The 2019 Buried Alive Film Festival kicks off today with its Sinema Challenge screenings. Four days of feature and short film programming commence tomorrow with the “First Shovel in the Grave is Always Best!” Shorts Block and the hits just keep coming after that. In anticipation of BAFF, MMC! offers ten great reasons to get Buried Alive this Thursday and Friday. Laughs, scares, and some stomach-churning content awaits, so don’t miss it!
Check out BAFF’s schedule for screening details and check out my Letterboxd list of the Fest for MMC! reviews.
1. VFW (Joe Begos, 2019)
Full disclosure: I haven’t seen Joe Begos’ VFW (2019). That might make it an odd place to start for recommendations, however reviews for VFW have been uniformly positive. This throwback action film pits a collection of war veterans (and an innocent teen) against a drug dealer and a horde of mutant junkies. Recalling John Carpenter’s Assault on Precinct 13 (1976), Begos offers a intricate plot and a bounty practical effects, creating a gory, siege film spectacle. Word is that VFW is best seen with a crowd and one will surely be waiting at the 7 Stages Theatre on Friday at 8 pm.
HAPPY HALLOWEEN, BLOG FRIENDS!
In honour of this spooky season, MMC! offers 13 weird and wonderful small screen novelties from Halloweens past! It’s interesting to me that people decry the commercialization of Christmas and holidays invented by greeting card companies, yet no one ever complains about the capitalist exploitation of Halloween or being sold on horror. It’s a testament to the awesomeness of the Halloween season (and to horror generally) that it can avoid criticism of such conspicuous consumption. With that in mind, let’s relish history’s unusual efforts to sell us breakfast cereals, action figures, premium-rate numbers, and even DIY shrunken heads! (And if anyone wants to explain to me what happened to the apostrophe in “Hallowe’en,” I’d appreciate that too!)
Enjoy and stay safe, kiddos!
The Criterion Collection, a continuing series of important classic and contemporary films presents The Movie Orgy.
A send-up and a celebration of mid-century American kitsch, Joe Dante’s epic pop culture mash-up, The Movie Orgy, entertained college campuses through the late 1960s and 1970s, drawing upon an ever-changing library of ’50s drive-in movies, vintage commercials, TV westerns, and political speeches. Re-discovered and re-cut by Dante for a revival screening in 2008 into its 280 minute “Ultimate Version,” this legendary cinematic event is now available outside of theatres for the first time. SEE a colossal collage of nostalgia! SEE an experience of mind-rotting celluloid hysteria! SEE thousands of performers in roles that earned them obscurity! SEE bosomy starlets, juvenile delinquency, Christian puppetry, Elvis Presley, Groucho Marx, and Richard Nixon!
- High-definition digital transfer, supervised and approved by director Joe Dante, with uncompressed monaural soundtrack on the Blu-ray
- New interview with Dante
- Rated Z, archivist David Neary on the history and significance of The Movie Orgy
- Posters and promotional materials
- PLUS: An essay by director John Sayles
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
LONG TAILS AND EARS FOR HATS!
Re-discover the Pussycats, Josie (Rachael Leigh Cook), Melody (Tara Reid), and Val (Rosario Dawson), three small-town musicians with big dreams but little future! The chance of a lifetime arrives out of the blue when Wyatt (Alan Cumming) of MegaRecords signs them to an awesome recording contract without even hearing them play. Suddenly, Josie and the Pussycats are living life in the fast lane with sold-out concerts, chartered jets, a number one single, and global stardom. Their good fortune comes at price however and the Pussycats soon discover that they’re being used by their record label’s maniacal CEO Fiona (Parker Posey) to control the youth of America. Featuring a hit soundtrack of pop-punk songs and purr-fectly hilarious performances, Josie and the Pussycats is a modern cult classic about friendship, rock music, and capitalist conspiracies.
- NEW HD Film Transfer
- NEW “Back To Riverdale” With Directors Deborah Kaplan and Harry Elfont and Stars Rachael Lee Cook, Rosario Dawson, and Tara Reid
- NEW “Here and Meow” With Singer Kay Hanley
- NEW “In Through The Backdoor” With Actors Seth Green, Donald Faison, and Breckin Meyer
- Audio Commentary With Directors Deborah Kaplan and Harry Elfont and Producer Marc Platt
- Backstage Pass
- Deleted Scenes
- Josie and the Pussycats “3 Small Words” Music Video
- Dujour “Backdoor Lover” and “Dujour Around The World” Music Videos
- Theatrical Trailer
- Production Notes
MMC! was lucky enough to see Kier-La Janisse’s latest Saturday Morning All-You-Can-Eat Cartoon Party and the best of the program was Jerry Lieberman’s Huff ‘n Puff, an anti-smoking PSA for the American Cancer Society that riffs on the story of the Three Little Pigs with some strange gallows humour. We could only assume that the Big Bad Wolf died just after the short ended. The short seems to have been part of a larger campaign that included an illustrated story offered as a pamphlet. (If anyone knows the year this animated short was produced or released, I’d appreciate the info!)
The Criterion Collection, a continuing series of important classic and contemporary films presents A Face in the Crowd.
Before he brought Mayberry, North Carolina, into American homes and became an icon of moral rectitude as Sheriff Andy Taylor, Andy Griffith burst onto cinema screens as Lonesome Rhodes, a charismatic drifter with a canny, down-home wit and an avaricious taste for status and influence. After charming Arkansas radio reporter Marcia Jeffries (Patricia Neal) and becoming a local media star, Rhodes leverages his growing popularity into national television fame and a trusted position among political and industrial power-brokers. Gradually Rhodes is corrupted by his own success and his laid-back attitude gives way to a monstrous off-camera personality. With stand-out supporting performances by Walter Matthau, Anthony Franciosa, and Lee Remick, director Elia Kazan and screenwriter Budd Schulberg create a roaring statement against grassroots fascism, advertising fakery, and the pernicious influence of television on the political process.