Amid the success of The Street Fighter and Sister Street Fighter series, Toei Company had found a new star in Etsuko Shihomi and had created its first female martial arts hero, one that was tough, virtuous, and courageous. In 1975, Shihomi found herself in possibly her sleaziest film: 13 Steps of Maki: The Young Aristocrats, a pinky violence genre mash-up that mixed girl gangs, women in prison, yakuza, and martial arts action into a single sensational movie. As Maki Hyuga, Shihomi is the leader of the Stray Cats girl gang, fighting for justice against evil gangsters and stuck up rich girls. Though her karate skills are unsurpassed, Maki is framed and thrown into a sadistic women’s prison. Will she escape and take her revenge?
Making its worldwide Blu-ray debut, 13 Steps of Maki: The Young Aristocrats is paired here with Norifumi Suzuki’s The Great Chase, an oddball action flick released the same year and starring Etsuko Shihomi as a race car driver moonlighting as a secret agent. Filled with unceasing action, outlandish situations, and plenty of female resistance to male domination, 13 Steps to Maki and The Great Chase reveal new shades to Etsuko Shihomi’s stardom and stand as spectacular examples of Japanese exploitation in the 1970s.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation of 13 Steps of Maki: The Young Aristocrats and The Great Chase
Original uncompressed Japanese mono audio on both films
Optional newly translated English subtitles on both films
New video interviews with actor Shinichi “Sonny” Chiba and director Makoto Naito
Theatrical trailers for both films
Stills and poster galleries for both films
Reversible sleeve featuring newly commissioned artwork by Kungfubob O’Brien
The Criterion Collection, a continuing series of important classic and contemporary films presents The Limey.
Terence Stamp is Wilson, a English ex-con who arrives in Los Angeles to hunt down the man responsible for his daughter’s “accidental” death, a record producer named Terry Valentine (Peter Fonda). Propelled along an increasingly brutal search for the truth, Wilson’s singleminded desire for revenge splinters into a meditation on cultural dislocation, an elegy on fatherhood, and a radical, fragmentary investigation of memory. Conceiving of the film as “Alain Resnais making Get Carter” and featuring throwback casting with Stamp, Fonda, Barry Newman, and Joe Dallesandro, Steven Soderbergh’s The Limey is a modern tough guy classic and a seminal work of American independent cinema.
Restored 4K digital transfer, approved by director Steven Soderbergh and cinematographer Edward Lachman, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
Audio commentary with Soderbergh and writer Lem Dobbs
Audio commentary with Terence Stamp, Peter Fonda, Lesley Ann Warren, Barry Newman, Joe Dallesandro, Soderbergh, and Dobbs
New introduction by Soderbergh
New conversation with Soderbergh, editor Sarah Flack, cinematographer Edward Lachman, and actors Luis Guzmán and Lesley Ann Warren
Alan Clarke’s Elephant (1989) is a short film made for television and produced by Danny Boyle and BBC Northern Ireland. Set amid the Troubles in Northern Ireland, the short presents 18 matter-of-fact murders with a coldly observational approach, providing limited dialogue and utilizing the predatory look of steadicam follow shots. The film takes its title from Irish writer Bernard MacLaverty’s description of the Troubles as “the elephant in our living room,” and it served as an inspiration to Gus Van Sant’s Elephant (2003), a film that likewise attended to the broader social problems that underlie American school-shootings and gun violence.
Clarke’s short is overdetermined in its intentions, being full of intense men and purposeful walks, yet it is also disturbing empty. Despite its apparent single-mindedness, there are no explanations of the hows and whys of its killings and there are nearly no sounds of surprise or panic, yet there is always the banality of violence and death, a lifeless body in a drab room and a getaway that rarely strays from the same purposeful walk. For more on Elephant and the psychology it embodies (or withholds) in its particular cinematography, MMC! offers Jordan Schonig’s impressive and insightful video essay, The Follow Shot: A Tale of Two Elephants (2018). Schonig’s essay provides a concise exploration of what may be contemporary cinema’s most ubiquitous and conspicuous shot and perfectly unpacks the themes and tensions at work in Clarke and Van Sant’s respective films.
Family man Reed (Christopher Abbott) is going on a business trip but in lieu of a suitcase filled with clothes, he’s packed a toothbrush, a murder kit, and a plan to kill a prostitute so can rid himself of his homicidal impulses and continue to be a good husband and father. That call girl, an alluring but unusual woman named Jackie (Mia Wasikowska), is more than he bargained for and the balance of control over their fraught meeting begins to sway back and forth between the two. Before the night is over, a feverish nightmare unfolds, and Reed and Jackie seal their strange bond in blood.
Based on the critically acclaimed cult novel by Ryu Murakami (Audition), director Nicolas Pesce (The Eyes of My Mother) blends psychological horror with screwball comedy and sets it against an iconic giallo score, resulting in a sly take on the fantasy of escape and the hazards of modern romance.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation
5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
Optional English subtitles for the deaf and hard of hearing
Feature-length audio commentary with writer/director Nicolas Pesce
Piercing Murakami: Japanese film scholar Tom Mes on the source novel
Knowing the Score: Giallo music expert Jon Dobyns on the music of Piercing
According to Plan: New interviews with actors Christopher Abbott, Mia Wasikowska, and Laia Costa
Original theatrical trailer
Reversible sleeve featuring two artwork choices
FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by critic Wendy Ide Continue reading →
The Buried Alive Film Festival’s program for Saturday, November 17, is STACKED with three new feature films, one rep-pick, two supporting features, the Eyeslicer short film program, nine more short films in the “It’s Never Too Early to Start Digging Graves” block, and one burlesque show compliments of Blast Off Burlesque. Now that’s a full day of entertainment!
Overwhelmed with a bounty of goodness, MMC!‘s previews can only be more important, pointing the path from mere goodness and toward greatness. Here, dear readers, are five MMC!-approved reasons (that are actually nine reasons) to BAFF this Saturday:
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
YOU’RE LYLE FROM DALLAS, RIGHT?
Dead tired and flat broke after driving 1,200 miles, Michael Williams (Nicolas Cage) walks into a local tavern in the dusty town of Red Rock, Wyoming, and is immediately offered a job. There’s only one problem: the bar owner (J. T. Walsh) thinks Michael is a hitman and the “job” is murdering his wife (Lara Flynn Boyle). And just as Michael decides to take the money and skip town without killing anyone, the real hitman (Dennis Hopper) arrives ready to do the job right. Recalling Blood Simple and other classic thrillers of the ’80s and ’90s, Red Rock West is a stylish and cutthroat neonoir full of jealousy, murder, greed, and corruption and where your best friend is a loaded gun.
NEW HD Film Transfer
Audio Commentary With Director And Co-Writer John Dahl