Trailer Tuesday

The Criterion Collection’s announcements for January 2018 sees the return of G. W. Pabst to the Collection, the long-expected arrival of John Hughes with a less-expected title, a Ken Loach Palme d’Or winner,  and the return of the Eclipse series! From a trailer perspective, it is the release of Janus Films’ Night of the Living Dead 4K restoration trailer that has likely made the greatest waves. George Romero’s classic 1968 film has probably never looked better, even when it was first released.

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Trailer Tuesday – Gimli Film Festival Edition

Once an Icelandic colony, Gimli sits at the edge of Lake Winnipeg, a beach community in the province of Manitoba that is home to a couple of thousand residents and that hosts an ever growing film festival for five days each July. The seventeenth and latest iteration of the Gimli Film Festival was its largest so far, including approximately 45 feature films and various shorts. Needless to say, no attendee can see the entire program. I was lucky enough to attend for three of the five days of programming, making it to 14 screenings and avoiding the dozen plus titles I had already seen.

The hallmarks of the GFF are its free sunset screenings on the beach with its massive 11 metre tall screen set up out in the water. This year featured Twister (Jan de Bont, 1996), Footloose (Herbert Ross, 1984), The Neverending Story (Wolfgang Petersen, 1984), and the Criterion title Fantastic Mr. Fox (Wes Anderson, 2009). Classic car owners came out en masse for the screening of American Graffiti (George Lucas, 1973), lining the beach with some beautifully chromed vehicles, however the most inspired selection was Alfred Hitchcock‘s The Birds (1963) with Gimli and its gulls allowing Bodega Bay to spread out beyond the screen’s limits.

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The Incident (Larry Peerce, 1967)

The Criterion Collection, a continuing series of important classic and contemporary films presents The Incident.

As cynical and despairing a view of New York as you’re likely to find, Larry Peerce’s The Incident is a bitter pill clipping along a Bronx train line, gathering unsuspecting passengers and transforming them into the victims of two young thugs fresh from mugging a helpless old man. Tony Musante and Martin Sheen star as a pair of hoodlums who bait, taunt, and terrorize a melting pot of late-night commuters that includes a husband and wife with a sleeping child, a pair of young lovers, two soldiers recently returned home, an irritated Jewish couple, a bitterly anti-white African American man and his peaceful wife, and an introverted homosexual. Featuring performances by Beau Bridges, Ruby Dee, Jack Gilford, Brock Peters, Thelma Ritter, Donna Mills, and Ed McMahon, The Incident captures the social dissolution of late ’60s New York in the longest, tensest commute ever made between Mosholu Parkway and Grand Central.

Disc Features:

  • Restored 2K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
  • New interview with director Larry Peerce
  • New interview with actor Martin Sheen
  • Ride with Terror, a 1963 teleplay for The DuPont Show of the Week written and adapted from by Nicholas E. Baehr and starring Tony Musante, Vincent Gardenia, and Gene Hackman
  • PLUS: A new essay by Bruce Goldstein, director of repertory programming at New York’s Film Forum

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Aboard the Calypso – Sea and Cinema with Jacques Cousteau

The Criterion Collection, a continuing series of important classic and contemporary films presents Aboard the Calypso – Sea and Cinema with Jacques Cousteau.

Explorer. Inventor. Author. Conservationist. Filmmaker. Jacques Cousteau was an iconic figure in marine exploration, spending more than sixty years investigating undersea kingdoms and sharing his tales with the world. Over three award-winning feature films spanning twenty years, Cousteau reveals the beauty and dangers beneath the waves of the Red Sea, the Indian Ocean, the Mediterranean, and the frozen Antarctic, finding seldom seen tropical wonders, describing the pressures of living in an underwater base for weeks at a time, and persevering through the life or death struggle to survive at the South Pole. Both the committed naturalist and the keen showman, Cousteau portrayed his oceanic marvels with the idealism and the spectacle of science fiction and inspired generations to care for alien worlds here at home and no longer hidden from view.

