In an isolated and conservatively traditional Muslim village in Uzbekistan, a married woman, Malika, falls in love with a soft-spoken foreigner, Kayum, who has brought liberal Soviet attitudes and principles to the community, sometimes setting himself against the subordination of the town’s women by their male counterparts. Tensions rise as Kayum and Malika openly grow closer, raising the ire of Malika’s father and her husband as well as among those interested in maintaining the village’s old ways. A breakthrough film for Ali Khamraev, White, White Storks is a beautifully rendered docudrama that combines the textured honesty of Italian Neorealism, the family dynamics and tragedies of Yasujiro Ozu, and the poetry of Mikhail Kalatozov’s The Cranes Are Flying.
Eclipse is a selection of lost, forgotten, or overshadowed classics in simple affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.
An artist of rock-solid humanism and amazing expressive power, Ali Khamraev is a giant who sits astride the history of Uzbek cinema. A graduate of Moscow’s Gerasimov Institute of Cinematography in 1961, he went on to make more than thirty documentaries and twenty feature films – criss-crossing between romantic comedies, Western adventures, political dramas, TV mini-series, and art cinema. Through them all, Khamraev engages in the unveiling of traditional Muslim Uzbekistan and expresses a faith in the modernizing influence of Soviet values and technology. A wizard with landscapes and an instinctual expert of social dynamics, Ali Khamraev is truly an underappreciated master of world cinema.
White, White Storks (Belye, belye aisty)
Influenced by Mikhail Kalatozov’s black-and-white classic The Cranes Are Flying, the Italian Neorealist movement, and the interpersonal dramas of Yasujiro Ozu, Ali Khamraev traces the impossible romance of a married woman and an unconventional outsider in a small, traditional Uzbek village called “White Storks.”
The Seventh Bullet (Sedmaya pulya)
Set during the Central Asian revolts of the 1920s, a Red Army commander allows himself to be captured by a Basmachi warlord to reunite with his imprisoned battalion and lead them to victory in this Western-inspired adventure in the Soviet frontier.
The Bodyguard (Telokhranitel)
A grizzled mountain trapper and a conscientious revolutionary are tasked by a Red Army unit with the difficult task of transporting a captured sultan, along with his daughter and his loyal servant, through a harsh mountain landscape to a neighbouring province while pursued by a ruthless Bashmachi warrior.
This modernist political melodrama set in a small northern town in 1946 follows three women struggling with the social constraints of post-World War II Uzbekistan: an illiterate girl who wants to build a house on her own, a school teacher aiming to bring progressive ideas to the villagers, and an old woman kidnapped in her youth by a poor peasant and forced into marriage.
I Remember You (Ya tebya pomnyu)
In this semi-autobiographical meditation on the past, an adult son’s journey from Samarkand across Russia to find the grave of his father becomes a poetic voyage into his subconscious memory and an exploration of intersecting Uzbek and Russian traditions.
With notes by Kent Jones
I had planned to wind up MMC!‘s coverage of the Chattanooga Film Festival with an imagined Arrow Video edition of Ryan Prows’s Lowlife (2017) but no sooner had I done my research and began writing did Shout! Factory announce a Blu-ray edition of the film slated for release on August 7. I’m usually pretty stoked to cross any film off my list of potential MMC! subjects as their circulation is far more gratifying than writing about them here, but I’m a little disappointed not to discuss Lowlife at greater length. I have stumped for Lowlife a fair amount already so let’s instead spend some time with three of Prows’s earlier shorts films, all of which seem to be working through some of the themes and concerns at play in Lowlife and all of which should be included as special features on the upcoming Blu-ray edition.
In case you’ve forgotten, here is a quick refresher on Lowlife taken from the film’s press kit.
When a simple organ harvesting caper goes awry, a twist of fate unites three of society’s forgotten and ignored: EL MONSTRUO, a disgraced Mexican wrestler working as hired muscle for a local crime boss. CRYSTAL, a recovering addict desperate enough to arrange a black market kidney transplant to save her husband’s life. And RANDY, a loveable two-strike convict fresh out of prison, cursed with a full-face swastika tattoo and a best friend guilting him into some hair-brained kidnapping scheme.
