Is everyone having a great holiday season? Let’s make sure!
Today is Boxing Day and what better way to observe it than with this hilarious reconsideration of Rocky Balboa’s triumphant Christmas Day victory over Ivan Drago, a boxing match for which the Italian Stallion gave up his championship in order to defeat the man who killed Apollo Creed. Who could have expected that this unsanctioned bout would become a landmark victory for democracy and a turning point in the Cold War. MMC!’s admiration for the ESPN’s 30 for 30 documentary series is no secret and this CollegeHumor parody is a pitch perfect pastiche of that sports program’s house style. All the high points are here – the James Brown performance, the robot, the whiffing swings, the lack of defence, and the inexplicable reversal of allegiances – and Max Kellerman’s appearance here is inspired, placing him right in his pugilistic wheelhouse. Sylvester Stallone’s Rocky IV (1985) got a new cut back in November as Rocky IV: Rocky x Drago that adjusted the aspect ratio, excised the exploding gloves intro, Paulie’s birthday, and the robot, recontextualized the events of Rocky III, diminished the role of Brigitte Nielsen and Hugo Boss, and made sundry other edits. I guess Rocky was right: Everyone (including Rocky IV itself) can change.
READY YOUR EYES. READY YOUR SOULS. PREPARE TO MEET YOUR MAKER.
Follow the Assassin, Mad God’s silent soldier, on his mysterious mission through Miltonesque worlds filled with grotesque monsters, mad scientists, and savage war pigs. This darkly surreal realm where nightmares roam free is forged from the subconscious mind of legendary visual effects and stop-motion craftsman Phill Tippett (contributor to the original Star Wars trilogy, Robocop, Jurassic Park, and Battleship Troppers). Commenced over thirty years ago and later resurrected at the behest of animators at Tippett’s Berkeley studio, this ambitious personal project employed hundreds of puppets, dozens of environments, and a crew of more than 60 artists who painstakingly animated every set, creature, and effigy in this macabre masterpiece.
Each element of Mad God is independently created and hand-crafted from its creator’s heart. At times, that heart bursts with love for its craft, while at other times it is morbidly gruesome, punctured and left bleeding. Altogether, Mad God is a testament to the power of creative grit and an homage to the timeless art of stop motion animation.
Limited Edition Contents:
High Definition Blu-ray (1080p) presentation
Original DTS-HD Master Audio 5.1 audio
Introduction by filmmaker Guillermo del Toro
Audio commentary by filmmaker Phil Tippett and special effects artist Dan Martin
We all love Christopher Nolan, right? With his high concept structures, embedded narratives, elliptical storytelling, and problematized causalities and memory projects, what’s not to love? If your answer is massive budgets and less than mind-blowing executions, then the 2021 Fantasia International Film Festival has you covered with a pair of highly inventive, totally mind-bending, and decidedly handcrafted gems!
You would be hard pressed to find anything at Fantasia 2021 as simple and clever as Junta Yamaguchi’s Beyond the Infinite Two Minutes. Cafe owner Kato (Kazunori Tosa) returns to his upstairs apartment one evening and finds himself unexpectedly visited on his computer screen by himself two minutes into the future and speaking from a computer screen in the coffee shop. As Kato tries to make sense this micro-time loop, employees and friends arrive and begin playing with the phenomena, managing to modestly extend the loop by placing the screens in front of each other and creating repeating images of the screen each two minutes farther away than the last. Options for fun and profit remain limited in their DIY time tunnel but shenanigans naturally ensue through the interventions of a potential love interest, a couple of gangsters, and pair of mysterious men.
Set in a future world where dreams are taxed by the federal government, co-writer/co-director Kentucker Audley plays James Preble, a dream auditor sent to the remote home of Arabella Isadora (Penny Fuller) to assess the elderly eccentric’s vast collection of VHS-recorded dreams. In her dreams, James meets her younger self (Grace Glowicki), traverses a vast dreamscape, and uncovers the sinister truth behind dreams and his love of Cap’n Kelly fried chicken. Time between dreams and reality pass differently and James’ existence is tested as he searches for his dream-Arabella while also negotiating the intrusion of her family in real life.
Strolling Through Dream/Time
Both Beyond the Infinite Two Minutes and Strawberry Mansion explore the stretch and squash of time on causality and reality in deceptively lo-fi terms. Junta Yamaguchi’s film was born from an acting workshop of the popular theatre group Europe Kikaku and was shot on an iPhone, recalling recent Japanese puzzle box films like One Cut of the Dead and Special Actors. Audley and Birney’s film was shot digitally, then transferred to 16mm to give it a home movie haziness, and its thrift store costumes and craft store props give it a Gondry-esque playfulness that is archly twee but still sufficiently foreboding. Buttressed by their own limitations, these films are dreamier, loopier, and more intriguing than any of Christopher Nolan’s massive science fiction epics. And to demonstrate that brevity is the soul of wit, it should be noted that you can watch Beyond the Infinite Two Minutes and Strawberry Mansion in less time than it takes to see Inception, Interstellar, or Tenet.
