Naoko Tanaka (Mei Nagano) is a 26 year-old office lady – a secretarial and clerical worker in a large Japanese company. Her job at Mitsufuji is reliable, the atmosphere is laid-back, and she has some friendly colleagues, but the fires of war burn brightly beneath the veneer of the office’s calm banality. Cliques of office ladies fight for departmental supremacy like sneering gangsters and posturing delinquents. These warring clans battle daily until a new employee arrives, Ran Hojo (Alice Hirose), armed with the strength and charisma of a manga hero to become the company’s top office lady and unite its competing factions. An unlikely friendship between Naoko and Ran is found, but what will happen to them and their company when powerful OL gangs from other companies arrive to test their honor and resolve? Can Ran, Naoko, and the office ladies of Mitsufuji survive the onslaught?
Director Kazuaki Seki’s debut feature is a hilarious, uproarious, action-packed send-up of workplace pettiness and office territorialism, pitting mild-mannered, pink-collar workers in vicious duels over coffee breaks and alongside photocopiers, all under the oblivious noses of their male superiors. Comedian Bakarhythm’s screenplay riffs on the conventions of Japanese comics with a witty meta-commentary and a furiously paced series of fights. Setting superhero grandeur in an unremarkable context, Office Royale is a hysterically energetic satire and a grandiloquent action spectacle.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation
Original DTS-HD Master Audio 5.1 audio
Optional newly translated English subtitles on both films
Introduction by historian and critic Kim Newman
Yankees, Yakuza, and Making Copies, interview with director Kazuaki Seki
Heroic OL Diary, interview with screenwriter Bakarhythm
The Criterion Collection, a continuing series of important classic and contemporary films presents Bandits of Orgosolo • Ten Documentary Shorts by Vittorio De Seta.
Heralded by Martin Scorsese as “an anthropologist who speaks with the voice of a poet,” Italian director Vittorio De Seta produced a string of extraordinary short documentaries in the 1950s that distill their subjects to pure cinema. Shooting in vivid color in the rural villages of Sicily, Sardinia, and Calabria, De Seta captured the rhythms and rituals of everyday life among the fishermen, miners, shepherds, and farmers who continued to live and work according to the preindustrial traditions of their ancestors. These shorts were followed by Bandits of Orgosolo, which presented with neorealist authenticity the tragic plight of a poor Sardinian shepherd unfairly accused of rustling and murder. Together, these miniature marvels and this hardscrabble feature-film debut stand as essential, ennobling records of a vanished world.
New, restored 4K digital transfers of all eleven films, overseen by the World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtracks on the Blu-rays:
The Age of Swordfish (1954 • 11 minutes • Color • Monaural • 2.35:1 aspect ratio) Vittorio De Seta’s rhythmic editing adds drama to this chronicle of a Sicilian spearfishing expedition.
Islands of Fire (1954 • 11 minutes • Monaural • 2.35:1 aspect ratio) This prize-winning short is a poetic portrait of life on the coast of Sicily before, during, and following a volcanic eruption.
Solfatara(1955 • 11 minutes • Color • Monaural • 2.35:1 aspect ratio) Harshness and beauty exist side by side in this look at the lives of sulfur mine workers and their families in southern Italy.
Easter in Sicily (1955 • 10 minutes • Color • Monaural • 2:35:1 aspect ratio) De Seta captures the music and pageantry of an Easter celebration in Sicily.
Sea Countrymen (1955 • 11 minutes • Color • Monaural • 2.35:1 aspect ratio) The rhythms of the sea set the tempo for this vivid account of a day in the lives of Sicilian fishermen.
Golden Parable (1955 • 10 minutes • Color • Monaural • 2.35:1 aspect ratio) Filming amid the flaxen wheat fields of Sicily, De Seta documents the everyday rituals of farmers during harvest time.
Fishing Boats (1958 • 11 minutes • Color • Monaural • 2.35:1 aspect ratio) The unpredictable nature of the sea governs the world of Sicilian fishermen as they work, rest, and seek refuge from a storm.
Orgosolo’s Shepherds (1958 • 11 minutes • Color • Monaural • 2.35:1 aspect ratio) The striking landscapes of rural Sardinia provide the backdrop to this lyrical look at the hard-earned lives of the region’s shepherds in winter.
A Day in Barbagia (1958 • 11 minutes • Color • Monaural • 2.35:1 aspect ratio) From sunrise to sunset, De Seta chronicles the lives of Sardinian women who look after both home and fields while their shepherd husbands are away tending their flocks.
The Forgotten (1959 • 21 minutes • Color • Monaural • 2.35:1 aspect ratio) De Seta travels to a remote province in southern Italy to capture a unique celebration known as the “Feast of Silver.”
Bandits of Orgosolo (1961 • 95 minutes • Black and White • Monaural • 1.37:1 aspect ratio) Returning to the Sardinian countryside, De Seta presents a ruinous portrait of a poor shepherd wrongfully associated with some bandits and forced to flee, taking his flock and his younger brother into remote, inhospitable lands.
Introduction by Il Cinema Ritrovato film festival chief Gian Luca Farinelli
New interview with director Martin Scorsese
Détour De Seta, a 2004 documentary by Salvo Cuccia
The Filmmaker is an Athlete: Conversations with Vittorio De Seta, Vincent Sorrel and Barbara Vey’s 2010 interview with De Seta
New English subtitle translations
PLUS: Essays by scholar Alexander Stille and critic J. Hoberman
The Criterion Collection, a continuing series of important classic and contemporary films presents Maya.
