Master of the Flying Guillotine (Jimmy Wang Yu, 1976)

IT’S A MEAN MACHINE – CUTS YOUR HEAD OFF CLEAN!

This classic martial arts death match pits two wuxia icons against each other – the famed One-Armed Boxer (Hong Kong superstar Jimmy Wang Yu) versus a blind assassin (veteran character actor Kam Kong) and his legendary Flying Guillotine. Set in 1730, during the early part of the Ching dynasty, ethnic Chinese Hans formed bands of rebels to fight their Manchurian oppressors. After the One-Armed Boxer, a stoic kung fu expert and Han revolutionary, disposes of two would-be assassins, their master, a formidable blind emissary of the Ching posing as a Buddhist monk, swears revenge, searching out every one-armed martial artist and snatching their heads with his tethered decapitation device called the Flying Guillotine.

Arguably the most famous Hong Kong martial arts film of the post-Bruce Lee, pre-Jackie Chan period, this independently-produced classic is more popular than ever, with a legacy extending to films like Kill Bill and video games like Street Fighter and Mortal Kombat. With its wild, fantasy face-offs and its cosmic Krautrock soundtrack, Master of the Flying Guillotine is undoubtedly a film worthy of losing your head over!

Special Features:

  • New High Definition digital transfer
  • High Definition Blu-ray (1080p) presentation
  • Original Mandarin version and English dub track (uncompressed on the Blu-ray Disc)
  • New optional English subtitle translation
  • Audio commentary with film critics Andy Klein, Wade Major, and Alex Luu
  • Interviews with star/director Jimmy Wang Yu
  • Spinning Vengeance – director Quentin Tarantino on Master of the Flying Guillotine
  • Design for Decapitation – Grant Imahara on the mechanics of the Flying Guillotine
  • Trailers
  • Reversible sleeve featuring newly commissioned artwork
  • Illustrated collector’s booklet featuring new writing by Craig Lines

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I, the Executioner (Tai Kato, 1968)

AV_Inferno_DVD_.inddMMC! rounds out this proposed Tai Katô set with another film from the director’s tenure at Shochiku and arguably the best work considered here – Minagoroshi no reika (1968), otherwise known as I, the Executioner or Requiem for a Massacre. Of course, you don’t have to take my word for it; Tony Rayns shouts his admiration for I, the Executioner loudly from the rafters of the Time Out Film Guide.

Up there with Oshima’s Violence at Noon and Imamura’s Vengeance is Mine as one of Japan’s most disturbing anatomies of a serial killer, Kato’s shattering film eschews suspense (it confronts male violence against women head-on from its very first shot) in favour of mystery. What links the murders of five women with the suicide of a 16-year-old delivery boy? Plodding cops (one with a bad case of piles) investigate, and solarised flashbacks eventually provide a denouement, but the near metaphysical ending ensures that the mystery somehow lingers. Kato anchors it in location-shot observation of Tokyo’s quotidian realities, which makes the unorthodox approach to questions of sexual politics all the more bracing.

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Shameless Self-Promotion

Kill Bill PostersI’m pleased to announced that my list of 24 Great Revenge Movies Referenced in ‘Kill Bill’ is live at Taste of Cinema.  Why not head over there, check it out, and browse around a lot of other great movie lists?

Big thanks to Taste of Cinema for letting me contribute to the site and for their patience while the list was prepared!  They did a great job putting the post together and selected some fantastic images from each of the films.  Plus, it was an excellent excuse to revisit a number of these movies.

Why not contribute a list yourself?  Head on over and find out how!