Knife + Heart (Yann Gonzalez, 2018) – Ithaca Fantastik 2018

The Criterion Collection, a continuing series of important classic and contemporary films presents Knife + Heart.

In the neon glow of 1979 Paris, Anne (Vanessa Paradis) makes her living producing low-budget gay pornography and struggles with the heartbreaking rejection of her longtime lover and current film editor Loïs (Kate Moran). She aims to inspire Loïs back into loving her with increasingly ambitious productions, even using the murders of her actors by a leather clad killer as inspiration, but as the killings continue and her troupe becomes increasingly cautious, Anne assumes the role of amateur sleuth investigating the secret of the mysterious figure that stalks her company. Deftly blending Parisian porn silliness and Italian slasher conventions with a pulsing score by electronic music group M83 and a perfect period production design, Knife + Heart is an affectionately queer tribute to cinema’s body genres and to love in its many forms.

Disc Features:

  • 4K digital master, approved by director Yann Gonzalez and director of photography Simon Beaufils, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
  • Two audio commentaries, one featuring Gonzalez and actors Vanessa Paradis, Kate Moran, and Nicolas Maury, and the other featuring Gonzalez, Beaufils, co-writer Cristiano Mangione, and production designer Sidney Dubois
  • New interview on the film’s soundtrack with Yann Gonzalez and his brother Anthony Gonzalez
  • New interview with historical advisor Hervé Joseph Lebrun on the 1970s Parisian porn scene
  • Mondo Homo: A Study of Gay French Porn in the ’70s, Lebrun’s 2009 feature-length documentary
  • Trailer
  • New English subtitle translation
  • PLUS: An essay by Anthony Nocera

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Piercing (Nicolas Pesce, 2018) – Ithaca Fantastik 2018

A MODERN SCREWBALL GIALLO

Family man Reed (Christopher Abbott) is going on a business trip but in lieu of a suitcase filled with clothes, he’s packed a toothbrush, a murder kit, and a plan to kill a prostitute so can rid himself of his homicidal impulses and continue to be a good husband and father. That call girl, an alluring but unusual woman named Jackie (Mia Wasikowska), is more than he bargained for and the balance of control over their fraught meeting begins to sway back and forth between the two. Before the night is over, a feverish nightmare unfolds, and Reed and Jackie seal their strange bond in blood.

Based on the critically acclaimed cult novel by Ryu Murakami (Audition), director Nicolas Pesce (The Eyes of My Mother) blends psychological horror with screwball comedy and sets it against an iconic giallo score, resulting in a sly take on the fantasy of escape and the hazards of modern romance.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with writer/director Nicolas Pesce
  • Making-of documentary
  • Piercing Murakami: Japanese film scholar Tom Mes on the source novel
  • Knowing the Score: Giallo music expert Jon Dobyns on the music of Piercing
  • According to Plan: New interviews with actors Christopher Abbott, Mia Wasikowska, and Laia Costa
  • Original theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by critic Wendy Ide Continue reading

SFFF Day 2 Report – Sex and the Unruly Screen

The Saskatoon Fantastic Film Festival’s second day was unusually specific in its program, devoting itself to short films that explored “innocence being encroached upon by outside forces” and a pair of horror-thriller features set around the sex industry. It was an impressive night of screenings, but also one that certainly made demands of its audience.

The “Paradise Lost” block of shorts was long on atmosphere and scares but slim on explication. Most films chose to grab their shocks and get out rather than flesh out their worlds. Faye Jackson’s The Old Woman Who Hid Her Fear Under the Stairs (2018) recalled Bobby Miller’s The Master Cleanse (part of SFFF’s program from 2016 and now titled simply The Cleanse). The short considers the situation of its title character who extracts her sense of anxiety out of herself, hides it in a tin, and faces down some dark, ominous threat that stalks her outside her home. Jackson’s film is wonderfully constructed, full of humour and dreadful tension, and its quality therefore demands more of itself, needing to unpack its conflict and its resolution before letting its credits roll. And the same could be said of other shorts in the block. Milk (Santiago Menghini, 2018) is a chilling tale of a boy trapped between two unsettling maternal figures and choses aesthetics over explanation. Wild (Morgana McKenzie,  2018) is a pastoral fantasy about a girl’s encounter with a magical, deadly, and ultimately unresolved female figure in her uncle’s cornfield. Saturn Through the Telescope (Dídac Gimeno, 2018) follows a boy’s efforts to watch a scary movie at home and is a slickly made and energetic short, while Make a Stand (Camille Aigloz, Lucy Vallin, Michiru Baudet, Simon Anding Malandin, Diane Tran Duc, and Margo Roguelaure, 2017) is a gorgeously animated film set in pre-Columbian Mexico and that seems to tease a supernatural spectacle that never arrives. Uncertainty is a great tool of the macabre, but it’s best used as a lacuna where meaningful questions spring forth. These shorts are uniformly affective and expertly fashioned, sure to be enjoyed by viewers. My only wish is that these films more fully met their narrative challenges as well as the aesthetic ones.

