This year’s “Top Film Discoveries” list is still four months away but certain themes are already revealing themselves. In many ways, 2019 is MMC!‘s year of collage and found footage as it includes wonderful city symphonies like Berlin: Symphony of a Great City (Walter Ruttmann, 1927) and Études sur Paris (André Sauvage, 1928), Luigi Cozzi’s 1977 psychedelic remix of Godzilla (aka Cozzilla), and the activist work of Craig Baldwin. Our next two Criterion Collection proposals will celebrate the art of appropriation and so we set that table with this informative review of copyright principles prepared by Bucknell University Professor Eric Faden. Be careful not to take the existence of A Fair(y) Use Tale (2007) as a statement on its legality as Disney never challenged Bucknell’s use of its content. Take this instead as evidence that the only thing that trumps the Mouse House’s enforcement of copyright is its care not to establish a disadvantageous legal precedent.
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
Re-discover the Pussycats, Josie (Rachael Leigh Cook), Melody (Tara Reid), and Val (Rosario Dawson), three small-town musicians with big dreams but little future! The chance of a lifetime arrives out of the blue when Wyatt (Alan Cumming) of MegaRecords signs them to an awesome recording contract without even hearing them play. Suddenly, Josie and the Pussycats are living life in the fast lane with sold-out concerts, chartered jets, a number one single, and global stardom. Their good fortune comes at price however and the Pussycats soon discover that they’re being used by their record label’s maniacal CEO Fiona (Parker Posey) to control the youth of America. Featuring a hit soundtrack of pop-punk songs and purr-fectly hilarious performances, Josie and the Pussycats is a modern cult classic about friendship, rock music, and capitalist conspiracies.
- NEW HD Film Transfer
- NEW “Back To Riverdale” With Directors Deborah Kaplan and Harry Elfont and Stars Rachael Lee Cook, Rosario Dawson, and Tara Reid
- NEW “Here and Meow” With Singer Kay Hanley
- NEW “In Through The Backdoor” With Actors Seth Green, Donald Faison, and Breckin Meyer
- Audio Commentary With Directors Deborah Kaplan and Harry Elfont and Producer Marc Platt
- Backstage Pass
- Deleted Scenes
- Josie and the Pussycats “3 Small Words” Music Video
- Dujour “Backdoor Lover” and “Dujour Around The World” Music Videos
- Theatrical Trailer
- Production Notes
The 2019 Chattanooga Film Festival is now done and dusted and its winners have been announced. Giovana Olmos won the Student Filmmaker Award for Sweet Tooth, Dylan Meyer took the prize for Best Short with Rock Bottom, Andi Morrow’s Pusher the Movie won for Tennessee Filmmaker, Bethany Brooke Anderson won Best Feature for Burning Kentucky, and the Audience Prize went to Billy Senese’s The Dead Center. Senese’s film, shot in Nashville, was the only award-winner that I saw and it was an enjoyable horror experience, featuring an ancient evil unexpectedly held in a hospital’s psychiatric ward and a frustrated doctor forced to face this unexpected threat. The filmmaker’s own experiences with mental illness obviously inform The Dead Center and the film finds legitimate scares in the friction between its institutional setting and its supernatural menace. Still, the movie fails to make the most of its concept by remaining too vague in its characters and its monster, missing opportunities to ratchet up its stakes and bring its audience even closer to The Dead Center‘s dark core. I would encourage horror fans to check out The Dead Center but MMC! had favourites of its own and the best of the best were found in the “CFFeatures” section.
Let’s kick off this “Trailer Tuesday” with the Janus Films trailer for Jackie Chan’s two Police Story films. This sizzle reel for every wild stunt and action sequence in the two movies is as thrilling as they come. I had never really imagined that a future Criterion release would boast “NEW ASS-KICKING 4K RESTORATIONS” but here we are and I’m grateful for it. These films arrive to the Collection on April 30 so start hydrating now!
I feel like 2018 is the year that the internet had enough of people saying that Die Hard (John McTiernan, 1988) is a Christmas movie and I’m thankful. Don’t get me wrong; I love me some Die Hard but the self-congratulatory smugness of the Die Hard-as-Christmas classic declaration had its day long ago. To both celebrate and hopefully memorialize this effort in a once clever and now tired idea, MMC! wishes everyone a safe and happy holidays with Brad Neely’s 2009 Baby Cakes short, The In-House Carol, a crudely fashioned and hilariously daft portrayal of Die Hard love gone too far.
SEASON’S GREETINGS TO ALL!!!
October is upon us and that means horror-themed shorts here at MMC!
We kick off our month with a trio of Lovecraftian parody films by Canadian writer-director Joseph Nanni. In the hustle and bustle of our workaday lives, it’s easy to forget the invisible world that exists alongside ours, abiding in slumber its fearsome indifference to our small place in an ancient multiverse. Thank goodness religion, medicine, and insurance are doing their parts to protect us!
Elder Sign (Joseph Nanni, 2009)
The Necronomicon (Joseph Nanni, 2009)
HP Lovecraft Insurance (Joseph Nanni, 2015)