The Criterion Collection, a continuing series of important classic and contemporary films presents Jazz on a Summer’s Day.
In his sole effort in filmmaking, celebrated fashion photographer Bert Stern surveyed the 1958 Newport Jazz Festival to create a now-classic document of ’50s America and capture some of the most stunning images of live jazz ever brought to the silver screen, featuring performances by Louis Armstrong, Anita O’Day, Thelonius Monk, and Dinah Washington, as well as rock and roller Chuck Berry and gospel icon Mahalia Jackson. Stern, with assistance from editor and co-director Aram Avakian and jazz producer and musical director George Avakian, brings onscreen jazz music from smoky nightclubs to the colorfully sunny days of affluent Rhode Island, infusing these images with his distinctively clear and uncluttered aesthetic. Juxtapozing the Festival with footage of its audience, of life in and around Newport, and of the ongoing America’s Cup yacht races, Jazz on a Summer’s Day immortalizes the breezy cool of the era before it was overtaken by rock music and the tumultuous Sixties.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New audio commentary featuring jazz and film critic Gary Giddins and radio host Tom Reney
- New introduction to the film by Giddins
- New interview with musician Keith Richards
- A Summer’s Day, an interactive documentary with director Bert Stern with additional scenes
- Jammin’ the Blues, photographer Gjon Mili’s 1944 short film with optional audio commentary by Giddins
- Selection of unreleased performances and footage
- Stills gallery, featuring the work of renowned photographer Bruce Davidson
- Optional captions identifying artists and song titles
- PLUS: An interview with Stern with John Guida and an essay by historian Arik Devens
It’s Saturday and we’re now midway through week 5 of the Canadian Football League season. In tribute to bigger balls and fewer downs, let’s all enjoy William Pettigrew’s Oskee Wee Wee (1968), a fascinating examination of the CFL’s 1967 championship game and all its associated reveries. Oskee Wee Wee takes its name from the appropriated chant of Hamilton’s football fans, but their Grey Cup contest against the Saskatchewan Rough Riders takes a backseat to police bands, beauty contests, and parties – lots and lots of parties. Sharp-eyed CFL enthusiasts will even notice some Calgary Stampeders fans having managed to ride their horses in and out of a Woolworth’s, proving that some traditions, however ridiculous, never seem to die. And for the record, the Hamilton Tiger-Cats won 24-1 and I still miss a 9-team league that had one team was called the Roughriders and another called the Rough Riders!
As per the NFB:
This documentary is a zany portrait of the particular fever that hits the city of Ottawa, Ontario, during Grey Cup Finals. The film is as much about the football game, where the Hamilton Tiger Cats face the Saskatchewan Roughriders, as it is about Ti-Cats fans and their infamous “Oskee Wee Wee”, the magical chant with which they exhort their team to victory.
Fans of the Criterion Collection’s array of music documentaries will find a number of films by the National Film Board of Canada to appreciate. Presented here a pair of great shorts made by four of the NFB’s most prolific filmmakers that provide absorbing views on the artist, their work, and the business that surrounds them. From the zeitgeist that swarms around Paul Anka to the self-effacing ruminations of Leonard Cohen, Lonely Boy (Wolf Koenig and Roman Kroitor, 1962) and Ladies and Gentlemen… Mr. Leonard Cohen (Don Owen and Donald Brittain, 1965) are captivating portraits of two popular Canadian performers.
As per the NFB:
This short film portrays the story of singer Paul Anka, who rose from obscurity to become the idol of millions of adolescent fans around the world. Taking a candid look at both sides of the footlights, this film examines the marketing machine behind a generation of pop singers. Interviews with Anka and his manager reveal their perspective on the industry.
As per the NFB:
This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes “to renew his neurotic affiliations.” He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in his three-dollar-a-night hotel room and even takes a bath.
IT WAS THE GREATEST ROCK EVENT EVER … UNTIL THE PLACE EXPLODED!
It is December 31, 1982. Ring in 1983 at the Saturn Theater’s annual New Year’s Eve concert – featuring the far-out Captain Cloud and the Rainbow Telegraph, the king bluesman himself, King Blues, Nada and her pop bubble gum/New Wave/punk ensemble, rock icon Reggie Wanker, and folk-rock legend Auden!
The Saturn Theater’s New Year’s Eve concert is an institution to its owner, master showman Max Wolfe (Allen Garfield), but when Max has a heart attack hours before the concert and villainous promoter Colin Beverly (Ed Begley Jr.) enlists Max’s nephew Sammy (Miles Chapin) in a plot to ruin the event and have the venue signed over to Beverly, its up to stage manager Neil Allen (Daniel Stern) and visiting former stage manager Willy Loman (Gail Edwards) to ensure the show goes on. Luckily Allen and Loman can rely on the dedication of their crew, the professionalism of their acts, and the case of pharmaceuticals provided by the spectral Electric Larry to see the concert through. Boasting musical performances by Lou Reed, Malcolm McDowell, Lee Ving, Bill Henderson, and Lori Eastside, Allan Arkush (Rock ‘n’ Roll High School) presents a hilarious concert movie spoof celebrating sex, drugs, and rock ‘n’ roll as only the 1980s would have it.
- New high definition digital transfer
- High definition Blu-ray (1080p) and Standard DVD Presentation
- Original Stereo 2.0 and 5.1 Dolby Surround Options
- Optional English SDH subtitles for the deaf and hard of hearing
- Introduction by director, producer and writer Edgar Wright
- Audio commentary by director Allan Arkush
- There Will Be No Encores – a new documentary on the making of Get Crazy featuring new interviews with Allan Arkush, Daniel Stern, Malcolm McDowell, Gail Edwards, Allen Garfield, Ed Begley, Jr., Stacey Nelkin, Dan Frischman, Franklyn Ajaye, Robert Picardo, Dick Miller, and Mary Woronov
- Hot Shots – a new documentary on the music of Get Crazy featuring new interviews with Allan Arkush, Malcolm McDowell, Howard Kaylan, Lee Ving, John Densmore, Lori Eastside, Fabian, and Bobby Sherman
- Gone Crazy! – director, producer and actor Eli Roth on Get Crazy
- Theatrical trailer
- Collector’s booklet featuring new writing by cult film scholar Mike Watt