Maya, a Hindu word describing magic and illusion, is embodied in Bella (Viviane Romance), a bewitching prostitute in an atmospheric port town who conjures the fantasies of visiting travelers and temporarily becomes the women of their dreams. The pragmatic Bella has no expectation of finding true love or leaving her profession until she meets Jean (Jean-Pierre Grenier), a passing sailor who saves her from the police and devotes himself to building a life with her, provided fate does not intervene. Based on Simon Gantillon’s successful play and produced by Viviane Romance herself, Raymond Bernard’s Maya deftly blends the styles and techniques of poetic realism, film noir, melodrama, and Cocteau-like fantasy to create a world of mystery and eroticism.
Restored high-definition digital transfer, with uncompressed monaural soundtrack on the Blu-ray
“The Film That Made You,” a 1989 conversation between Viviane Romance and Louis le Roy
Interview with film critic Italo Manzi on the casting and distribution
The Criterion Collection, a continuing series of important classic and contemporary films presents Knife + Heart.
In the neon glow of 1979 Paris, Anne (Vanessa Paradis) makes her living producing low-budget gay pornography and struggles with the heartbreaking rejection of her longtime lover and current film editor Loïs (Kate Moran). She aims to inspire Loïs back into loving her with increasingly ambitious productions, even using the murders of her actors by a leather clad killer as inspiration, but as the killings continue and her troupe becomes increasingly cautious, Anne assumes the role of amateur sleuth investigating the secret of the mysterious figure that stalks her company. Deftly blending Parisian porn silliness and Italian slasher conventions with a pulsing score by electronic music group M83 and a perfect period production design, Knife + Heart is an affectionately queer tribute to cinema’s body genres and to love in its many forms.
4K digital master, approved by director Yann Gonzalez and director of photography Simon Beaufils, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
Two audio commentaries, one featuring Gonzalez and actors Vanessa Paradis, Kate Moran, and Nicolas Maury, and the other featuring Gonzalez, Beaufils, co-writer Cristiano Mangione, and production designer Sidney Dubois
New interview on the film’s soundtrack with Yann Gonzalez and his brother Anthony Gonzalez
New interview with historical advisor Hervé Joseph Lebrun on the 1970s Parisian porn scene
Family man Reed (Christopher Abbott) is going on a business trip but in lieu of a suitcase filled with clothes, he’s packed a toothbrush, a murder kit, and a plan to kill a prostitute so can rid himself of his homicidal impulses and continue to be a good husband and father. That call girl, an alluring but unusual woman named Jackie (Mia Wasikowska), is more than he bargained for and the balance of control over their fraught meeting begins to sway back and forth between the two. Before the night is over, a feverish nightmare unfolds, and Reed and Jackie seal their strange bond in blood.
Based on the critically acclaimed cult novel by Ryu Murakami (Audition), director Nicolas Pesce (The Eyes of My Mother) blends psychological horror with screwball comedy and sets it against an iconic giallo score, resulting in a sly take on the fantasy of escape and the hazards of modern romance.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation
5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
Optional English subtitles for the deaf and hard of hearing
Feature-length audio commentary with writer/director Nicolas Pesce
Piercing Murakami: Japanese film scholar Tom Mes on the source novel
Knowing the Score: Giallo music expert Jon Dobyns on the music of Piercing
According to Plan: New interviews with actors Christopher Abbott, Mia Wasikowska, and Laia Costa
Original theatrical trailer
Reversible sleeve featuring two artwork choices
FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by critic Wendy Ide Continue reading →
The Saskatoon Fantastic Film Festival’s second day was unusually specific in its program, devoting itself to short films that explored “innocence being encroached upon by outside forces” and a pair of horror-thriller features set around the sex industry. It was an impressive night of screenings, but also one that certainly made demands of its audience.
The “Paradise Lost” block of shorts was long on atmosphere and scares but slim on explication. Most films chose to grab their shocks and get out rather than flesh out their worlds. Faye Jackson’s The Old Woman Who Hid Her Fear Under the Stairs (2018) recalled Bobby Miller’s The Master Cleanse (part of SFFF’s program from 2016 and now titled simply The Cleanse). The short considers the situation of its title character who extracts her sense of anxiety out of herself, hides it in a tin, and faces down some dark, ominous threat that stalks her outside her home. Jackson’s film is wonderfully constructed, full of humour and dreadful tension, and its quality therefore demands more of itself, needing to unpack its conflict and its resolution before letting its credits roll. And the same could be said of other shorts in the block. Milk (Santiago Menghini, 2018) is a chilling tale of a boy trapped between two unsettling maternal figures and choses aesthetics over explanation. Wild (Morgana McKenzie, 2018) is a pastoral fantasy about a girl’s encounter with a magical, deadly, and ultimately unresolved female figure in her uncle’s cornfield. Saturn Through the Telescope (Dídac Gimeno, 2018) follows a boy’s efforts to watch a scary movie at home and is a slickly made and energetic short, while Make a Stand (Camille Aigloz, Lucy Vallin, Michiru Baudet, Simon Anding Malandin, Diane Tran Duc, and Margo Roguelaure, 2017) is a gorgeously animated film set in pre-Columbian Mexico and that seems to tease a supernatural spectacle that never arrives. Uncertainty is a great tool of the macabre, but it’s best used as a lacuna where meaningful questions spring forth. These shorts are uniformly affective and expertly fashioned, sure to be enjoyed by viewers. My only wish is that these films more fully met their narrative challenges as well as the aesthetic ones.