READY YOUR EYES. READY YOUR SOULS. PREPARE TO MEET YOUR MAKER.
Follow the Assassin, Mad God’s silent soldier, on his mysterious mission through Miltonesque worlds filled with grotesque monsters, mad scientists, and savage war pigs. This darkly surreal realm where nightmares roam free is forged from the subconscious mind of legendary visual effects and stop-motion craftsman Phill Tippett (contributor to the original Star Wars trilogy, Robocop, Jurassic Park, and Battleship Troppers). Commenced over thirty years ago and later resurrected at the behest of animators at Tippett’s Berkeley studio, this ambitious personal project employed hundreds of puppets, dozens of environments, and a crew of more than 60 artists who painstakingly animated every set, creature, and effigy in this macabre masterpiece.
Each element of Mad God is independently created and hand-crafted from its creator’s heart. At times, that heart bursts with love for its craft, while at other times it is morbidly gruesome, punctured and left bleeding. Altogether, Mad God is a testament to the power of creative grit and an homage to the timeless art of stop motion animation.
Limited Edition Contents:
High Definition Blu-ray (1080p) presentation
Original DTS-HD Master Audio 5.1 audio
Introduction by filmmaker Guillermo del Toro
Audio commentary by filmmaker Phil Tippett and special effects artist Dan Martin
The Criterion Collection, a continuing series of important classic and contemporary films presents The Triplets of Belleville.
French whimsy goes through the looking glass in this imaginatively offbeat animated wonder by animator Sylvain Chomet. A boy named Champion trains relentlessly for the Tour de France with the help of his diminutive and club-footed grandmother, Madame Souza, and their overweight dog, Bruno. When race day arrives, Champion and a few of his fellow racers are kidnapped by a pair of square-shouldered henchmen and taken across the ocean to thronging Belleville where they are forced to pedal as part of an illicit gambling operation. Bruno and Mme Souza follow to save their boy and find unlikely help from the renowned Triplets of Belleville, a trio of eccentric music hall stars turned elderly experimental musicians. Filled with twisted imagery and proceeding with the measured pace of a dream, The Triplets of Belleville is a strange, loving, and very French tribute to silent comedy and to bygone eras of traditional animation.
New 4K digital master, approved by director Sylvain Chomet, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
New audio commentary with Sylvain Chomet
New conversation between Chomet and animator Bill Plympton
The Making of The Triplets of Belleville, a 36-minute documentary discussing the film’s production
The Cartoon According to Sylvain Chomet, a brief discussion with the director on designing his characters
Before The Triplets of Belleville (2003) and The Illusionist (2010), Sylvain Chomet made the award-winning The Old Lady and the Pigeons (La Vieille Dame et les pigeons, 1997). The animated short features an impoverished and starving gendarme who dresses up like a giant pigeon in order to be fed by an old woman (and that barely scratches the surface of how hilariously bizarre the short gets). Chomet was inspired to make a film of his own after seeing Nick Park’s Creature Comforts (1989) and set upon his production after pitching the concept to Didier Brunner of the French animation studio Les Armateurs. Backgrounds were designed by Chomet’s comic book collaborator Nicolas de Crécy, although the two would later fall out over Crécy’s view that Chomet improperly copped his style for the designs of The Triplets of Belleville. The Old Lady and the Pigeons is silently comic and strangely surreal and establishes many of Chomet’s characteristic styles and themes, making it an easy access point to Chomet’s limited filmography. It is also a quick 24-minute scratch for those of us still itching to see his next film, The ThousandMiles, a Fellini-inspired story about the world’s most beautiful road race, Italy’s Mille Miglia.
Seeing as how it’s snowing and blowing hard today, what better way to celebrate this chilly Halloween than with some spookerrific shorts from the National Film Board of Canada. We’ve got surrealist worlds, honking monsters, devilish visitors, chicken leg houses, and anti-smoking PSAs.
