Under the Bridges (Helmut Kautner, 1946)

The Criterion Collection, a continuing series of important classic and contemporary films presents Under the Bridges.

Puttering up and down the Havel River, bargemen Hendrik and Willi (Carl Raddatz and Gustav Knuth) dream of meeting a decent woman, getting married, and living a “solid life.” While traveling to Berlin, they meet forlorn Anna (Hannelore Schroth) on Potsdam’s Glienicker Bridge and mistake her for a potential suicide. The pair provide her with refuge on their barge as it heads for Berlin and each takes a fancy to the young woman, but she is too guarded to reciprocate and their friendship strains under the tension of their humble romantic rivalry. Stylishly representing working class lives in a poetic realist style, Helmut Käutner’s Under the Bridges is a heart-winning drama that imagined German life and love free from the traumas of World War II and stands as an underappreciated masterpiece of German cinema.

SPECIAL FEATURES:

• New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary by German film scholar Robert Reimer
• Who Is Helmut Käutner?, Marcel Neudeck’s 2008 portrait of the director
• New and improved English subtitle translation
• PLUS: A new essay by film scholar Philip Kemp

Nitrate Film Handling (Navy Training Film, 1940s)

Previously, MMC! had declared its great appreciation for MUBI’s latest podcast season entitled “Only in Theatres.” MUBI’s latest episode focuses on The George Eastman House‘s Dryden Theatre and its Nitrate Picture Show, an annual film festival devoted to exclusively showing films on very delicate, highly combustible nitrate prints. Listening to the extreme efforts taken by The George Eastman House to safely store and screen these films, I recalled this old safety film from the Huntley Film Archives that I first saw at a showing of Bill Morrison’s Dawson City: Frozen Time (2016) and that demonstrates the shockingly dangerous nature of nitrate film stock. Terrifying and edifying!

In addition to recalling my missed opportunity and retroactive desire to have pursued a career in film restoration and archiving after film school, I am now obsessed with attending the 2023 Nitrate Film Festival and being dazzled by the shimmering wonder of nitrate’s threatening beauty!

I Am a Fugitive from a Chain Gang (Mervyn LeRoy, 1932)

The Criterion Collection, a continuing series of important classic and contemporary films presents I Am a Fugitive from a Chain Gang.

Based on I Am a Fugitive from a Georgia Chain Gang!, the autobiographical book of chain gang escapee Robert E. Burns, Mervyn LeRoy’s uncompromising and starkly realistic 1932 drama, about an out of work veteran twice railroaded into the hell of a Georgia chain gang, still has the power to shock. Paul Muni commands the screen in a brilliantly lived-in performance as a man whose only prospect is a life perpetually on the run, and the film’s gritty realism spares no anger at a cruel and unjust legal system. Eighty years later, I Am a Fugitive from a Chain Gang remains the studio era’s greatest social message film and it stands as a crucial turning point for Warner Bros., Paul Muni, Robert E. Burns, and the American prison system.

SPECIAL FEATURES:

• New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
• Audio commentary from 2005 by film historian Richard B. Jewell
• Vintage musical short 20,000 Cheers for the Chain Gang!
• The Man Who Broke 1,000 Chains, a 1987 TV movie starring Val Kilmer and adapting Robert E. Burns’ I Am a Fugitive from a Georgia Chain Gang
• Theatrical trailer
• English subtitles for the deaf and hard of hearing
• PLUS: A new essay by TCM film historian and author Scott McGee

Orders (Michel Brault, 1974)

The Criterion Collection, a continuing series of important classic and contemporary films presents Orders.

Straddling fiction and documentary reconstruction, Michel Brault’s Orders is a gripping reenactment of the roundup and imprisonment of ordinary Québécois citizens during the October Crisis of 1970, when Canadian Prime Minister Pierre Trudeau imposed martial law following the political kidnappings of a British diplomat and a government minister by the secessionist Front de libération du Québec. Nearly 500 people were arrested, imprisoned, and questioned during this period before eventually being released without any charges ever being brought against them. Brault, who won the Best Director’s Award at the 1975 Cannes Film Festival for Orders, interviewed 12 detainees and recorded 50 hours of material to base this harrowing portrait of the Crisis, drawing upon his pivotal contributions to the direct cinema and cinema vérité movements during its filming. Now restored 40 years after its explosive debut at Cannes, Orders is an understated examination of the erosion of democratic values that foresees the rise of the permanent state of emergency.

