Nothing says Christmas like a post-apocalyptic rumination on peace by anthropomorphic rodents and so MMC! happily presents Hugh Harman’s Peace on Earth (1939) and its Cinemascope remake, Joseph Barbera and William Hanna’s Good Will To Men (1955). Peace on Earth’s anti-war sentiment is expressed through a grandfather squirrel who describes the senseless self-destruction of humankind through war (guessed at as a battle between vegetarians and meat-eaters). The short’s rotoscoped depictions of gas masked soldiers are chilling and provide a rather staggering contrast to the pleasantly plump and happily caricatured animals that now claim domain over the Earth. Hanna and Barbera’s post-World War II version manages to be even grimmer in its details, taking images of infantry helmets and gas masks and adding flame-throwers, machine guns, bazookas, missiles, and nuclear annihilation. In doing so, Good Will To Men brings man’s capacity for mutual destruction into fearsome relief. Both of these MGM shorts garnered Academy Award nominations and Peace on Earth in particular has developed a reputation in the animation field as being Harman’s masterpiece and a heralded classic of the form.
To all those who stumble into the blog (intentionally or not), Make Mine Criterion! wishes you and yours a Merry Christmas and a happy holiday season!
Stay safe, share some love, and watch something amazing!
The 2019 Buried Alive Film Festival wraps up this weekend at the 7 Stages Theatre in Atlanta, Georgia, and there’s plenty of great features and shorts to see. Over the next two days, BAFF offers five feature films and five short film blocks, plus a Troma-themed burlesque show! With a wealth of cinematic riches, MMC! is here to point the way with ten films to watch out for this Saturday and Sunday!
Check the BAFF schedule for program information to plan your burial and MMC!’s Letterboxd list for the Fest for more reviews!
1. J.R. “Bob” Dobbs and the Church of the Subgenius (Sandy K. Boon, 2019)
One of MMC!’s BAFF favourites, Sandy K. Boon’s J.R. “Bob” Dobbs and the Church of the Subgenius examines the countercultural religion of “two self-proclaimed weirdos in Ft. Worth, Texas” and their crusade against normalcy. This documentary features wonderful interview subjects, including Richard Linklater, Penn Gilette, and Nick Offerman, as well as an array of Bob followers providing thoughtful reflection on 40 years of protecting their slack against the conspiracy. Subgenius is an intriguing companion to another popular 2019 portrait of an alternative religion, Penny Lane’s Hail Satan?, as both the Subgeniuses and The Satanic Temple embrace an absurdly theatrical image, however Boon’s film offers a mature reflection on cult’s complicated history that contrasts Lane’s earnestly sanitized presentation of the Temple as it searches for legitimacy. Preserve your slack and check out J.R. “Bob” Dobbs and the Church of the Subgenius at 2:00 on Sunday!
‘Stead of treated, the kids were getting tricked on Day 3 of the Saskatoon Fantastic Film Festival. Certainly the SFFF’s most celebrated film was Issa López’s festival darling Tigers Are Not Afraid (2017). MMC! has discussed López’s film on more than one of occasion, and so we’ll take its greatness as read and briefly discuss Jérémy Comte’s Fauve (2018), a Canadian short that feels tailor-made to open for Tigers. A Special Jury Prize-winner at this year’s Sundance Film Festival, Fauve concerns a pair of boys exploring a surface mine who “sink into a seemingly innocent power game with Mother Nature as the sole observer.” The short brings to mind Gus Van Sant’s Gerry (2002) and a very specific John Mulaney joke about an impression he had as a child, but these glib comparisons belie the truly heartbreaking nature of Comte’s film. Fans of Tigers would be well served to seek out Fauve.
MMC! will cover the 2018 Buried Alive Film Festival by previewing each day of its programming, focusing on those wonderful films that achieve MMC!-approval!
With BAFF’s emphasis on short films and a full program of these titles playing each day the Fest, there’s hardly any limit on the number of good reasons to attend! BAFF kicks off on November 14 with a screening of the films made as part of its 3rd annual Sinema Challenge, a 13 day filmmaking challenge that sees its participants randomly select a horror genre and a subject from a deck of Cards Against Humanity cards and then make a movie based on their selections.
The Fest’s main program starts on November 15 with a feature, a supporting short film, and BAFF’s first short program: “For the Love of the Undertaker.” For those counting, that’s thirteen separate works in a single evening of film fest-ing! There’s lots to enjoy, but here are MMC!‘s five favourite reasons to BAFF next Thursday.
The Criterion Collection, a continuing series of important classic and contemporary films presents Demon.
Adapted from Piotr Rowicki’s 2008 play Adherence, Marcin Wrona’s Demon is a horrifyingly comic and darkly atmospheric exploration of suppressed histories and dissolving minds. Set at a crumbling Polish country house, Polish-Brit Piotr is set to marry his fiancée Zaneta and meet for the first time her appearance-conscious parents. But as the ceremony proceeds, Piotr begins to come undone, and a dybbuk, an iconic ancient figure from Jewish folklore, takes hold of the groom and the entire celebration. Combining horror movie possession with unearthed national traumas and frivolous consumption, Demon is a modern art-horror classic.
- 2K digital transfer with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- Almonds and Raisins, new interviews with actors Itay Tiran, Agnieszka Zulewska, and producer Olga Szymanska
- Theatrical trailer
- New English subtitle translation
- PLUS: An essay by film critic J. Hoberman
The Criterion Collection, a continuing series of important classic and contemporary films presents The Temple of Wild Geese.
Ayako Wakao stars as Satoko, mistress to an accomplished artist who passes her along on his death to the lascivious head priest of a prominent Buddhist temple famous for its paintings of wild geese. She is drawn to a melancholy young disciple who also resides at the temple in similar dependence to the priest and who is treated cruelly for his efforts. Fascinated by the pitiable young man and aware of their similarly impoverished upbringings, Satoko seeks him out, slowly drawing him closer to her and unwittingly placing further strain on his tortured soul. Yuzo Kawashima’s film, exquisitely shot by cinematographer Hiroshi Murai, is a sharply observed exploration of moral weakness and a darkly ironic adaptation of Tsutomu Minakami’s 1961 semi-autobiographical novel.
- New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New interview with critic, filmmaker, and festival programmer Tony Rayns
- New program with Eric Nyari on the film and its restoration
- New English subtitle translation
- PLUS: An essay by film scholar Irene González-López and Tsutomu Minakami’s original story