production designer Dario Mendez Acosta, composer Simon Waskow, and sound designers Jonas Lux, Henning Hein, and Steffen Pfauth
  • Original theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by horror film journalist Heather Wixson

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SFFF Day 4 – Fractured Minds and Fantastic Capitalism

Day 4 of the Saskatoon Fantastic Film Festival was loaded with screenings and bracketed by a pair of animated programs – the Saturday Morning All You Can Eat Cartoon Party and the web-series Crisis Jung (Baptiste Gaubert and Jérémie Hoarau, 2018). MMC! has already proclaimed the greatness of Crisis Jung and we’re loath to spoil Keir-La Janisse’s program of Saturday morning content given that it continues to tour festivals and cinematheques. Themes do tend to run through the Cartoon Party programs and “women’s lib” stood at the forefront with cartoon episodes on equal opportunity, commercials for the YWCA, and PSAs that addressed federal pay equity laws through iconic comic book figures. The Cartoon Party enjoyed a large audience that was quick to applaud for great content and progressive messages and to shout along with the enthusiastic narration of the cartoons. Expect to see another Cartoon and Cereal Party at SFFF 2019!

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Piercing (Nicolas Pesce, 2018) – Ithaca Fantastik 2018

A MODERN SCREWBALL GIALLO

Family man Reed (Christopher Abbott) is going on a business trip but in lieu of a suitcase filled with clothes, he’s packed a toothbrush, a murder kit, and a plan to kill a prostitute so can rid himself of his homicidal impulses and continue to be a good husband and father. That call girl, an alluring but unusual woman named Jackie (Mia Wasikowska), is more than he bargained for and the balance of control over their fraught meeting begins to sway back and forth between the two. Before the night is over, a feverish nightmare unfolds, and Reed and Jackie seal their strange bond in blood.

Based on the critically acclaimed cult novel by Ryu Murakami (Audition), director Nicolas Pesce (The Eyes of My Mother) blends psychological horror with screwball comedy and sets it against an iconic giallo score, resulting in a sly take on the fantasy of escape and the hazards of modern romance.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with writer/director Nicolas Pesce
  • Making-of documentary
  • Piercing Murakami: Japanese film scholar Tom Mes on the source novel
  • Knowing the Score: Giallo music expert Jon Dobyns on the music of Piercing
  • According to Plan: New interviews with actors Christopher Abbott, Mia Wasikowska, and Laia Costa
  • Original theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by critic Wendy Ide Continue reading

SFFF Day 3 – Hard Knock Lives

‘Stead of treated, the kids were getting tricked on Day 3 of the Saskatoon Fantastic Film Festival. Certainly the SFFF’s most celebrated film was Issa López’s festival darling Tigers Are Not Afraid (2017). MMC! has discussed López’s film on more than one of occasion, and so we’ll take its greatness as read and briefly discuss Jérémy Comte’s Fauve (2018), a Canadian short that feels tailor-made to open for Tigers. A Special Jury Prize-winner at this year’s Sundance Film Festival, Fauve concerns a pair of boys exploring a surface mine who “sink into a seemingly innocent power game with Mother Nature as the sole observer.” The short brings to mind Gus Van Sant’s Gerry (2002) and a very specific John Mulaney joke about an impression he had as a child, but these glib comparisons belie the truly heartbreaking nature of Comte’s film. Fans of Tigers would be well served to seek out Fauve.

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5 Great Reasons to Attend the Buried Alive Film Festival – The November 18th Edition!

The Buried Alive Film Festival wraps up this  Sunday and MMC! is here to tell you why you should go! In addition to another screening of The Golem with a live score by the band Samadha (just in case you miss the screening and performance this Friday), there are two feature films, two supporting shorts, the “Why Bury Good Meat?” short program, and BAFF’s awards ceremony.

There’s plenty of good stuff to see on BAFF’s final day and MMC! has its favourites. Here, dear readers, are five MMC!-approved titles to BAFF this Sunday:

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Eyeslicing Three Ways! – Ithaca Fantastik 2018

Our latest MMC! proposal is an art-horror favourite around these parts and will arrive tomorrow, just in time for Halloween. In the meantime, let’s get a jump on the 2018 Ithaca Fantastik with a trio of short films that screened as part of The Eyeslicer Halloween Special!

First up is Laura Moss’s Fry Day (2017), an atmospheric and disturbing film about a young woman who finds herself in uncertain circumstances when she joins three young men one evening. Fry Day occurs on the night of Ted Bundy’s execution, located on the pasture across from the Raiford prison where revelers celebrated, and the spectre of Bundy’s crimes adds a particularly oppressive air to an already unsettling situation. This is a gorgeous and crushing short film. Director Laura Moss has two films in The EHS, the other being the equally disturbing but decidedly more unusual Allen Anders – Live at the Comedy Castle (2018).

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