As the sordid lives of these small-time criminals collide, they must fight tooth and nail to save a pregnant woman from a certain, and surely gruesome, death.
The Criterion Collection, a continuing series of important classic and contemporary films presents Tigers Are Not Afraid.
Issa López’s festival-favourite is a darkly magical tale set in the real world tragedy of Mexico’s violent drug war, where thousands of murdered and missing people result in countless orphaned children forced onto the streets to fend for themselves. When her mother disappears, a young girl named Estrella uses one of three wishes granted to her to ask for her mother back and finds herself haunted by a vengeful ghost. Estrella takes up with a quartet of street kids led by Shine but the boys have their own problems, pursued by a vicious gang intent on reclaiming a lost iPhone. Blending artfully immediate handheld cinematography and convincing fantastical digital effects, López creates a realist fairy tale that stands as a prescient statement on Mexico’s deadly drug cartels and a hauntingly magical fairy tale.
- 2K digital transfer, approved by director Issa López, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New interview with López, acting coach Fátima Toledo, and filmmaker Guillermo del Toro
- Tan Callando, López’s 1994 student film made at Mexico’s National University, with introduction by the director
- New English subtitle translation
- PLUS: An essay by novelist Stephen King
SHE CAN’T SPEAK. SHE CAN’T SCREAM. SHE CAN’T BEG FOR MERCY.
Working on a low-budget horror film in Russia, Billy Hughes (Marina Zudina), a mute American makeup artist, witnesses a brutal murder on a movie-set, however her claims are doubted by her friends and by Moscow police. Still, the killers know the truth and the instructions received from their underworld boss is clear: no witnesses. So begins a night of terror for Billy as she struggles to save her own life and trust a KGB agent (Oleg Yankovskiy) who claims to be her saviour.
Anthony Waller’s Mute Witness is an expertly made thriller comparable to the classic suspense of Alfred Hitchcock and Wait Until Dark and the contemporary shocks of Brian de Palma and Silence of the Lambs. Watch it and be left speechless.
SPECIAL EDITION CONTENTS
- Brand-new 2K restoration from the original camera negative, produced by Arrow Films exclusively for this release
- High Definition Blu-ray (1080p) presentation
- Original 2.0 and 5.1 Dolby Surround Options
- Audio commentary with writer-director Anthony Waller
- Speaking Up, new interview with actress Marina Zudina
- Bearing Witness, new interviews with actors Fay Ripley and Evan Richards
- Illustrated collector’s booklet featuring new writing by Steven Jay Schneider
The Criterion Collection, a continuing series of important classic and contemporary films presents A Face in the Crowd.
Before he brought Mayberry, North Carolina, into American homes and became an icon of moral rectitude as Sheriff Andy Taylor, Andy Griffith burst onto cinema screens as Lonesome Rhodes, a charismatic drifter with a canny, down-home wit and an avaricious taste for status and influence. After charming Arkansas radio reporter Marcia Jeffries (Patricia Neal) and becoming a local media star, Rhodes leverages his growing popularity into national television fame and a trusted position among political and industrial power-brokers. Gradually Rhodes is corrupted by his own success and his laid-back attitude gives way to a monstrous off-camera personality. With stand-out supporting performances by Walter Matthau, Anthony Franciosa, and Lee Remick, director Elia Kazan and screenwriter Budd Schulberg create a roaring statement against grassroots fascism, advertising fakery, and the pernicious influence of television on the political process.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- Introduction by filmmaker Steven Spielberg
- New conversation between filmmaker Martin Scorsese and critic Kent Jones
- Ron Simon on A Face in the Crowd and the Golden Age of Television
- Facing the Past, a 2005 documentary on the making of the film
- Griffith’s 1972 appearance on the television show Morning Exchange
- “What It Was, Was Football,” Griffith’s 1953 comedy monologue
- Afterword by filmmaker Spike Lee
- PLUS: An interview with Elia Kazan on A Face in the Crowd, an essay by historian Foster Hirsch and a reprint of Budd Schulberg’s short source story “Your Arkansas Traveler”