The Criterion Collection, a continuing series of important classic and contemporary films presents Aboard the Calypso – Sea and Cinema with Jacques Cousteau.
Explorer. Inventor. Author. Conservationist. Filmmaker. Jacques Cousteau was an iconic figure in marine exploration, spending more than sixty years investigating undersea kingdoms and sharing his tales with the world. Over three award-winning feature films spanning twenty years, Cousteau reveals the beauty and dangers beneath the waves of the Red Sea, the Indian Ocean, the Mediterranean, and the frozen Antarctic, finding seldom seen tropical wonders, describing the pressures of living in an underwater base for weeks at a time, and persevering through the life or death struggle to survive at the South Pole. Both the committed naturalist and the keen showman, Cousteau portrayed his oceanic marvels with the idealism and the spectacle of science fiction and inspired generations to care for alien worlds here at home and no longer hidden from view.
Special Edition Three-Blu Ray Set Features:
- New high definition digital transfers of The Silent World, World Without Sun, and Voyage to the Edge of the World, with uncompressed monaural soundtracks on the Blu-rays
- French and English-language audio tracks
- Introductions by Wes Anderson, James Cameron, and Werner Herzog
- Of Silence and Men: The Pioneers of The Silent World, a 50-minute documentary featuring interviews with Jacques Cousteau, co-director Louis Malle, camera designer André Laban, Cousteau scholar Franck Machu, and Malle biographer Pierre Billard
- Two Men, A Masterpiece, an interview with Jacques Cousteau and Louis Malle
- The Silent World’s Legacy, interviews with Jacques Cousteau, Luc Besson, and Jacques Perrin
- Early films of Jacques Cousteau: 18 Meters Deep, Shipwrecks, Landscapes of Silence, Seals in the Sahara, Around a Reef, Off Tunisian Coasts, One sortie du “Rubis,” SCUBA Diary, Danger Under the Sea, Rhythm on the Reef, and The Red Sea
- Station 307 and The Fountain of the Vaucluse, a pair of short films by Louis Malle made in collaboration with Jacques Cousteau
- Edmond Séchan’s Academy Award-winning short The Golden Fish, produced by Jacques Cousteau
- Restoration demonstration
- New and improved English subtitle translation
- PLUS: A booklet featuring an essay by filmmaker Luc Jacquet and excerpts from Cousteau’s 1953 book The Silent World: A Story of Undersea Discovery and Adventure
Back in January, the Criterion Collection paired the Oscar-winning short film Logorama (Ludovic Houplain, Hervé de Crécy, and François Alaux, 2009) with Jean-Luc Godard’s Masculin féminin (1966). Created by the French collective H5, the short constructs Los Angeles entirely from (3,000 or so) trademarked logos and then presents these sanitized images of friendly consumerism in the sun-drenched violence typical to films like To Live and Die in L.A. (William Friedkin, 1985) and Heat (Michael Mann, 1995). The result is a clever statement on the ubiquity of capitalist commodification in our daily life and a somewhat nasty dismantling of the corporate messaging shorthanded into these capitalist symbols. Those interested in the legality of Logorama (or at least the American legality of a French film) should read Rose Lawrence’s “LOGORAMA: The Great Trademark Heist.” Lawrence’s unpacking of the legal tests for parody, satire, infringement, and dilution are particularly useful in considering the artistic aims, popular interactions, and social commentaries at work in the short film. As a bonus, Lawrence also touches upon important legal texts like George of the Jungle 2 (David Grossman, 2003) and Aqua’s “Barbie Girl.”
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
“TENSE, TOUCHING … AND FASCINATING.” — LEONARD MALTIN
Oscar-winning* director Jean-Jacques Annaud transports audiences 80,000 years straight back in time to the last Ice Age with this accomplished prehistoric spectacle. Three Neanderthal men (Everett McGill, Ron Perlman, Nicholas Kadi) go on an epic journey of survival to bring fire back to their tribe, encountering along the way savage predators, dangerous cannibals, and a mysterious woman unlike any they have seen before (Rae Dawn Chong). Shot on location in Scotland, Iceland, Canada, and Kenya, this award-winning drama of early man’s survival is a singular cinematic experience and “a first-rate, compelling film about the dawn of man” (Video & DVD Guide).
* 1977: Best Foreign Language Film, Black and White in Color, Jean-Jacques Annaud
- NEW Hi-Def Transfer From The Negative, Scanned At 4K And Supervised By Director Jean-Jacques Annaud
- NEW Interviews With Director Jean-Jacques Annaud And Actors Ron Perlman, Everett McGill, Nicholas Kadi And Rae Dawn Chong
- Audio Commentaries With Director Jean-Jacques Annaud
- Audio Commentary With Producer Michael Gruskoff and Actors Ron Perlman and Rae Dawn Chong
- The Quest for Fire Adventure – TV Featurette With Orson Welles
- 15 Video Galleries With Director’s Commentary
- Interview With Director Jean-Jacques Annaud
- Backstage of Quest for Fire, a featurette for French television by Michel Parbot
- Trailers and TV Spots
Day 3 put generational conflict at the forefront of the SFFF and the kids were far from alright. It also marked the Festival’s greatest distance from the horror genre, moving into the rock-doc, the coming of age film, and whatever kind of trash bag meltdown The Greasy Strangler may be. That’s no criticism of Jim Hosking’s film; just a statement of fact. We’ll get to 2016’s most notorious film soon enough, but first things first…
Saskatoon is slightly warming as the week proceeds. I’m reluctant to say this is directly attributable to the Saskatoon Fantastic Film Festival but after a surprisingly strong Day 2, I see no other credible explanation for it. Including the What the Hell! – Totally Messed Up Short Films block, Day 2 offered 16 different works for consideration, injecting a heavy dose of bizarro randomness into the Festival and creating a decidedly different tone from the previous day’s atmospheric horror extravaganza.
The last days of autumn are leaving Saskatoon and the sharp, cold grip of winter is in the air. It makes for a slightly uncomfortable walk to and from the Broadway Theatre, but perhaps that’s a fitting atmosphere for the Saskatoon Fantastic Film Festival’s program of highly honoured films. Those looking for name recognition in its stars or those resistant to reading subtitles are missing out on some of the best genre films of the last year or two. Day 1 of SFFF may prove to have been its strongest, with a brilliant collection of award-winning horror films. Domestic spaces loom prominently in this first block of films, suggesting little safe territory moving forward into the Festival.