Taxidermia (Gyorgy Palfi, 2006)

A BAD TRIP(TYCH) THROUGH HUNGARIAN HISTORY.

AV_Inferno_DVD_.inddThree stories. Three eras. Three men. One is an orderly in a remote outpost during World War II consumed by lust but who passes the boredom by spying on the women around him and discovering his ability to ejaculate fire. The next is his son, a corpulent speed-eater competing for the glory of the Communist state and the attention of a hefty female colleague. The last is their son, a master taxidermist in the post-socialist era who turns his trade onto himself with gruesome effect. This is Taxidermia, a grotesquely surreal offering from director György Pálfi that inscribes the history of his native Hungary into the unusual bodies of three generations of men who are all damned from birth. Based in part on the stories of Lajos Parti Nagy, Pálfi creates a queasy masterpiece of historical body horror not recommended for the squeamish.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • Original DTS-HD Master Audio 5.1 audio
  • Optional newly translated English subtitles
  • Feature-length audio commentary with director György Pálfi
  • Making of Taxidermia behind-the-scenes featurette
  • Horrific Histories and Bachelor Machines, a brand new featurette with Steven Shaviro on the film’s political and philosophical underpinnings
  • Deleted scenes with optional director’s commentary
  • Visual design and concept gallery
  • Storyboards
  • Interactive game
  • Final Cut: Ladies and Gentlemen, Pálfi’s feature-length extravaganza of movie love and adventure pieced together from found-footage taken from Hollywood and abroad
  • Taltosember vs Ikarus, a short film by Pálfi with optional director commentary
  • Theatrical trailers
  • Illustrated collector’s booklet featuring new writing on the film by scholar László Strausz

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I Am a Fugitive from a Chain Gang (Mervyn LeRoy, 1932)

The Criterion Collection, a continuing series of important classic and contemporary films presents I Am a Fugitive from a Chain Gang.

criterion logoBased on I Am a Fugitive from a Georgia Chain Gang!, the autobiographical book of chain gang escapee Robert E. Burns, Mervyn LeRoy’s uncompromising and starkly realistic 1932 drama, about an out of work veteran twice railroaded into the hell of a Georgia chain gang, still has the power to shock. Paul Muni commands the screen in a brilliantly lived-in performance as a man whose only prospect is a life perpetually on the run, and the film’s gritty realism spares no anger at a cruel and unjust legal system. Eighty years later, I Am a Fugitive from a Chain Gang remains the studio era’s greatest social message film and it stands as a crucial turning point for Warner Bros., Paul Muni, Robert E. Burns, and the American prison system.

SPECIAL FEATURES:

  • New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
  • Audio commentary from 2005 by film historian Richard B. Jewell
  • Vintage musical short 20,000 Cheers for the Chain Gang!
  • The Man Who Broke 1,000 Chains, a 1987 TV movie starring Val Kilmer and adapting Robert E. Burns’ I Am a Fugitive from a Georgia Chain Gang
  • Theatrical trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: A new essay by TCM film historian and author Scott McGee

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A Place in the Sun (George Stevens, 1951)

The Criterion Collection, a continuing series of important classic and contemporary films presents A Place in the Sun.

criterion logoBased on Theodore Dreiser’s landmark novel An American Tragedy, George Stevens’ A Place in the Sun is a swooningly noir-stained melodrama featuring Montgomery Clift as a handsome young man eager to win a place in respectable society. His ambitious dream seems to fall into place when he accepts a job offer from a wealthy relation and falls deeply in love with a beautiful socialite (Elizabeth Taylor), however a secret relationship with a factory girl (Shelley Winters) and her pregnancy threatens his future and inspires his murderous impulses. Called “the greatest movie ever made about America” by Charlie Chaplin, Steven’s film skillfully alternates between affluent, sun-washed romance and shadowy, fateful film noir, crafting an idealized vision of movie love against a sour portrait of the American dream and what lies beneath it.

SPECIAL FEATURES:

  • New 4K digital master with uncompressed monaural soundtrack on the Blu-ray
  • Audio commentary with George Stevens Jr. and associate producer Ivan Moffat
  • New interview with film critic Imogen Sara Smith
  • George Stevens and His Place in the Sun, a 20-minute documentary on the making of the film
  • George Stevens: The Filmmakers Who Knew Him, archival interviews with Warren Beatty, Frank Capra, Joe Mankiewicz, Rouben Mamoulian, Antonio Vellani, Robert Wise, Alan J. Pakula, and Fred Zinnemann
  • Theatrical Trailer
  • Optional English subtitles
  • PLUS: An essay by film scholar Laurent Jullier

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The Vinni-Pukh Trilogy (Fyodor Khitruk, 1969/1971/1972)

Spring is here, Easter is this weekend, MMC!’s next imagined release is taking typically longer than expected, and it’s been some time since a post have gone up, so now seems like the perfect opportunity to offer something cute, furry, and vaguely off-centre. With that in mind, let’s take a moment to appreciate Fyodor Khitruk’s trilogy of short films adapting A. A. Milne’s beloved tales of Winnie-the-Pooh for Soviet audiences!