Special Edition Three-Blu Ray Set Features:

  • New high definition digital transfers of The Silent World, World Without Sun, and Voyage to the Edge of the World, with uncompressed monaural soundtracks on the Blu-rays
  • French and English-language audio tracks
  • Introductions by Wes Anderson, James Cameron, and Werner Herzog
  • Of Silence and Men: The Pioneers of The Silent World, a 50-minute documentary featuring interviews with Jacques Cousteau, co-director Louis Malle, camera designer André Laban, Cousteau scholar Franck Machu, and Malle biographer Pierre Billard
  • Two Men, A Masterpiece, an interview with Jacques Cousteau and Louis Malle
  • The Silent World’s Legacy, interviews with Jacques Cousteau, Luc Besson, and Jacques Perrin
  • Early films of Jacques Cousteau: 18 Meters DeepShipwrecksLandscapes of Silence, Seals in the Sahara, Around a Reef, Off Tunisian CoastsOne sortie du “Rubis,” SCUBA DiaryDanger Under the SeaRhythm on the Reef, and The Red Sea
  • Station 307 and The Fountain of the Vaucluse, a pair of short films by Louis Malle made in collaboration with Jacques Cousteau
  • Edmond Séchan’s Academy Award-winning short The Golden Fish, produced by Jacques Cousteau
  • Restoration demonstration
  • Trailers
  • New and improved English subtitle translation
  • PLUS: A booklet featuring an essay by filmmaker Luc Jacquet and excerpts from Cousteau’s 1953 book The Silent World: A Story of Undersea Discovery and Adventure

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Trailer Tuesday

It’s easy to look at the Criterion Collection’s July announcements as being rather slim, but the announcement of Andrei Tarkovsky’s Stalker (1979) is a long awaited dream finally come true for cineastes. And if the thinness of new edition’s supplements have muted your enthusiasm, one look at the trailer for the 2017 restoration may be the answer to all your anxieties. I would daresay that this trailer nearly shows an entirely new film to me. This could be a revelation.

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They Shoot Horses, Don’t They? (Sydney Pollack, 1969)

The Criterion Collection, a continuing series of important classic and contemporary films presents They Shoot Horses, Don’t They?

On the Santa Monica Pier, in the shabby La Monica Ballroom, a bizarre Depression-era fad unfolds – the dance marathon. A worn out collection of hopefuls (Jane Fonda, Michael Sarrazin, Susannah York, Bonnie Bedelia, Red Buttons, and Bruce Dern) compete in hopes that a Hollywood casting agent spots them or that they at least win the contest’s $1,500 cash prize. But the competition is a grueling public spectacle, lasting thousands of hours and taking weeks to proceed, leaving dignity and salvation farther and farther away. Based on Horace McCoy’s brutally poetic novel and featuring stand-out performances including Gig Young’s award-winning role as the marathon’s huckstering emcee, Sydney Pollack’s seminal film puts a cap on 1960s idealism and paints a bleak portrait of the American Dream that still resonates today.

Disc Features:

  • New 2K digital transfer, presented with uncompressed stereo on the Blu-ray edition
  • Audio commentary by director and producer Sydney Pollack
  • Audio commentary with Jane Fonda, producer Irwin Winkler, former president of ABC Pictures and talent agent Martin Baum, Bonnie Bedelia, Michael Sarrazin, Red Buttons, and legendary hair stylist Sydney Guilaroff
  • New interviews with actors Jane Fonda, Bruce Dern, and Bonnie Bedelia
  • New interview with film critic Kim Morgan
  • New interview with filmmaker Sarah Gertrude Shapiro discussing They Shoot Horses and introducing her 2013 short film Sequin Raze
  • Original featurette on the making of the film
  • Trailer
  • PLUS: A booklet featuring an essay by film scholar Scott MacDonald, composer John Green’s musical continuity notes, Pollack’s forward to the screenplay, and notes, pictures, and diagrams taken from Pollack’s shooting script; a new paperback edition of McCoy’s original novel

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