I had planned to wind up MMC!‘s coverage of the Chattanooga Film Festival with an imagined Arrow Video edition of Ryan Prows’s Lowlife (2017) but no sooner had I done my research and began writing did Shout! Factory announce a Blu-ray edition of the film slated for release on August 7. I’m usually pretty stoked to cross any film off my list of potential MMC! subjects as their circulation is far more gratifying than writing about them here, but I’m a little disappointed not to discuss Lowlife at greater length. I have stumped for Lowlife a fair amount already so let’s instead spend some time with three of Prows’s earlier shorts films, all of which seem to be working through some of the themes and concerns at play in Lowlife and all of which should be included as special features on the upcoming Blu-ray edition.
In case you’ve forgotten, here is a quick refresher on Lowlife taken from the film’s press kit.
When a simple organ harvesting caper goes awry, a twist of fate unites three of society’s forgotten and ignored: EL MONSTRUO, a disgraced Mexican wrestler working as hired muscle for a local crime boss. CRYSTAL, a recovering addict desperate enough to arrange a black market kidney transplant to save her husband’s life. And RANDY, a loveable two-strike convict fresh out of prison, cursed with a full-face swastika tattoo and a best friend guilting him into some hair-brained kidnapping scheme.
As the sordid lives of these small-time criminals collide, they must fight tooth and nail to save a pregnant woman from a certain, and surely gruesome, death.
The Criterion Collection, a continuing series of important classic and contemporary films presents Tigers Are Not Afraid.
Issa López’s festival-favourite is a darkly magical tale set in the real world tragedy of Mexico’s violent drug war, where thousands of murdered and missing people result in countless orphaned children forced onto the streets to fend for themselves. When her mother disappears, a young girl named Estrella uses one of three wishes granted to her to ask for her mother back and finds herself haunted by a vengeful ghost. Estrella takes up with a quartet of street kids led by Shine but the boys have their own problems, pursued by a vicious gang intent on reclaiming a lost iPhone. Blending artfully immediate handheld cinematography and convincing fantastical digital effects, López creates a realist fairy tale that stands as a prescient statement on Mexico’s deadly drug cartels and a hauntingly magical fairy tale.
- 2K digital transfer, approved by director Issa López, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New interview with López, acting coach Fátima Toledo, and filmmaker Guillermo del Toro
- Tan Callando, López’s 1994 student film made at Mexico’s National University, with introduction by the director
- New English subtitle translation
- PLUS: An essay by novelist Stephen King
The Criterion Collection, a continuing series of important classic and contemporary films presents Elegant Beast.
In this contemporary melodrama scripted by Kaneto Shindo, director Yuzo Kawashima creates a scathing depiction of greed and hypocrisy in a society facing rapid modernization and Westernization. The small apartment of the Maeda family is transformed by inventive and meticulous cinematography into a claustrophobic battleground where cheating, embezzlement, and corruption are natural occurrences and where the Maedas are turned from swindlers to swindled by a beautiful but mercenary accountant played by Ayako Wakao in a virtuoso performance. Little know outside of Japan, Yuzo Kawashima’s Elegant Beast is an underappreciated masterpiece in filmmaking and a bitter statement on what it took to get ahead in post-war Japan.
- New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New interview with critic, filmmaker, and festival programmer Tony Rayns
- New program with Eric Nyari on the film and its restoration
- New English subtitle translation
- PLUS: An essay by Japanese film scholar Tomoyuki Sasaki
The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).
The Criterion Collection, a continuing series of important classic and contemporary films presents The Incident.
As cynical and despairing a view of New York as you’re likely to find, Larry Peerce’s The Incident is a bitter pill clipping along a Bronx train line, gathering unsuspecting passengers and transforming them into the victims of two young thugs fresh from mugging a helpless old man. Tony Musante and Martin Sheen star as a pair of hoodlums who bait, taunt, and terrorize a melting pot of late-night commuters that includes a husband and wife with a sleeping child, a pair of young lovers, two soldiers recently returned home, an irritated Jewish couple, a bitterly anti-white African American man and his peaceful wife, and an introverted homosexual. Featuring performances by Beau Bridges, Ruby Dee, Jack Gilford, Brock Peters, Thelma Ritter, Donna Mills, and Ed McMahon, The Incident captures the social dissolution of late ’60s New York in the longest, tensest commute ever made between Mosholu Parkway and Grand Central.
- Restored 2K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
- New interview with director Larry Peerce
- New interview with actor Martin Sheen
- Ride with Terror, a 1963 teleplay for The DuPont Show of the Week written and adapted from by Nicholas E. Baehr and starring Tony Musante, Vincent Gardenia, and Gene Hackman
- PLUS: A new essay by Bruce Goldstein, director of repertory programming at New York’s Film Forum
Back in January, the Criterion Collection paired the Oscar-winning short film Logorama (Ludovic Houplain, Hervé de Crécy, and François Alaux, 2009) with Jean-Luc Godard’s Masculin féminin (1966). Created by the French collective H5, the short constructs Los Angeles entirely from (3,000 or so) trademarked logos and then presents these sanitized images of friendly consumerism in the sun-drenched violence typical to films like To Live and Die in L.A. (William Friedkin, 1985) and Heat (Michael Mann, 1995). The result is a clever statement on the ubiquity of capitalist commodification in our daily life and a somewhat nasty dismantling of the corporate messaging shorthanded into these capitalist symbols. Those interested in the legality of Logorama (or at least the American legality of a French film) should read Rose Lawrence’s “LOGORAMA: The Great Trademark Heist.” Lawrence’s unpacking of the legal tests for parody, satire, infringement, and dilution are particularly useful in considering the artistic aims, popular interactions, and social commentaries at work in the short film. As a bonus, Lawrence also touches upon important legal texts like George of the Jungle 2 (David Grossman, 2003) and Aqua’s “Barbie Girl.”