Khitruk’s trio of Vinni-Pukh films — Winnie-the-Pooh (1969), Winnie-the-Pooh Pays a Visit (1971), and Winnie-the-Pooh and a Busy Day (1972) — were made out of Soyuzmultfilm studios and without the director having seen Disney’s theatrical short Winnie the Pooh and the Honey Tree (Wolfgang Reitherman, 1966). Khitruk’s initial interest in the character came from English editions of Milne’s stories and he was only exposed to Boris Zakhoder’s Russian translations later. Zakhoder served as screenwriter to the Trilogy and he frequently clashed with Khitruk as Zakhoder promoted an approach faithful to the original stories while Khitruk sought to transform the material. The films reflect Khitruk’s vision, doing away with the authority-figure of Christopher Robin and presenting Milne’s characters living forest creatures, not stuffed toys brought to life. Pooh remains rather dim, but he is far more assertive and boisterous than Disney’s bear. The animation is wonderful, merging the primitiveness of children’s drawings with the clean abstraction of mid-century modernism and the earth-toned colour palettes of the ’60s and ’70s. The films adapt three stories from Milne’s original 1926 book, avoiding stories from Milne’s 1928 sequel, The House at Pooh Corner, which introduced the Tigger character. If these adaptations are new to you, congrats! You are now free from the adorable hegemony of the Disney films!

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Straight Time (Ulu Grosbard, 1978)

The Criterion Collection, a continuing series of important classic and contemporary films presents Straight Time.

In this highly underrated classic of ’70s crime cinema, Dustin Hoffman shrewdly stars as Max Dembo, an ex-con just released from a six-year stretch in prison for armed robbery and struggling to go straight while under the oversight of his smug parole officer. Despite finding a job, a home, and even a girl of his own, Max remains trapped in an unrelenting criminal system until he breaks free with ruthless, criminal abandon and tragic consequences. Adapted from Edward Bunker’s No Beast So Fierce, featuring a score by David Shire, and boasting a terrific supporting cast including Theresa Russell, Harry Dean Stanton, Gary Busey, M. Emmet Walsh, and Kathy Bates, Ulu Grosbard’s Straight Time is a lean and bitter portrait of inevitable recidivism.

SPECIAL FEATURES:

  • New 4K digital master with uncompressed monaural soundtrack on the Blu-ray edition
  • Audio commentary from 2007 with director Ulu Grospard and actor Dustin Hoffman
  • New interviews with actors Hoffman, Theresa Russell, and Kathy Bates
  • Straight Time: He Wrote It For Criminals, a 1978 documentary on writer Edward Bunker and the making of the film
  • Theatrical trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by novelist Jonathan Lethem

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Fly Me to the Saitama (Hideki Takeuchi, 2019) – Fantasia International Film Festival

SAITAMA IS WACK!

Municipal rivalries, bedroom community resentments, and capital city snobbery are made fantastically farcical in Hideki Takeuchi’s adaptation of Mineo Maya’s cult manga. In this alternate Japan, Tokyo is a luxurious metropolis surrounded by impoverished prefectures living in near feudal-era conditions. Momomi Dannoura (Fumi Nikaido), son of Tokyo’s governor and possessor of striking feminine beauty, rules a baroquely decorated academy and disdains the presence of any non-Tokyoites, particularly those from the Saitama prefecture. The arrival of the mysterious transfer student Rei Asami (GACKT) sparks an undeniable attraction in Momomi and starts a war of liberation between the disrespected prefectures and the opulent megacity. Can love and regional pride overcome big city corruption?

Fly Me to the Saitama is Japanese lunatic satire at its finest, balancing a storm of local inside jokes with universal tensions between slick urbanites and commuter belt wastelands. In between, the film stuffs wacky battles, gender-bending characters, outlandish wigs and costumes, and plenty of historical anachronisms all delivered with disarmingly earnest performances from a stellar cast. Book your ticket to this award-winning, box office smash and accept your Saitamafication!

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Newly translated English subtitles
  • Optional English subtitles for the deaf and hard of hearing
  • Audio commentary with director Hideki Takeuchi, creator Mineo Maya, and crew
  • Audio commentary by Japanese film scholar Mark Shilling
  • Interviews with cast and crew
  • Reverse Country Boasting Japan’s No. 1 Final Battle, a special promotional program for the film
  • Behind-the-scenes footage
  • Deleted scenes
  • Trailers
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Collector’s booklet featuring new writing by manga and cosplay scholar Emerald L. King and a new printing of Mineo Maya’s original 188-page manga

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