Chowboys: An American Folktale (Adam Brooks, Jeremy Gillespie, Matthew Kennedy, Steven Kostanski, and Conor Sweeney, 2018)

Happy Christmas Eve! And what better way for MMC! to extend its season’s greetings than by sharing Chowboys: An American Folktale (2018), the final work of Winnipeg’s irreverent Astron-6. Here, three stupid cowboys struggle to survive in the frigid mountains on the coldest night of the year. Beautiful hands, sheet cakes, St. Nicholas, and cannibalism make for a wacky and gory holiday short set on Christmas Eve. God bless us, everyone (although maybe not Wendigo Santa).

HAPPY HOLIDAYS!

Fly Me to the Saitama (Hideki Takeuchi, 2019) – Fantasia International Film Festival

SAITAMA IS WACK!

Municipal rivalries, bedroom community resentments, and capital city snobbery are made fantastically farcical in Hideki Takeuchi’s adaptation of Mineo Maya’s cult manga. In this alternate Japan, Tokyo is a luxurious metropolis surrounded by impoverished prefectures living in near feudal-era conditions. Momomi Dannoura (Fumi Nikaido), son of Tokyo’s governor and possessor of striking feminine beauty, rules a baroquely decorated academy and disdains the presence of any non-Tokyoites, particularly those from the Saitama prefecture. The arrival of the mysterious transfer student Rei Asami (GACKT) sparks an undeniable attraction in Momomi and starts a war of liberation between the disrespected prefectures and the opulent megacity. Can love and regional pride overcome big city corruption?

Fly Me to the Saitama is Japanese lunatic satire at its finest, balancing a storm of local inside jokes with universal tensions between slick urbanites and commuter belt wastelands. In between, the film stuffs wacky battles, gender-bending characters, outlandish wigs and costumes, and plenty of historical anachronisms all delivered with disarmingly earnest performances from a stellar cast. Book your ticket to this award-winning, box office smash and accept your Saitamafication!

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Newly translated English subtitles
  • Optional English subtitles for the deaf and hard of hearing
  • Audio commentary with director Hideki Takeuchi, creator Mineo Maya, and crew
  • Audio commentary by Japanese film scholar Mark Shilling
  • Interviews with cast and crew
  • Reverse Country Boasting Japan’s No. 1 Final Battle, a special promotional program for the film
  • Behind-the-scenes footage
  • Deleted scenes
  • Trailers
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Collector’s booklet featuring new writing by manga and cosplay scholar Emerald L. King and a new printing of Mineo Maya’s original 188-page manga

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Happy Halloween from the NFBoo!

HAPPY HALLOWEEN!

Seeing as how it’s snowing and blowing hard today, what better way to celebrate this chilly Halloween than with some spookerrific shorts from the National Film Board of Canada. We’ve got surrealist worlds, honking monsters, devilish visitors, chicken leg houses, and anti-smoking PSAs.

Batmilk (Brandon Blommaert, 2009)

“In this animated short, an oafish ghoul and his soft exposed brain are met with ruin when the brain is unexpectedly killed. Though paralyzed, the ghoul attains a fresh brain and is fed with new life. ” (NFB)

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Bait (Mark Jenkin, 2019)

The Criterion Collection, a continuing series of important classic and contemporary films presents Bait.

Martin (Edward Rowe) is a cove fisherman without a boat. His brother has repurposed their father’s vessel as a tourist tripper catering to vacationers and stag parties. Their childhood home has been sold for London money and transformed into a summer getaway, displacing Martin to public housing above the harbor. As Martin resists the erosion of local traditions and industries, the summer season brings increasing tensions between the locals and newcomers to a boiling point, leading to tragic consequences. Stunningly shot on a vintage 16mm camera using monochrome Kodak stock, Mark Jenkin’s Bait is a timely and funny, yet poignant film that gets to the heart of a community facing up to unwelcome change.

SPECIAL FEATURES:

  • 4K digital master, approved by director Mark Jenkin, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
  • Alternate score performed by Cornish musician Gwenno, with introduction by Jenkin and Gwenno
  • Audio commentary with Jenkin and critic Mark Kermode
  • Bait Q&A with director Mark Jenkin, a conversation with Jenkin and Kermode recorded at the BFI Southbank in London
  • New interviews with Jenkin and star Ed Rowe
  • A behind-the-scenes film shot by students of Falmouth University’s School of Film & Television
  • Dear Marianne, Jenkin’s 2016 short film about a Cornishman’s travels in Ireland
  • The Essential Cornishman, Jenkin’s 2016 short film set in the mythical Cornish west and paying tribute to the spontaneous prose of the Beats
  • The Road to Zennor, Jenkin’s 2017 short travelogue to a small coast near St. Ives
  • Two archival short films set in the Cornwall region, Scenes on the Cornish Riviera (1912) and The Saving of Bill Blewitt (1936)
  • Trailers
  • PLUS: Jenkin’s Silent Landscape Dancing Grain 13 Manifesto and an essay by film critic Chloe Lizotte

