Have a Happy Halloween with Nick Cross!

What’s scarier than the exploitation of capitalist culture, our societal collapse into a dystopian nightmare, and our inexorable march into cosmic obliteration? Answer: Nothing. And so MMC! celebrates this All Hallow’s Eve with a trio of animated mind-melters from Canadian animator Nick Cross. First up is The Pig Farmer (2010) – “a simple tale of a wayward soul, awash in an ocean of tragedy and regret.” Well, that and various pork-related gags. Don’t be fooled by the fairy tale-vibe and cutesy look; this short ain’t for the kids!

Next up is Perihelion (2013), “a sort of animated tone poem” inspired by German Expressionist and Surrealist painters of the early 20th Century like Otto Dix, Richard Oelze, Ingrid Griebel-Zietlow, Rudolf Schlichter, and Max Ernst, as well as Francisco Goya. The short operates as something of a Möbius strip tracking a cycle of human downfalls. The effect is amazing in execution and awful in vision. You’re welcome!

Lastly, we wrap up this dispiriting tribute to Nick Cross with The Clockwork Elves (2020). Cross’s summary of the short is questionable: “The Clockwork Elves could be a pyschotropic exploration of spirituality and death – or it could be a tale of a little goofball hopped up on goofballs. Either way — it’s a cartoon.” Made single-handedly over seven years, the short takes the animator’s critiques of late capitalism deeper into the psychedelic nightmare than ever before, creating a vision quest montage that is amazingly spectacular, shockingly vibrant, and exceptionally apocalyptic. This is the squished and squashed, cutesy-pie version of Pearl Jam’s “Do the Evolution” video and it’s just as bracing.

If all of this is a bit too nightmarishly heavy for you, then MMC! recommends revisiting Over the Garden Wall (2014), a modern Halloween classic that perfectly celebrates American colonial folklore, historical commercial art, and East Coast animation. Cross worked as the series’ art director and it should be required viewing for any Halloween fanatic.

STAY SAFE KIDS, AND HAVE A

HAPPHALLOWEEN!

Office Royale (Kazuaki Seki, 2021) – Fantasia International Film Festival 2021

THE OL BATTLE ROYALE BEGINS!

AV_Inferno_DVD_.inddNaoko Tanaka (Mei Nagano) is a 26 year-old office lady – a secretarial and clerical worker in a large Japanese company. Her job at Mitsufuji is reliable, the atmosphere is laid-back, and she has some friendly colleagues, but the fires of war burn brightly beneath the veneer of the office’s calm banality. Cliques of office ladies fight for departmental supremacy like sneering gangsters and posturing delinquents. These warring clans battle daily until a new employee arrives, Ran Hojo (Alice Hirose), armed with the strength and charisma of a manga hero to become the company’s top office lady and unite its competing factions. An unlikely friendship between Naoko and Ran is found, but what will happen to them and their company when powerful OL gangs from other companies arrive to test their honor and resolve? Can Ran, Naoko, and the office ladies of Mitsufuji survive the onslaught?

Director Kazuaki Seki’s debut feature is a hilarious, uproarious, action-packed send-up of workplace pettiness and office territorialism, pitting mild-mannered, pink-collar workers in vicious duels over coffee breaks and alongside photocopiers, all under the oblivious noses of their male superiors. Comedian Bakarhythm’s screenplay riffs on the conventions of Japanese comics with a witty meta-commentary and a furiously paced series of fights. Setting superhero grandeur in an unremarkable context, Office Royale is a hysterically energetic satire and a grandiloquent action spectacle.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • Original DTS-HD Master Audio 5.1 audio
  • Optional newly translated English subtitles on both films
  • Introduction by historian and critic Kim Newman
  • Yankees, Yakuza, and Making Copies, interview with director Kazuaki Seki
  • Heroic OL Diary, interview with screenwriter Bakarhythm
  • One-Punch Lady, interview with actress Mei Nagano
  • Ran’s House, interview with actress Alice Hirose
  • Press conference interviews with the cast
  • Behind-the-scenes footage
  • Deleted scenes
  • Theatrical trailers
  • Reversible sleeve featuring original and newly commissioned artwork by Ian McEwan

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Mad God (Phil Tippett, 2021) – Fantasia International Film Festival 2021

READY YOUR EYES. READY YOUR SOULS. PREPARE TO MEET YOUR MAKER.

AV_Inferno_DVD_.inddFollow the Assassin, Mad God’s silent soldier, on his mysterious mission through Miltonesque worlds filled with grotesque monsters, mad scientists, and savage war pigs. This darkly surreal realm where nightmares roam free is forged from the subconscious mind of legendary visual effects and stop-motion craftsman Phill Tippett (contributor to the original Star Wars trilogy, RobocopJurassic Park, and Battleship Troppers). Commenced over thirty years ago and later resurrected at the behest of animators at Tippett’s Berkeley studio, this ambitious personal project employed hundreds of puppets, dozens of environments, and a crew of more than 60 artists who painstakingly animated every set, creature, and effigy in this macabre masterpiece.

Each element of Mad God is independently created and hand-crafted from its creator’s heart. At times, that heart bursts with love for its craft, while at other times it is morbidly gruesome, punctured and left bleeding. Altogether, Mad God is a testament to the power of creative grit and an homage to the timeless art of stop motion animation.