Both Beyond the Infinite Two Minutes and Strawberry Mansion are on-demand titles at the 2021 Fantasia International Film Festival waiting to be watched whenever it is convenient to you, but be warned — less than a week of Fantasia remains and Festival deadlines are far less forgiving that the temporal rules of either of these films.
The Criterion Collection, a continuing series of important classic and contemporary films presents Simon & Garfunkel: Songs of America.
Directed by their friend Charles Grodin and airing almost two months before the release of Bridge Over Troubled Water, Paul Simon and Art Garfunkel’s 1969 television special Simon & Garfunkel: Songs of America previewed their landmark album and shows the two on stage, in the studio, and on a concert tour across a turbulent country. The documentary follows the duo in cinéma verité style while interspersing footage of the social movements that defined a nation growing more aware, more sophisticated, and more complex. The special’s initial sponsor infamously balked at footage of Cesar Chavez and the United Farm Workers, the Poor People’s March on Washington, and the recently slain Martin Luther King, Jr., President John F. Kennedy, and Senator Robert F. Kennedy. Though unpopular at the time, Songs of America has become an enduring portrait of an era and of Simon & Garfunkel as artists, with incisive commentary provided by iconic songs like “America,” “The Boxer,” “Scarborough Fair,” “Mrs. Robinson,” “The Sound of Silence,” “El Cóndor Pasa (If I Could),” and “Bridge Over Troubled Water.”
New high-definition digital restoration with uncompressed monaural soundtrack on the Blu-ray edition
Robert Ryan’s 1969 introduction to the television special
The Harmony Game, Jennifer Lebeau’s 2011 feature-length documentary on the making of Simon and Garfunkel’s Bridge Over Troubled Water album
Remembering Chuck, new interviews with Simon and Garfunkel on their personal and professional friendship with Grodin
Saturday Night Live sketch from 1977 featuring Charles Grodin, Paul Simon, and Art Garfunkel
PLUS: A new essay by rock journalist Ben Fong-Torres
The Criterion Collection, a continuing series of important classic and contemporary films presents A Place in the Sun.
Based on Theodore Dreiser’s landmark novel An American Tragedy, George Stevens’ A Place in the Sun is a swooningly noir-stained melodrama featuring Montgomery Clift as a handsome young man eager to win a place in respectable society. His ambitious dream seems to fall into place when he accepts a job offer from a wealthy relation and falls deeply in love with a beautiful socialite (Elizabeth Taylor), however a secret relationship with a factory girl (Shelley Winters) and her pregnancy threatens his future and inspires his murderous impulses. Called “the greatest movie ever made about America” by Charlie Chaplin, Steven’s film skillfully alternates between affluent, sun-washed romance and shadowy, fateful film noir, crafting an idealized vision of movie love against a sour portrait of the American dream and what lies beneath it.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray
Audio commentary with George Stevens Jr. and associate producer Ivan Moffat
New interview with film critic Imogen Sara Smith
George Stevens and His Place in the Sun, a 20-minute documentary on the making of the film
George Stevens: The Filmmakers Who Knew Him, archival interviews with Warren Beatty, Frank Capra, Joe Mankiewicz, Rouben Mamoulian, Antonio Vellani, Robert Wise, Alan J. Pakula, and Fred Zinnemann
The Criterion Collection, a continuing series of important classic and contemporary films presents Straight Time.
In this highly underrated classic of ’70s crime cinema, Dustin Hoffman shrewdly stars as Max Dembo, an ex-con just released from a six-year stretch in prison for armed robbery and struggling to go straight while under the oversight of his smug parole officer. Despite finding a job, a home, and even a girl of his own, Max remains trapped in an unrelenting criminal system until he breaks free with ruthless, criminal abandon and tragic consequences. Adapted from Edward Bunker’s No Beast SoFierce, featuring a score by David Shire, and boasting a terrific supporting cast including Theresa Russell, Harry Dean Stanton, Gary Busey, M. Emmet Walsh, and Kathy Bates, Ulu Grosbard’s Straight Time is a lean and bitter portrait of inevitable recidivism.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray edition
Audio commentary from 2007 with director Ulu Grospard and actor Dustin Hoffman
New interviews with actors Hoffman, Theresa Russell, and Kathy Bates
Straight Time: He Wrote It For Criminals, a 1978 documentary on writer Edward Bunker and the making of the film
English subtitles for the deaf and hard of hearing