Batmilk (Brandon Blommaert, 2009)
“In this animated short, an oafish ghoul and his soft exposed brain are met with ruin when the brain is unexpectedly killed. Though paralyzed, the ghoul attains a fresh brain and is fed with new life. ” (NFB)
Pacific Northwest, 1983 A.D. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence in near isolation. When their pine-scented splendour is savagely destroyed by the sadistic Jeremiah Sand and his cult “The Children of the New Dawn,” Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Armed with a hand-forged battle axe and an insane thirst for revenge, Red won’t stop until he has destroyed Jeremiah and his disciples.
From the visionary mind of Canadian filmmaker Panos Cosmatos (Beyond the Black Rainbow), Mandy is an ultra-hard, stylishly told hell-trip with heavy metal symbolism, demonic motorcycle mutants, buzzing chainsaws, and a phenomenal performance by Nicolas Cage as an unstoppable, single-minded avenger. Arrow Video proudly presents this modern grindhouse classic for the first time on 4K Ultra-HD Blu-ray.
LIMITED EDITION CONTENTS
4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) approved by director Panos Cosmatos
High definition Blu-ray (1080p)
Original DTS-HD 5.1 surround sound
Optional English subtitles for the deaf and hard of hearing
New audio commentary with Panos Cosmatos and filmmaker and critic Sam Ashurst
Interview at the Sundance Film Festival with producers Lisa Whalen, Josh Waller, Daniel Noah, and Elijah Wood and special guests Nicolas Cage, Vince Neil from the band Mötley Crüe, and Panos Cosmatos
Acid Wash, new interview with cinematographer Benjamin Loeb
It’s Gobblin’ Good!, new interview with director Chris Casper Kelly and special effects artist Shane Morton on the Cheddar Goblin commercial
And Red All Over, new interview with designer Richard Kenworthy of Shynola on the film’s title cards
Standing on the Edge of Time, new interview with animation director David Garcia
The Blade and the Beast, new interview with weapon maker Tim Wagendorp
Deleted and extended scenes
Teasers and trailers
Concept art and stills gallery
Rewind This!, a feature-length documentary with audio commentary by director Josh Johnson, producer Carolee Mitchell and cameraman and editor Christopher Palmer
Soundtrack CD with music composer Jóhann Jóhannsson
10″ vinyl single of “Amulet of the Weeping Maze” by Jeremiah Sand
Fold-out double-sided poster featuring original and newly commissioned artwork
Four retro-poster photos double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images
44-page collectors’ booklet featuring new writing on the film by Travis Woods and an introduction by Panos Cosmatos
After packing in 200 or so people for the Saskatoon Fantastic Film Festival’s second annual Saturday Morning All You Can Eat Cereal Cartoon Party, Day 5 was all about director Joe Dante, actress Belinda Balaski, and a trio of features film celebrating their work. Screenings of The ‘Burbs (1989), Gremlins (1984), and The Howling (1981) were each introduced by Dante and followed by a Q&A session. All three films looked great on the big screen and Dante and Balaski were open and affable with the SFFF audience, answering questions and recounting stories. Dante discussed working as a consultant to an upcoming animated Gremlins prequel and briefly acknowledged that his long desired project about Roger Corman, The Man with Kaleidoscope Eyes, was being produced by SpectreVision and should see production in 2020. Balaski recounted a popular story about how the designers of Gremlins’ Gizmo obtained Steven Spielberg’s elusive approval of the creature when she recommended that they take inspiration from the King Charles Cavalier Spaniels Spielberg had recently acquired. When asked which of their films they felt deep-diving fans should explore, Balaski cited Mark L. Lester’s youth culture/crime drama movie Bobbie Jo and the Outlaw (1976) while Dante nodded at his under-seen (and unfortunately prescient) political satire The Second Civil War (1997). The pair were generous with their time, even sitting down on the Broadway Theatre’s stage floor to sign programs and badges for remaining diehards, and they proved to be excellent guests for the SFFF’s landmark 10th year.