SPECIAL FEATURES:

• Restored high-definition digital transfer, with uncompressed monaural soundtrack on the Blu-ray
• Interviews with director Michel Brault and actors Jean Lapointe, Claude Gauthier, and Louise Forestier
• On Screen – Les Ordres, a one hour television documentary on the film for Canadian television
• Les raquetteurs, Brault’s landmark short film that launched Quebec’s direct cinema movement
• Le direct avant la lettre, Denys Desjardins’ 2005 documentary on the direct cinema movement
• The October Crisis: 50 Years Onscreen, a discussion on Orders with actors Claude Gauthier and Louise Forestier, filmmaker Mathieu Denis, and documentarian Félix Rose (son of FLQ member Paul Rose)
• Action: The October Crisis of 1970 and Reaction: A Portrait of a Society in Crisis, two documentaries by Robin Spry utilizing extensive archival footage
• Trailers
• PLUS: New essays by Quebec film scholar André Loiselle and Canadian art critic and historian David Silcox

The Merry World of Leopold Z (Gilles Carle, 1965)

Christmas is nearly upon us and with that in mind, MMC! is sending out its best wishes with one of our favourite discoveries of 2021 – Gilles Carle’s The Merry World of Léopold Z (1965)! This classic of Québécois cinema was originally commissioned by the National Film Board of Canada to be a documentary on snow-clearing but was transformed into an innovative fiction film by its director. Guy L’Écuyer stars as the affable Léopold Z. Tremblay, a Montreal snowplow driver juggling the demands of work and home on Christmas Eve. Between clearing roads, Léopold runs various errands for himself, his wife Catherine (Monique Joly), and her visiting relation Josette (Suzanne Valéry), not to mention dealing with the complaints, demands, and asides of his boss and friend Théophile (Paul Hébert). With plenty of great documentary footage of ’60s Montreal in the winter, Merry World reflects the Direct Cinema spirit of the times, and Carle uses the holiday season to incorporate some insights on consumerism, sexual desire, religion, and the power structure of language in la belle province (something more notable in the French language version of the film). Carle filmed Merry World over 18 months due to an almost snowless season in Montreal, though you would be hard-pressed to notice from watching the film. Lively and good-natured, this cleverly edited, slice-of-life short feature is the perfect film for MMC! to offer its season’s greetings!

MERRY CHRISTMAS and HAPPY HOLIDAYS!
(Stay safe you crazy kids!)

Dave Barber, A Tribute

These are sad days at MMC! Dave Barber, filmmaker and beloved programmer of Winnipeg’s Cinematheque, passed away earlier this week at the age of 67. Dave was a champion of Canadian and independent cinema and a tireless advocate for his theatre and the films it featured.

I met Dave at a get-together hosted by a mutual friend eight years ago. Attended by professional, semi-professional, and amateur pop culture nerds, we were invited to share lists of our favourite films and Dave’s list expressed his love of music as well as his love of cinema at its biggest and most minute.

• The Blues Accordin’ to Lightnin’ Hopkins (Les Blank, 1968)
• Message to Love: The Isle of Wight Festival (Murray Lerner, 1995)
• The Thing (John Carpenter, 1982)
• Vinyl (Alan Zweig, 2000)
• The Fabulous Baker Boys (Steve Kloves, 1989)
• Jazz on a Summer’s Day (Bert Stern, 1959)
• Plan 9 from Outer Space (Ed Wood, 1959)
• Jackie Brown (Quentin Tarantino, 1997)
• 2001: A Space Odyssey (Stanley Kubrick, 1968)
• The Magnificent Seven (John Sturges, 1960)
• Crime Wave (John Paizs, 1985)

In the years that followed, we would watch movies together when we ran into each other at a screening, we would text about programming ideas and other movie stuff, and we would share festival discoveries. I would give him rides home when he needed them, he would hook my son up with Godzilla stuff, and my wife would restrain her urge to make him a sandwich. When I discovered he was in the hospital, I sent him a message wishing him well and asking him to reach out once he recovered, hoping he would find the message once he was discharged. Sadly that won’t happen, but I’m very grateful for the time I got to spend with Dave and I wish him the best on whatever new project he’s now moved on to.

In celebration of Dave, MMC! offers this brief tribute to the man on screen and there’s no better place to start than Dave’s 2014 short film Will the Real Dave Barber Please Stand Up?, a hilarious account of Dave being awarded a Queen’s Diamond Jubilee medal.