Short films led the charge on the Saskatoon Fantastic Film Festival’s third day with an eight film block of female focused shorts and another two short films that could have probably fit into the same section. Readers of last year’s coverage might recall my frustration with shorts that offer little more than spooky premises or creepy contexts, however you’ll find few such complaints amongst Day 3’s titles. Yfke van Berckelaer’s Lili (2019), an MMC! favourite at this year’s Buried Alive Film Festival, was screened, as did the Chattanooga Film Festival short, Sydney Clara Brafman’s gory and brief The Only Thing I Love More Than You is Ranch Dressing (2018). Adele Vuko’s The Hitchhiker (2018) was an entertaining blend of female road trip goodwill, real world violence, and well-timed supernatural intervention and was probably the easiest short to enjoy on Day 3. Valerie Barnhart’s Girl in the Hallway (2019) offered a true crime tragedy that powerfully wrestled with guilt, grief, and inaction through pained and worn stop-motion animation. Daniel DelPurgatorio returned to the SFFF with In Sound, We Live Forever (2019), a beautiful short in the agrarian horror mode that finds two young lovers beset by a monstrous killer in the rural American heartland. The short looks gorgeous, contrasting the serenity of its pastoral present against the intimacy and then terror of its past tense soundtrack, and it elegantly pivots into the full present tense to depict a desperate escape and a grim conclusion that posits the monstrous violence of the genre but also a kind of existential smallness that makes its horror seem almost meaningless.
The 2019 Buried Alive Film Festival wraps up this weekend at the 7 Stages Theatre in Atlanta, Georgia, and there’s plenty of great features and shorts to see. Over the next two days, BAFF offers five feature films and five short film blocks, plus a Troma-themed burlesque show! With a wealth of cinematic riches, MMC! is here to point the way with ten films to watch out for this Saturday and Sunday!
1. J.R. “Bob” Dobbs and the Church of the Subgenius (Sandy K. Boon, 2019)
One of MMC!’s BAFF favourites, Sandy K. Boon’s J.R. “Bob” Dobbs and the Church of the Subgenius examines the countercultural religion of “two self-proclaimed weirdos in Ft. Worth, Texas” and their crusade against normalcy. This documentary features wonderful interview subjects, including Richard Linklater, Penn Gilette, and Nick Offerman, as well as an array of Bob followers providing thoughtful reflection on 40 years of protecting their slack against the conspiracy. Subgenius is an intriguing companion to another popular 2019 portrait of an alternative religion, Penny Lane’s Hail Satan?, as both the Subgeniuses and The Satanic Temple embrace an absurdly theatrical image, however Boon’s film offers a mature reflection on cult’s complicated history that contrasts Lane’s earnestly sanitized presentation of the Temple as it searches for legitimacy. Preserve your slack and check out J.R. “Bob” Dobbs and the Church of the Subgenius at 2:00 on Sunday!