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Puzzle of a Downfall Child (Jerry Schatzberg, 1970)

The Criterion Collection, a continuing series of important classic and contemporary films presents Puzzle of a Downfall Child.

Based on his own interviews with troubled fashion model Anne St. Marie, Jerry Schatzberg’s Puzzle of a Downfall Child is an unnervingly intimate, narratively-fragmented portrait of a top fashion model in personal and professional decline. Faye Dunaway, fresh from her star-making role in Bonnie and Clyde, delivers a tour-de-force performance as Lou Andreas Sand, once a celebrated model now shored up in an isolated beach house struggling to maintain her partial grasp on reality. Directly influenced by the European art cinema of Alain Resnais, Ingmar Bergman, and Michelangelo Antonioni and boasting a screenplay by acclaimed screenwriter Carole Eastman and supporting performances by Barry Primus, Roy Scheider, and Viveca Lindfors, Puzzle of a Downfall Child is a visionary film emblematic of the disenfranchised subjects, art-film sensibilities, and young, creative filmmakers that made the New American Cinema.

Disc Features:

  • New 4K digital restoration, supervised by director Jerry Schatzberg, with uncompressed monoaural soundtrack on the Blu-ray
  • New interviews with Schatzberg and actor Faye Dunaway
  • Alternate opening sequence prepared by the studio
  • New interview with playwright Elisabeth Bouchaud
  • Fashion of a Downfall Child, scholar Drake Stutesman on the film’s costumes and fashion trends
  • Sounds from Across the Ocean, scholar Jay Beck on the film’s sound design
  • Trailer
  • PLUS: An essay by filmmaker and photographer Bruce LaBruce

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Our Friends in the North (Simon Cellan Jones, Pedr James, and Stuart Urban, 1996)

The Criterion Collection, a continuing series of important classic and contemporary films presents Our Friends in the North.

criterion logoBased on Peter Flannery’s 1982 stage-play, this award-winning BBC mini-series charts the lives of four friends from Newcastle over four decades – Nicky, a radical socialist preoccupied with the class struggle; Tosker, a cocky young man with dreams of celebrity and success; Mary, who struggles with the pressures of marriage and motherhood while pursuing her own professional ambitions; and Geordie, a troubled young man who flees his hometown for London. Over its nine episodes, Our Friends in the North traces the fortunes of an ever-changing England through the break-out performances of Christopher Eccleston, Mark Strong, Gina McKee, and Daniel Craig. The Criterion Collection is proud to present this sprawling milestone in British drama for the first time ever in North America.

Disc Features:

  • New 4K digital restoration, with 2.0 surround DTS-HD Master audio soundtrack on the Blu-ray
  • Interview with Christopher Eccleston and Gina McKee
  • Retrospective with Peter Flannery, producer Charlie Pattison, executive producer Michael Wearing, and directors Pedr James and Simon Cellan Jones
  • New interviews with Christopher Eccleston, Gina McKee, Mark Strong, and Daniel Craig
  • Visual essay by playwright Michael Eaton
  • Complete soundtrack listing with chart history
  • Precis and color stills of the original first episode
  • TV spots
  • PLUS: A booklet featuring essays by film scholar Marcus Hearn and television scholar Robin Nelson

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A Fugitive from the Past (Tomu Uchida, 1965)

The Criterion Collection, a continuing series of important classic and contemporary films presents A Fugitive from the Past.

criterion logoTomu Uchida’s allegorical crime epic stands among the masterworks of Japanese cinema and represents the apex of the director’s prestigious career.  A deadly robbery committed during a massive typhoon and a criminal’s flight from the law culminates with a murder 10 years later and a revived police investigation.  Set in 1947 during Japan’s harsh social conditions and the post-war economic miracle that arrived a decade after, Uchida’s film explores Japan’s traumatic past and the karmic penance that refuses to be denied despite newfound prosperity and good intentions.  Mixing the police procedural subgenre, the fugitive-on-the-run plot, and emotional melodrama with mesmerizing, high-grain cinematography and solarized images, A Fugitive from the Past is Uchida’s tragically noir-infused magnum opus.

Disc Features:

  • High-definition digital restoration, with uncompressed monaural soundtrack on the Blu-ray edition
  • New video interview with critic Tadao Sato
  • New video essay by critic Tony Rayns
  • Trailer
  • New and improved English subtitle translation
  • PLUS: A booklet featuring new essay by critic Mark Asch

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