The Criterion Collection, a continuing series of important classic and contemporary films presents You Can Succeed, Too.
Sing, dance, and get ahead with You Can Succeed, Too, the closest Japanese cinema ever came to a full-blown Broadway-style musical! Set in a tourism company looking to secure a big American client in the run up to the 1964 Tokyo Olympics, an ambitious salesman (jazz drummer and comedian Frankine Sakai) and his handsome, undemanding colleague (musician and actor Tadao Takashima) struggle to negotiate love and business amid the pressures of a booming Japanese economy and the American-style changes brought to their department by the president’s daughter (Izumi Yukimura). Featuring music from avant-garde composer Toshiro Mayuzumi and lyrics by renowned poet and translator Shuntaro Tanikawa, director Eizo Sugawa creates a musical comedy in the spirit of Frank Tashlin’s Will Success Spoil Rock Hunter? and Frank Loesser’s How to Succeed in Business Without Really Trying, celebrating and skewering Japan’s growing global profile with singing salarymen and dancing office workers.
- High definition digital transfer with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary with actor Tadao Takashima
- Audio interview with director Eizo Sugawa and actor Frankie Sakai
- A History of the Japanese Musical, a video essay by Hieu Chau
- Theatrical trailer
- Gallery of promotional materials
- New English subtitle translation
- PLUS: An essay by film scholar Michael Raine and 1994 interviews with composer Toshiro Mayuzumi
The Criterion Collection, a continuing series of important classic and contemporary films presents The Limey.
Terence Stamp is Wilson, a English ex-con who arrives in Los Angeles to hunt down the man responsible for his daughter’s “accidental” death, a record producer named Terry Valentine (Peter Fonda). Propelled along an increasingly brutal search for the truth, Wilson’s singleminded desire for revenge splinters into a meditation on cultural dislocation, an elegy on fatherhood, and a radical, fragmentary investigation of memory. Conceiving of the film as “Alain Resnais making Get Carter” and featuring throwback casting with Stamp, Fonda, Barry Newman, and Joe Dallesandro, Steven Soderbergh’s The Limey is a modern tough guy classic and a seminal work of American independent cinema.
- Restored 4K digital transfer, approved by director Steven Soderbergh and cinematographer Edward Lachman, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- Audio commentary with Soderbergh and writer Lem Dobbs
- Audio commentary with Terence Stamp, Peter Fonda, Lesley Ann Warren, Barry Newman, Joe Dallesandro, Soderbergh, and Dobbs
- New introduction by Soderbergh
- New conversation with Soderbergh, editor Sarah Flack, cinematographer Edward Lachman, and actors Luis Guzmán and Lesley Ann Warren
- Deleted scene featuring Ann-Margret
- Isolated music score
- Trailers and TV Spots
- PLUS: A new essay by critic Ashley Clark
Festival reports delayed MMC! celebrating Jonathan Keogh’s amazing tribute to the Criterion Collection’s first 1,000 spine numbers, but we’re remedying that right now!
Criterion Collection: 1000 Spines (2019) is a supercut of the first order and it’s full of things that MMC! loves: those framing devices using Rushmore (Wes Anderson, 1998), My Dinner with André (Louis Malle, 1981), and All That Jazz (Bob Fosse, 1979); that piano rendition of Katy Perry’s “Roar,” that Beastie Boys transition leading into the raucously shifting panels of the Collection’s samurai cinema, the iconoclastic rebellion of “A Quick One, While He’s Away” celebrating cinema’s icons and rule breakers, that towering kaiju crescendo. Heck, Keogh even slides in some great shots of Jellyfish Eyes (Takashi Murakami, 2013)! Keogh, who works for Criterion doing marketing and advertising, took 10½ months to create this 16-minute opus, but that’s not all. In anticipation of the video, Keogh also created a 4-minute teaser celebrating some of the Collection’s fanciest footwork. If you missed this little gem given the hubbub over 1000 Spines, be sure to check it out as well.
The Criterion Collection’s February titles are up and things looks great with MMC!’s #5 film for 2018, Alfonso Cuaron’s Roma, slated for a stacked release (that includes a kogonada video essay). Also announced are Jennie Livingston’s amazing drag doc Paris is Burning (1990), Pier Paolo Pasonini’s provocative Teorema (1969), and a Blu-grade of Hiroshi Teshigahara’s architectural exploration, Antonio Gaudí (1984), however February gets even better with the realization that yet another MMC!-proposed title is set to join the Criterion Collection and provide another glorious case of spine number wish fulfillment!
Released by the Criterion Collection under the title Invention for Destruction, Karel Zeman’s The Deadly Invention (1958) is packaged with Journey to the Beginning of Time (1955) and The Fabulous Baron Munchausen (1962) under the collective title Three Fantastic Journeys by Karel Zeman. In this moment of self-congratulation, MMC! points out that we not only had this more than four and a half years ago, but also called the inclusion of Zeman’s short film Inspiration (1949), the particulars of the American release, appearances by Tim Burton and Terry Gilliam, and Czech documentaries on Zeman!
Once again, and always, you’re welcome, cinephiles!
The Criterion Collection, a continuing series of important classic and contemporary films presents The Green Fog.
Commissioned by the San Francisco Film Society to close the 60th San Francisco International Film Festival, The Green Fog is the latest from Canadian iconoclast Guy Maddin and is an unusually evocative homage to Alfred Hitchcock’s Vertigo assembled from Bay Area footage taken from a diverse array of sources including studio classics, ’50s noir, experimental films, and ’70s prime-time TV. With the help of co-directors Evan and Galen Johnson, composer Jacob Garchik, and musicians Kronos Quartet, this San Francisco fantasia celebrates the city through a century’s worth of assembled film and television, while also capturing the obsessive pull of Hitchcock’s spellbinding classic. The result is inventive, invigorating, and hilariously quirky, offering a “parallel-universe version” of a canonical cinema masterpiece, an unlikely city symphony, and a refreshing document of film history.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Movie Orgy.
A send-up and a celebration of mid-century American kitsch, Joe Dante’s epic pop culture mash-up, The Movie Orgy, entertained college campuses through the late 1960s and 1970s, drawing upon an ever-changing library of ’50s drive-in movies, vintage commercials, TV westerns, and political speeches. Re-discovered and re-cut by Dante for a revival screening in 2008 into its 280 minute “Ultimate Version,” this legendary cinematic event is now available outside of theatres for the first time. SEE a colossal collage of nostalgia! SEE an experience of mind-rotting celluloid hysteria! SEE thousands of performers in roles that earned them obscurity! SEE bosomy starlets, juvenile delinquency, Christian puppetry, Elvis Presley, Groucho Marx, and Richard Nixon!
- High-definition digital transfer, supervised and approved by director Joe Dante, with uncompressed monaural soundtrack on the Blu-ray
- New interview with Dante
- Rated Z, archivist David Neary on the history and significance of The Movie Orgy
- Posters and promotional materials
- PLUS: An essay by director John Sayles