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Mandy (Panos Cosmatos, 2018)

HE’S A LUMBERJACK AND HE’S NOT OKAY

Pacific Northwest, 1983 A.D. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence in near isolation. When their pine-scented splendour is savagely destroyed by the sadistic Jeremiah Sand and his cult “The Children of the New Dawn,” Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Armed with a hand-forged battle axe and an insane thirst for revenge, Red won’t stop until he has destroyed Jeremiah and his disciples.

From the visionary mind of Canadian filmmaker Panos Cosmatos (Beyond the Black Rainbow), Mandy is an ultra-hard, stylishly told hell-trip with heavy metal symbolism, demonic motorcycle mutants, buzzing chainsaws, and a phenomenal performance by Nicolas Cage as an unstoppable, single-minded avenger. Arrow Video proudly presents this modern grindhouse classic for the first time on 4K Ultra-HD Blu-ray.

LIMITED EDITION CONTENTS

  • 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) approved by director Panos Cosmatos
  • High definition Blu-ray (1080p)
  • Original DTS-HD 5.1 surround sound
  • Optional English subtitles for the deaf and hard of hearing
  • New audio commentary with Panos Cosmatos and filmmaker and critic Sam Ashurst
  • Behind-the-scenes featurette
  • Interview at the Sundance Film Festival with producers Lisa Whalen, Josh Waller, Daniel Noah, and Elijah Wood and special guests Nicolas Cage, Vince Neil from the band Mötley Crüe, and Panos Cosmatos
  • Acid Wash, new interview with cinematographer Benjamin Loeb
  • It’s Gobblin’ Good!, new interview with director Chris Casper Kelly and special effects artist Shane Morton on the Cheddar Goblin commercial
  • And Red All Over, new interview with designer Richard Kenworthy of Shynola on the film’s title cards
  • Standing on the Edge of Time, new interview with animation director David Garcia
  • The Blade and the Beast, new interview with weapon maker Tim Wagendorp
  • Deleted and extended scenes
  • Teasers and trailers
  • Concept art and stills gallery
  • Rewind This!, a feature-length documentary with audio commentary by director Josh Johnson, producer Carolee Mitchell and cameraman and editor Christopher Palmer
  • Soundtrack CD with music composer Jóhann Jóhannsson
  • 10″ vinyl single of “Amulet of the Weeping Maze” by Jeremiah Sand
  • Fold-out double-sided poster featuring original and newly commissioned artwork
  • Four retro-poster photos double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images
  • 44-page collectors’ booklet featuring new writing on the film by Travis Woods and an introduction by Panos Cosmatos

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Hinterland Remixed, Mobilize (Caroline Monnet, 2015), and Sign-off (Brett Bell, 2011)

I recently had the good fortune of attending the book launch for Andrew Burke’s Hinterland Remixed: Media, Memory, and the Canadian 1970s, a deep dive into the true north’s televisual archive and collective memory that includes considerations of the Hinterland Who’s Who vignettes, Michael Snow’s La Région centrale (1971), and SCTV. Professor Burke’s discussion and accompanying presentation diverted into a number of unexpected areas – the L’Atelier national du Manitoba film and art project, Kern-Hill Furniture Co-op commercials, electronic musicians Boards of Canada, the With Glowing Hearts short film (Ted Remerowski, 1979) – however two contemporary works stood out: Caroline Monnet’s Mobilize (2015) and Brett Bell’s Sign-off (2011).

Caroline Monnet, a Canadian artist of French and Algonquin heritages, obtained access to more that 700 films from the National Film Board of Canada to create Mobilize, an intense and passionate portrait of Canada’s indigenous people. With footage from the rural north and urban south, from traditional crafts to modern industry, Monnet captures the dynamism of the indigenous Canadian experience and, with the feverish score of Inuk artist Tanya Tagaq, provides a kind of sizzle reel made up of what the filmmaker calls “images of indigenous people kicking ass on screen.” MMC! fans may recognize scenes from Don Owen’s High Steel (1966)! Brett Bell’s Sign-off presents an absurdly nightmarish take on With Glowing Hearts and the anachronism of the television station sign-off culminating the day’s news and entertainment with a collage of landscapes and symbols set against the patriotism of the national anthem. Bell, born and based in Regina, Saskatchewan, creates something wonderfully weird and distinctly Canadian in Sign-off and for that MMC!’s heart does glow.