Limited Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • Original DTS-HD Master Audio 5.1 audio
  • Introduction by filmmaker Guillermo del Toro
  • Audio commentary by filmmaker Phil Tippett and special effects artist Dan Martin
  • Fantasia International Film Festival 2020 live-streamed tribute, masterclass, and Lifetime Achievement Award with Phil Tippett, hosted by Rupert Bottenberg
  • Phil Tippett: Mad Dreams and Monsters, Alexandre Poncet and Gilles Penso’s 2019 documentary on the life and work of Phil Tippett
  • Worse Than the Demon, a short film by Phil Tippett’s daughter, Maya Tippett, on the making of Mad God
  • Dammit Phil, You Had One Job!, Phil Tippett on his infamous meme
  • Nightmare Music, new interview with composer Dan Wool on the music of Mad God
  • Trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Matt Frank
  • Double-sided fold-out poster
  • Illustrated collector’s booklet featuring new writing on the film by Sam Ashurst and a gallery of exclusive production writing and artwork by filmmaker Phil Tippett

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Trailer Tuesday – La Casa (Jorge Olguin, 2019)

It’s Tuesday and MMC! is aiming its spotlight at La Casa (2019), Jorge Olguin’s latest which drops on VOD today! Tired of his recent forays in big film productions and having seen a five year project fall apart, Olguin’s latest is a lean 75-minute effort that he calls “a full-on, classic haunted house movie.” He served as his own  writer, director, cinematographer, sound designer, composer, and editor on the project and his mere three-night shoot took Olguin a year to assemble in post-production. Olguin’s reward for his effort was a premiere of La Casa at the 2020 edition of the prestigious Sitges Film Festival.

La Casa is set in 1986, amid the brutal and repressive regime of Augusto Pinochet, and is based on accounts of the Casona Dubois, an infamous Santiago residence associated with various urban legends of unnatural mysticism and paranormal activity. Officer Arriagada (played by acclaimed Chilean actor Gabriel Cañas) is on duty one night patrolling the empty streets and enforcing the government-imposed curfew. Already troubled and distraught, Arriagada is sent to investigate complaints about noises emanating from a nearby home and he is drawn into the building by screams of a woman. Once inside, Arriagada in confronted with horrors connected to personal and national traumas that threaten him both physically and psychically. La Casa resembles contemporary found-footage horror cinema with its single-camera perspective, its concealed edits, and its progression in real-time, and Olguin’s technique is commendable, masking what is likely a limited budget and modest effects with a constrained point of view, evocative lighting, and an electronic score that would easily be overbearing were it not proceeding in such tight lockstep with the film’s visuals. The result is intensely impressionistic, making La Casa almost feel more like a walkthrough than a film, more like a ride than a story. It’s a highly affecting experience which is hardly subtle but thoroughly engrossing if you acquiesce to being pulled into its dark undertow. This trailer precisely expresses the experience of viewing La Casa and so, if you wish this minute and forty-second audio-visual experience could last another 73 minutes, Olguin’s film won’t disappoint.

Bloody Hell (Alister Grierson, 2020)

ONE HELL OF A FAIRY TALE

When a bank heist goes awry, Rex Coen (Ben O’Toole) spends eight years in prison and is hounded by the media on his release. The unwanted attention forces Rex to flee his hometown of Boise, Idaho, in search of anonymity in Finland, but his arrival in Helsinki lands him in a new, fresh hell. Gassed during his taxi ride from the airport, Rex wakes up drugged, beaten, and bound in the basement of a twisted family hiding a dark secret. With only his personified conscience to help him, Rex is in a race against time to save himself and a beautiful young woman (Meg Fraser) from his terrifying captors and a fate worse than death.

An action-horror-comedy that merges Fight Club with Fargo, Alister Grierson’s Bloody Hell is a raucous midnight crowd pleaser ready for fans of Sam Raimi, John Wick, and The Texas Chainsaw Massacre

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Boi To Hel, new interviews with cast and crew
  • Rex in an Ass-Kicking Contest, an interview with director Alister Grierson and lead actor Ben O’Toole on the film’s special effects
  • Behind-the-scenes footage and outtakes
  • Trailers
  • Reversible sleeve featuring two artwork choices

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David Byrne’s American Utopia (Spike Lee, 2020)

The Criterion Collection, a continuing series of important classic and contemporary films presents David Byrne’s American Utopia.

Deeply reflective and exceptionally high-spirited, David Byrne’s theatrical concert American Utopia stormed Broadway with the ex-Talking Head’s mix of iconic music and quirky ideas. With a collection of eleven talented musicians, singers, and dancers supporting him and informed by the work of James Baldwin, Janelle Monáe, Hugo Ball, and Kurt Schwitters, the show plucked at the connections between us and aimed to start making sense of it all. With director Spike Lee commemorating the show for the screen, David Byrne’s American Utopia transforms the stage production into an immersive, dynamic cinema experience that radiates with astounding performances, inventive contemporary dance, and political urgency. A clarion call for protest, compassion, and shared responsibility and a new masterpiece among concert films, David Byrne’s American Utopia is the life-affirming rock-doc arriving at precisely the right time, ready to burn down the house.

SPECIAL FEATURES:

  • 4K digital master, approved by director Spike Lee and David Byrne, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
  • Start Making Sense, a roundtable conversation with Lee, Byrne, musician Janelle Monáe, and critic Ashley Clark
  • One Fine Day, a new program of interviews with Lee, Byrne, and the film’s cast of performers
  • Slippery People, a conversation between choreographer Annie-B Parson and cinematographer Ellen Kuras
  • Remain in Light, an exploration of American Utopia stage design and its innovative lighting
  • Promotional discussions featuring Lee and Byrne
  • Meet the Band, introductory videos for the cast and crew
  • Additional performance of “Hell You Talmbout”
  • Trailer and teaser
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by film critic Robert Daniels

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