I recently had the good fortune of attending the book launch for Andrew Burke’s Hinterland Remixed: Media, Memory, and the Canadian 1970s, a deep dive into the true north’s televisual archive and collective memory that includes considerations of the Hinterland Who’s Who vignettes, Michael Snow’s La Région centrale (1971), and SCTV. Professor Burke’s discussion and accompanying presentation diverted into a number of unexpected areas – the L’Atelier national du Manitoba film and art project, Kern-Hill Furniture Co-op commercials, electronic musicians Boards of Canada, the With Glowing Hearts short film (Ted Remerowski, 1979) – however two contemporary works stood out: Caroline Monnet’s Mobilize (2015) and Brett Bell’s Sign-off (2011).
Caroline Monnet, a Canadian artist of French and Algonquin heritages, obtained access to more that 700 films from the National Film Board of Canada to create Mobilize, an intense and passionate portrait of Canada’s indigenous people. With footage from the rural north and urban south, from traditional crafts to modern industry, Monnet captures the dynamism of the indigenous Canadian experience and, with the feverish score of Inuk artist Tanya Tagaq, provides a kind of sizzle reel made up of what the filmmaker calls “images of indigenous people kicking ass on screen.” MMC! fans may recognize scenes from Don Owen’s High Steel (1966)! Brett Bell’s Sign-off presents an absurdly nightmarish take on With Glowing Hearts and the anachronism of the television station sign-off culminating the day’s news and entertainment with a collage of landscapes and symbols set against the patriotism of the national anthem. Bell, born and based in Regina, Saskatchewan, creates something wonderfully weird and distinctly Canadian in Sign-off and for that MMC!’s heart does glow.
An inspiration to the Nelvana animation studio’s first feature, Rock & Rule (Clive A. Smith, 1983), The Devil and Daniel Mouse (Clive A. Smith, 1978) was the Canadian animator’s second television special. Following 1977’s A Cosmic Christmas (Clive A. Smith, 1977), this Halloween program takes its inspiration from Stephen Vincent Benét’s classic short story “The Devil and Daniel Webster” and mines Canadian artistic anxieties over American cultural imperialism and selling out. Struggling folk duo Jan and Daniel Mouse are fired from their last gig and Jan sells her soul to the demonic record producer B.L. Zebub, transforming her into the hit sensation Funky Jan. Success is bittersweet for Jan as she misses Daniel but when B.L. claims his payment under the contract, it’s Daniel who stands up for her in a trial of the damned that culminates in a musical final statement that carries the day. The short features some solid tracks by John Sebastian of The Lovin’ Spoonful and singer-songwriter Valerie Carter, as well as some stunning animation for the infernal B.L. Zebub.
Those looking for more on The Devil and Daniel Mouse, Rock & Rule, and the failed early efforts of Nelvana to achieve its own commercial and artistic independence should consult Keir-La Janisse’s excellent essay “A Song from the Heart Beats the Devil Every Time: The Fear of Selling Out in Nelvana’s The Devil and Daniel Mouse and Rock and Rule” in Gina Freitag and André Loiselle’s The Canadian Horror Film: Terror of the Soul.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Green Fog.
Commissioned by the San Francisco Film Society to close the 60th San Francisco International Film Festival, The Green Fog is the latest from Canadian iconoclast Guy Maddin and is an unusually evocative homage to Alfred Hitchcock’s Vertigo assembled from Bay Area footage taken from a diverse array of sources including studio classics, ’50s noir, experimental films, and ’70s prime-time TV. With the help of co-directors Evan and Galen Johnson, composer Jacob Garchik, and musicians Kronos Quartet, this San Francisco fantasia celebrates the city through a century’s worth of assembled film and television, while also capturing the obsessive pull of Hitchcock’s spellbinding classic. The result is inventive, invigorating, and hilariously quirky, offering a “parallel-universe version” of a canonical cinema masterpiece, an unlikely city symphony, and a refreshing document of film history.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Movie Orgy.
A send-up and a celebration of mid-century American kitsch, Joe Dante’s epic pop culture mash-up, The Movie Orgy, entertained college campuses through the late 1960s and 1970s, drawing upon an ever-changing library of ’50s drive-in movies, vintage commercials, TV westerns, and political speeches. Re-discovered and re-cut by Dante for a revival screening in 2008 into its 280 minute “Ultimate Version,” this legendary cinematic event is now available outside of theatres for the first time. SEE a colossal collage of nostalgia! SEE an experience of mind-rotting celluloid hysteria! SEE thousands of performers in roles that earned them obscurity! SEE bosomy starlets, juvenile delinquency, Christian puppetry, Elvis Presley, Groucho Marx, and Richard Nixon!
- High-definition digital transfer, supervised and approved by director Joe Dante, with uncompressed monaural soundtrack on the Blu-ray
- New interview with Dante
- Rated Z, archivist David Neary on the history and significance of The Movie Orgy
- Posters and promotional materials
- PLUS: An essay by director John Sayles
Eclipse is a selection of lost, forgotten, or overshadowed classics in simple affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.
The award-winning team of David Gill and Kenneth Brownlow present a definitive and unparalleled look at the history of silent film in America with Hollywood: A Celebration of American Silent Film. Narrated by actor and silent film enthusiast James Mason, this 13-part series celebrates the birth of an industry and the town and people who made it happen. From the arrival of the filmmaking pioneers early at the dawn of a new century, through the outbreak of the First World War; from the rise of romance to the demise of the Old West; from when comedy was king until the advent of sound, this stunning television program surveys the enormous range of spectacular, innovative, and exciting films created by a business still inventing itself. Brilliantly edited and featuring a multitude of invaluable interviews by stars, directors, and below-line personnel, Hollywood is an irreplaceable document on cinema history and a loving tribute to those that made a legend out of a modest California town.
With notes by Kevin Brownlow.
Let’s kick off this “Trailer Tuesday” with my favourite film of the year so far – Panos Cosmatos’ Mandy (2018). For me, this is Cage Rage by Tor Books and I completely love it. Mandy is so clearly defined in its aesthetic bravura, so hilariously aware of its fantastic absurdity. Cosmatos’ direction is stunning, managing to swing between hilarity, tragedy, awe, and back again within the same scene. (Plus, it’s always great to see the dildo from Se7en still working.)