The Movie Orgy (Joe Dante, 1968)

The Criterion Collection, a continuing series of important classic and contemporary films presents The Movie Orgy.

A send-up and a celebration of mid-century American kitsch, Joe Dante’s epic pop culture mash-up, The Movie Orgy, entertained college campuses through the late 1960s and 1970s, drawing upon an ever-changing library of ’50s drive-in movies, vintage commercials, TV westerns, and political speeches. Re-discovered and re-cut by Dante for a revival screening in 2008 into its 280 minute “Ultimate Version,” this legendary cinematic event is now available outside of theatres for the first time. SEE a colossal collage of nostalgia! SEE an experience of mind-rotting celluloid hysteria! SEE thousands of performers in roles that earned them obscurity!  SEE bosomy starlets, juvenile delinquency, Christian puppetry, Elvis Presley, Groucho Marx, and Richard Nixon!

SPECIAL FEATURES

  • High-definition digital transfer, supervised and approved by director Joe Dante, with uncompressed monaural soundtrack on the Blu-ray
  • New interview with Dante
  • Rated Z, archivist David Neary on the history and significance of The Movie Orgy
  • Posters and promotional materials
  • PLUS: An essay by director John Sayles

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Cassette Girl (Hiroyasu Kobayashi, 2015)

(Believe it or not, MMC!‘s next Criterion proposals are forthcoming. In the meantime and in anticipation of our next two proposals which deal with practices in appropriation, I thought we might consider another animated treatment of media ownership and access, this time from Japan!)

In a recent piece for Locus Magazine, Cory Doctorow laments the failed promise of digital media and selective rights management. In the article, Doctorow recalls how the digital revolution promised infinite distribution, customized rights to content, and cheaper prices. In fact, the opposite has occurred. Access is limited and often temporary, pricing remains static, and choice is dictated by owners who rights seems to be held in virtual perpetuity. Doctorow’s most pithy and salient point comes near the end of his editorial – “There’s a name for societies where a small elite own property and everyone else rents that prop­erty from them: it’s called feudalism.”

With feudalism comes poachers, bringing to mind Hiroyasu Kobayashi’s wonderful animated short Cassette Girl (2015). The film, one of the best from the Japan Animator Expo series, offers a beautiful pastiche of anime tropes, including a spunky young adventuress, her giant mecha companion, and an elaborate transformation sequence with obligatory undressing. The girl and her ‘bot search for vintage content on old video cassettes, causing them to run afoul of the tyrannical media police and initiating an elaborate battle that dominates the short. What makes Cassette Girl so impressive is its spectacular embrace of hard media and actual ownership. Physical possession is not merely a means to defeat Cassette Girl‘s media police, but a transformative process that remakes the world itself in favour of its media-poaching heroes (complete with full frame parameters and minor tracking issues). If only the battlefield over DRM were truly this awe-inspiring!

Night of the Juggler (Robert Butler, 1980)

HE’LL TEAR APART A CITY TO SAVE HIS DAUGHTER

When a vicious psychopath mistakes the daughter of tough ex-cop Sean Boyd (James Brolin) for the daughter of a wealthy developer and kidnaps her for ransom, Boyd goes on a city-wide rampage to get her back. Fighting his way through 42nd Street porn palaces and Bronx gang territories, facing street thugs and crooked cops, Boyd’s unrelenting search through the urban decay of New York City is a pulse-pounding, action-thriller in the gritty spirit of Dog Day Afternoon and Taxi Driver.

Based on the novel by William P. McGivern (who wrote the original serial for The Big Heat) and featuring wild performances by Cliff Gorman, Dan Hedaya, Sharon Mitchell, and Mandy Patinkin, Night of the Juggler is a stunningly grimy portrait of the Big Apple at its most fetid and a relentless thrill-ride of brawls, car crashes, dog attacks, and knife-fights!

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • Original mono audio (uncompressed LPCM)
  • Optional English subtitles for the deaf and hard of hearing
  • Held Hostage, new interview with actress Abby Bluestone
  • Along for the Ride, new interview with actress Julie Carmen
  • At the Peep Show, new interview with actress Sharon Mitchell
  • Theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by cult cinema critic Steven Puchalski

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Monos (Alejandro Landes, 2019) – Chattanooga Film Festival 2019

The Criterion Collection, a continuing series of important classic and contemporary films presents Monos.

On a far away South American mountaintop, a group of adolescent child soldiers guard a kidnapped American woman for the Organization, a bandit militia that demands complete obedience from the youngsters. When a borrowed milk cow is killed and a battle approaches their mountain refuge, the group is sent to guard their prisoner in the dense jungle below where resentments, paranoia, and power struggles turn into a nightmarish fight for authority and survival. Charged by Jasper Wolf’s crisp, concentrated cinematography and Mica Levi’s titantic score, Alejandro Landes creates a monumental and hallucinatory war film that evokes Joseph Conrad’s Heart of Darkness and William Goldings Lord of the Flies.

Disc Features:

  • 4K digital master, approved by cinematographer Jasper Wolf, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • New interviews with director Alejandro Landes, composer Mica Levi, actress Inés Efrón, and cast members
  • Video diary shot during the film’s production
  • Trailer
  • PLUS: An essay by critic Manuel Betancourt

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The In-House Carol (Brad Neely, 2009)

I feel like 2018 is the year that the internet had enough of people saying that Die Hard (John McTiernan, 1988) is a Christmas movie and I’m thankful. Don’t get me wrong; I love me some Die Hard but the self-congratulatory smugness of the Die Hard-as-Christmas classic declaration had its day long ago. To both celebrate and hopefully memorialize this effort in a once clever and now tired idea, MMC! wishes everyone a safe and happy holidays with Brad Neely’s 2009 Baby Cakes short, The In-House Carol, a crudely fashioned and hilariously daft portrayal of Die Hard love gone too far.

SEASON’S GREETINGS TO ALL!!!

SFFF Day 4 – Fractured Minds and Fantastic Capitalism

Day 4 of the Saskatoon Fantastic Film Festival was loaded with screenings and bracketed by a pair of animated programs – the Saturday Morning All You Can Eat Cartoon Party and the web-series Crisis Jung (Baptiste Gaubert and Jérémie Hoarau, 2018). MMC! has already proclaimed the greatness of Crisis Jung and we’re loath to spoil Keir-La Janisse’s program of Saturday morning content given that it continues to tour festivals and cinematheques. Themes do tend to run through the Cartoon Party programs and “women’s lib” stood at the forefront with cartoon episodes on equal opportunity, commercials for the YWCA, and PSAs that addressed federal pay equity laws through iconic comic book figures. The Cartoon Party enjoyed a large audience that was quick to applaud for great content and progressive messages and to shout along with the enthusiastic narration of the cartoons. Expect to see another Cartoon and Cereal Party at SFFF 2019!

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