JAPAN’S JET ROCK ‘N’ ROLL SCI-FI ZOMBIE HORROR MASTERPIECE!
Ace, a rockabilly fan who really wants to be cool, is on his way to see his favorite rock band, Guitar Wolf, when some strange things occur … flying saucers invade the Earth and flesh-eating zombies rise from the grave! With the help of the (real life) Japanese rock-punk band Guitar Wolf, Ace negotiates an array of misadventures involving crazy rock managers in very tight shorts, transsexual love-interests, naked women shooting guns in the shower, and blood-thirsty zombies ready to tear them all apart! Music video director Tetsuro Takeuchi packs his début feature with everything you need: leather jackets, screeching feedback, laser guitar picks, motorcycles, muscle cars, and LOTS of fire! Think Dawn of the Dead meets Kiss Meets the Phantom of the Park with the humor of Evil Dead 2 and you start to approach riotous and ridiculous world of Wild Zero.
SPECIAL EDITION CONTENTS
- High Definition Blu-ray (1080p) presentation
- DTS-HD Master Audio 5.1
- Original Japanese soundtrack with optional, newly translated English subtitles
- Director Edgar Wright on Wild Zero
- Behind-the-scenes music video
- Guitar Wolf: Red Idol, director Tetsuro Takeuchi’s 2003 collection of videos, tributes, and live performances
- Original trailer
- Reversible sleeve featuring original and newly commissioned artwork by Rockin’ Jelly Bean
- FIRST PRESSING ONLY: Collector’s booklet featuring new writing on the film by Japanese film expert Tom Mes
The Criterion Collection, a continuing series of important classic and contemporary films presents Thirty Two Short Films About Glenn Gould.
François Girard provides in this unconventional bio-pic a compelling and memorable exploration of Canadian musician Glenn Gould, arguably the 20th Century’s greatest classical pianist. Through thirty-two elegantly constructed vignettes mixing drama, documentary, animation, and avant-garde, Girard reveals glimpses of Gould as performer, recording artist, humorist, outdoorsman, speculator, recluse, and iconoclast. Taken together, Thirty Two Short Films About Glenn Gould offers a prismatic understanding of Gould’s complex genius and his personal struggles without dispelling the enigmatic power of his legend.
A lot of time has been spent lately watching short films and some new favourites have been found, particularly from The All-Nighter Room, a Brooklyn based production company founded by Mickey Duzyj and specializing in distinctive animated and documentary shorts. First up is Duzyj’s The Shining Star of Losers Everywhere (2016), the story of Haru Urara, a Japanese racehorse with a massive losing-streak that became a national symbol of perseverance and pride in hard economic times. Next is Mickey Duzyj and Jeremy Johnstone’s Emmy and Webby nominated The Perfect 18 (2014) about IT manager Rick Baird’s perfect round of Putt Putt golf. Both films offer Duzyj’s clean, spare animation design, with the former subtly using colour to represent the expanding popularity of Haru Urara and the latter deploying this crisp style to elaborate on the precision required of competitive miniature golf. Both of these films are surprisingly affective and use the short film format to avoid allowing their subjects to become overblown.
The Criterion Collection, a continuing series of important classic and contemporary films presents Arthur Lipsett: In Between Artist.
Admired by cinema innovators like Stanley Kubrick, George Lucas, and Stan Brakage, Canadian filmmaker Arthur Lipsett was an experimental phenomenon within the National Film Board of Canada, creating avant-garde collage films that mapped the alienation of technological advancement and media saturation. These films, assembled from footage shot by Lipsett and collected from trimmings of other NFB productions, convey Lipsett’s view of increasing dehumanization under the pressures of modernity, yet they remains energetic and enthusiastic in their ironic juxtapositions and rapid-fire pace. This collector’s set provides a complete survey of Lipsett’s experimental works and four related films examining the life and art of one of experimental cinema’s most enigmatic filmmakers.
- New 2K digital restorations of all 8 films – Very Nice, Very Nice (1962), Experimental Film (1963), 21-87 (1963), Free Fall (1964), A Trip Down Memory Lane (1965), Fluxes (1968), N-Zone (1970), Strange Codes (1972) – with uncompressed monaural soundtracks on the Blu-rays
- Interview with director George Lucas
- Two Films by Lipsett, Donald Rennick’s 1967 documentary discussing Free Fall and A Trip Down Memory Lane with a group of teenagers
- Remembering Arthur, Martin Lavut’s 2006 feature-length documentary on his close friend, Arthur Lipsett
- The Arthur Lipsett Project: A Dot on the Histomap, a 52-minute documentary from 2007 by Eric Gaucher
- Lipsett Diaries, Theodore Ushev’s 2010 animated short featuring narration by Quebecois filmmaker Xavier Dolan
- PLUS: A booklet featuring essays and capsules by Lipsett scholars William Wees and Fred Camper and filmmakers Brett Kashmere, Amelia Does, and Dirk de Bruyn
The Criterion Collection, a continuing series of important classic and contemporary films presents Miracle on 34th Street.
Hired by Macy’s flagship store at Herald Square to be its department store Santa, a jolly, white-whiskered man calling himself Kris Kringle soon has everyone in the Christmas spirit, all except his no-nonsense boss Doris Walker and her skeptical daughter Susan. Kris proves himself a valuable asset to Macy’s until the store psychologist has the kind old man committed to a mental hospital and he becomes the subject of a public trial. With his lawyer Fred Gailey at his side, Kris sets out to prove himself to be the one true Santa Claus, defending himself against Scrooges and skeptics alike. Nominated for the Best Picture Oscar and a winner for Best Original Story, Best Screenplay, and Best Supporting Actor for Edmund Gwenn’s performance as Kringle, Miracle on 34th Street was a summertime hit for 1947 and holiday classic ever after.
- New digital restoration of both the original black and white and the 1985 colorized versions of the film, with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary featuring actress Maureen O’Hara
- AMC Backstory – Miracle on 34th Street, a 22-minute examination of Miracle on 34th Street
- Fox Movietone News: Hollywood Spotlight, a newsreel featuring Edmund Gwenn accepting his Academy Award
- Macy’s Thanksgiving Day Parade: Floating in History, a featurette reviewing the iconic parade
- “The Miracle on 34th Street,” a 46-minute television production from 1955, made for The 20th Century-Fox Hour of the Stars and starring Thomas Mitchell and Teresa Wright
- Kinescope of the 1959 “Miracle on 34th Street” adaptation for NBC Friday Night Special Presentation
- The 1973 made-for-TV movie of Miracle on 34th Street starring Jane Alexander and Sebastian Cabot
- Lux Radio Theatre adaptations from 1947, 1948, and 1954 featuring Maureen O’Hara, John Payne, and Edmund Gwenn
- Screen Directors Playhouse adaptations from 1949 and 1950 starring Edmund Gwenn
- Promotional short
- Poster Gallery
- PLUS: A new essay by film critic Chuck Stephens and Valentine Davies’ 1947 novella.
Patriotism has never been as trippy as it is in Vincent Collins’ 200 (1975), a psychedelic commission from the US Information Agency for the American bicentennial. We were lucky enough to see the short in Kier-La Janisse’s latest Saturday Morning All-You-Can-Eat Cereal Cartoon Party and the audience loved it (particularly the moment when hamburgers come sailing from the Horn of Plenty). So salute the flag and check yourself for epilepsy, just as the founding fathers intended!
200 coincidentally marks MMC!‘s 200th post! Big thanks to you crazy kids (both of you) who stop by MMC!‘s tiny corner of the worldwide inter webs, and thanks in advance to that lone reader who will see us to 400!