The Saskatoon Fantastic Film Festival’s second day was unusually specific in its program, devoting itself to short films that explored “innocence being encroached upon by outside forces” and a pair of horror-thriller features set around the sex industry. It was an impressive night of screenings, but also one that certainly made demands of its audience.
The “Paradise Lost” block of shorts was long on atmosphere and scares but slim on explication. Most films chose to grab their shocks and get out rather than flesh out their worlds. Faye Jackson’s The Old Woman Who Hid Her Fear Under the Stairs (2018) recalled Bobby Miller’s The Master Cleanse (part of SFFF’s program from 2016 and now titled simply The Cleanse). The short considers the situation of its title character who extracts her sense of anxiety of herself, hides it in a tin, and faces down some dark, ominous threat that stalks her outside her home. Jackson’s film is wonderfully constructed, full of humour and dreadful tension, and its quality therefore demands more of itself, needing to unpack its conflict and its resolution before letting its credits roll. And the same could be said of other shorts in the block. Milk (Santiago Menghini, 2018) is a chilling tale of a boy trapped between two unsettling maternal figures and choses aesthetics over explanation. Wild (Morgana McKenzie, 2018) is a pastoral fantasy about a girl’s encounter with a magical, deadly, and ultimately unresolved female figure in her uncle’s cornfield. Saturn Through the Telescope (Dídac Gimeno, 2018) follows a boy’s efforts to watch a scary movie at home and is a slickly made and energetic short, while Make a Stand (Camille Aigloz, Lucy Vallin, Michiru Baudet, Simon Anding Malandin, Diane Tran Duc, and Margo Roguelaure, 2017) is a gorgeously animated film set in pre-Columbian Mexico and that seems to tease a supernatural spectacle that never arrives. Uncertainty is a great tool of the macabre, but its best used as a lacuna where meaningful questions spring forth. These shorts are uniformly affective and expertly fashioned, sure to be enjoyed by viewers. My only wish is that these films more fully met their narrative challenges as well as the aesthetic ones.
The Saskatoon Fantastic Film Festival has upgraded the apparatus with its 2018 edition. That means fewer midnight screenings in favour of an extra day of programming, a 3-hour cartoon and cereal party, a snazzy new booklet, new voting ballots, some clever bumpers running before the screenings, sponsorships and promotions from Vinegar Syndrome and Shudder, and even an after party with cast and crew of Supergrid. And with turnout for Day 1 looking robust, Festival Director John Allison and his team must be feeling positive about the prospects for this year. There’s always a desire to find a theme to a given day’s program but finding a common thread between Anna and the Apocalypse (John McPhail, 2018), Rock Steady Row (Trevor Stevens, 2018), Videodrome (David Cronenberg, 1983), and their supporting short films is something of a challenge. At best, it might be said that most of these films attend to breakdowns in community and some very unlikely ways to reassemble them.
The Buried Alive Film Festival wraps up this Sunday and MMC! is here to tell you why you should go! In addition to another screening of The Golem with a live score by the band Samadha (just in case you miss the screening and performance this Friday), there are two feature films, two supporting shorts, the “Why Bury Good Meat?” short program, and BAFF’s awards ceremony.
There’s plenty of good stuff to see on BAFF’s final day and MMC! has its favourites. Here, dear readers, are five MMC!-approved titles to BAFF this Sunday:
The Buried Alive Film Festival’s program for Saturday, November 17, is STACKED with three new feature films, one rep-pick, two supporting features, the Eyeslicer short film program, nine more short films in the “It’s Never Too Early to Start Digging Graves” block, and one burlesque show compliments of Blast Off Burlesque. Now that’s a full day of entertainment!
Overwhelmed with a bounty of goodness, MMC!‘s previews can only be more important, pointing the path from mere goodness and toward greatness. Here, dear readers, are five MMC!-approved reasons (that are actually nine reasons) to BAFF this Saturday:
Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.
Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!
MMC! will cover the 2018 Buried Alive Film Festival by previewing each day of its programming, focusing on those wonderful films that achieve MMC!-approval!
With BAFF’s emphasis on short films and a full program of these titles playing each day the Fest, there’s hardly any limit on the number of good reasons to attend! BAFF kicks off on November 14 with a screening of the films made as part of its 3rd annual Sinema Challenge, a 13 day filmmaking challenge that sees its participants randomly select a horror genre and a subject from a deck of Cards Against Humanity cards and then make a movie based on their selections.
The Fest’s main program starts on November 15 with a feature, a supporting short film, and BAFF’s first short program: “For the Love of the Undertaker.” For those counting, that’s thirteen separate works in a single evening of film fest-ing! There’s lots to enjoy, but here are MMC!‘s five favourite reasons to BAFF next Thursday.