The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.
While I keep trying to work out the best approach to the next MMC! proposal, let’s wonder at the trippy, loopy joy that is Double King. This hilarious tale of rippling, obsessive regicide trended hard earlier this year, but maybe a reminder for one of 2017’s best films (short or feature-length) is now in order. Give all the credit goes to Australian artist Felix Colgrave who took two years to create Double King and even composed the short’s music.
IT’S A MEAN MACHINE – CUTS YOUR HEAD OFF CLEAN!
This classic martial arts death match pits two wuxia icons against each other – the famed One-Armed Boxer (Hong Kong superstar Jimmy Wang Yu) versus a blind assassin (veteran character actor Kam Kong) and his legendary Flying Guillotine. Set in 1730, during the early part of the Ching dynasty, ethnic Chinese Hans formed bands of rebels to fight their Manchurian oppressors. After the One-Armed Boxer, a stoic kung fu expert and Han revolutionary, disposes of two would-be assassins, their master, a formidable blind emissary of the Ching posing as a Buddhist monk, swears revenge, searching out every one-armed martial artist and snatching their heads with his tethered decapitation device called the Flying Guillotine.
Arguably the most famous Hong Kong martial arts film of the post-Bruce Lee, pre-Jackie Chan period, this independently-produced classic is more popular than ever, with a legacy extending to films like Kill Bill and video games like Street Fighter and Mortal Kombat. With its wild, fantasy face-offs and its cosmic Krautrock soundtrack, Master of the Flying Guillotine is undoubtedly a film worthy of losing your head over!
- New High Definition digital transfer
- High Definition Blu-ray (1080p) presentation
- Original Mandarin version and English dub track (uncompressed on the Blu-ray Disc)
- New optional English subtitle translation
- Audio commentary with film critics Andy Klein, Wade Major, and Alex Luu
- Interviews with star/director Jimmy Wang Yu
- Spinning Vengeance – director Quentin Tarantino on Master of the Flying Guillotine
- Design for Decapitation – Grant Imahara on the mechanics of the Flying Guillotine
- Reversible sleeve featuring newly commissioned artwork
- Illustrated collector’s booklet featuring new writing by Craig Lines
MMC! keeps the humorous home invasion theme rolling for another day with Jason Kupfer’s Invaders (2014). Ricky Wayne and Jordan Woods-Robinson play a pair of would-be axe-maniacs who absurdly struggle with the aesthetic choices that go into being those creepy guys out on the lawn. Invaders offers an exceptionally gory, very funny view of terror gone wrong, making it an instant horror-comedy classic!
FUCKKKYOUUU‘s artistic statement reads:
With the ability to travel in time, a lonely girl finds love and comfort by connecting with her past self. Eventually faced with rejection she struggles with her identity and gender, and as time unfolds onto itself only one of them can remain.
With that synopsis in mind, Eddie Alcazar’s short is a sensorial barrage that contrasts the sensual with the horrific and annihilates any comfortable, easily accessible relationship with the film’s concept. The sound design of Flying Lotus is chillingly ethereal and operates in brooding compliment to the film’s shadowy visuals and knife-cut inserts. FUCKKKYOUUU is a densely packed voyage into sci-fi horror with undeniable affect, one that gains depth and power with multiple viewings.