The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).
There’s a running joke in Bill Watterson’s Dave Made a Maze (2017), a film about a man who builds a massive cardboard maze (bigger inside than out) and then gets trapped within it. As Dave’s friend Gordon (Adam Busch) repeatedly points out, the maze is full of traps, making it, in fact, a labyrinth. Day 3 of the Saskatoon Fantastic Film Festival offered a disparate collection of films – a comedy recounting a slacker’s epic quest in a DIY fortress; a trippy, coming-of-age, prom night parable; a genre-mixing, science fiction blockbuster; and a dreamy descent into a housewife’s trauma and a cult’s terrifying prophecy. Each offers its own twists and turns, finding new dangers as they progress through corrugated caverns, genre conventions, and layered realities. In fact, they’re all labyrinths in their own ways.
Rein Raamat’s Hell (1983) adapts the engravings of Estonian graphic artist Eduard Wiiralt into a surreal, grotesque, and heavily sexual animated short. Wiiralt’s three source works, “The Preacher,” “Cabaret,” and “Hell,” date back to the early 1930s and portray a cacophony of bacchanalia, hysteria, and violence in the final years of Estonian independence amid the unrest of the Great Depression and European instability. Raamat’s Hell (Põrgu) was created in the comparably uncertain time of Soviet dismantling and collapse. The short is unsettling in its physical fluidity, like an Eastern European, art film prediction of the climax to Brian Yuzna’s Society (1989).
Horror can be elegantly simple. Consider Rod Blackhurst and Bryce James McGuire’s Night Swim (2014), where a nighttime dip by Eve (Megalyn Echikunwoke) in a backyard pool results in an unexpected observer. Chills and scares are developed in the short’s brief four minutes using a novel idea and some carefully paced storytelling. Dive in, horror fans!
MMC! keeps our creepy October rolling with Dave Fleischer’s spook-errific animation classic, Snow-White (1933). This Betty Boop masterpiece was animated almost single-handed by Roland Crandall over six months, his reward for loyal service to Fleischer Studios. The short features an array of creepy gags and set-pieces, the highlight of which is the Mystery Cave portion where a rotoscoped Cab Calloway performs “St. James Infirmary Blues” as a ghostly Koko the Clown. I first saw Snow-White in a class on the Disney Company where the very knowledgeable professor cited the rotoscoped appearance of Cab Calloway as an introduction of realism into the film, something I never understood given the very fantastic animation applied to the phantom Koko transforms into and the almost unnatural, counter-intuitive physics of Calloway’s glides and moonwalks. Snow-White has been preserved by the National Film Registry and can be found on Blu-ray in Volume 4 of Olive Films’ Betty Boop: The Essential Collections.
October is upon us and that means horror-themed shorts here at MMC!
We kick off our month with a trio of Lovecraftian parody films by Canadian writer-director Joseph Nanni. In the hustle and bustle of our workaday lives, it’s easy to forget the invisible world that exists alongside ours, abiding in slumber its fearsome indifference to our small place in an ancient multiverse. Thank goodness religion, medicine, and insurance are doing their parts to protect us!
Elder Sign (Joseph Nanni, 2009)
The Necronomicon (Joseph Nanni, 2009)
HP Lovecraft Insurance (Joseph Nanni, 2015)