Video Camera Demo Tape Fred Meyer (—, 2017) is 26-minutes of footage taken by a Washington State Fred Meyer superstore’s floor model VHS camera in the spring of 1992. Discovered by Kellie Rogers among her father’s old camcorder tapes intended for DVD conversion, this footage of early ’90s consumerism is oddly compelling and extremely watchable. Katie Rife of The A.V. Club calls it “2017’s most avant-garde documentary” and Sophia June of Willamette Week cites it as “the greatest time capsule ever.” Hyperbole aside, the footage offers plenty of grist for the theoretical mill – the independent and foregrounded presence of the apparatus (notice those autofocus corrections), the manner of its smart device-less, unconnected subjects, the transient and incidental quality of captured footage with the rising convenience of personal recording, the footage’s online success and the current culture’s thirst for nostalgia. For those disinterested with the philosophical implications of Video Camera Demo Tape Fred Meyer, there are plenty of fascinating period intricacies to take in – the early packaging of CDs in long boxes, the ubiquity of sweatshirts, commercial transactions actually paid with paper money, and the lamentable rise of fanny packs. Good times.
The Criterion Collection, a continuing series of important classic and contemporary films presents Aboard the Calypso – Sea and Cinema with Jacques Cousteau.
Explorer. Inventor. Author. Conservationist. Filmmaker. Jacques Cousteau was an iconic figure in marine exploration, spending more than sixty years investigating undersea kingdoms and sharing his tales with the world. Over three award-winning feature films spanning twenty years, Cousteau reveals the beauty and dangers beneath the waves of the Red Sea, the Indian Ocean, the Mediterranean, and the frozen Antarctic, finding seldom seen tropical wonders, describing the pressures of living in an underwater base for weeks at a time, and persevering through the life or death struggle to survive at the South Pole. Both the committed naturalist and the keen showman, Cousteau portrayed his oceanic marvels with the idealism and the spectacle of science fiction and inspired generations to care for alien worlds here at home and no longer hidden from view.
Special Edition Three-Blu Ray Set Features:
- New high definition digital transfers of The Silent World, World Without Sun, and Voyage to the Edge of the World, with uncompressed monaural soundtracks on the Blu-rays
- French and English-language audio tracks
- Introductions by Wes Anderson, James Cameron, and Werner Herzog
- Of Silence and Men: The Pioneers of The Silent World, a 50-minute documentary featuring interviews with Jacques Cousteau, co-director Louis Malle, camera designer André Laban, Cousteau scholar Franck Machu, and Malle biographer Pierre Billard
- Two Men, A Masterpiece, an interview with Jacques Cousteau and Louis Malle
- The Silent World’s Legacy, interviews with Jacques Cousteau, Luc Besson, and Jacques Perrin
- Early films of Jacques Cousteau: 18 Meters Deep, Shipwrecks, Landscapes of Silence, Seals in the Sahara, Around a Reef, Off Tunisian Coasts, One sortie du “Rubis,” SCUBA Diary, Danger Under the Sea, Rhythm on the Reef, and The Red Sea
- Station 307 and The Fountain of the Vaucluse, a pair of short films by Louis Malle made in collaboration with Jacques Cousteau
- Edmond Séchan’s Academy Award-winning short The Golden Fish, produced by Jacques Cousteau
- Restoration demonstration
- New and improved English subtitle translation
- PLUS: A booklet featuring an essay by filmmaker Luc Jacquet and excerpts from Cousteau’s 1953 book The Silent World: A Story of Undersea Discovery and Adventure
MMC! is hard at work on our next imagined Criterion Collection set. In the meantime, MMC! offers a kind of thematic preview to our next proposal with Born Like Stars (Steve Haddock and Brad A. Seibel, 2006), a Wholphin classic from Volume 2 and Best of Wholphin Vol. 1. The video, taken by a remotely operated vehicle called Tiburon from the Monterey Bay Aquarium Research Institute, depicts baby squid hatching from the 3,000 egg cluster of a deep sea squid. The Gonatus onyx is a small, deep sea squid with the rare practice of brooding its eggs between its arms rather than on the ocean floor, something only discovered in 2005. The undulating movement by the mother squid pumps oxygen through the cone of eggs. The short’s plinky-plunky, music box score works in perfect compliment to the subject matter, creating a nursery-like atmosphere around its seemingly alien footage.
I like asking – if your life required narration, who would you want to provide it? No one has ever chosen Tom Waits, which is too bad because he does have a great voice. I like the idea that Tom Waits’s voice is a natural starting point for this micro-portrait of artist John Baldessari. It’s an entertaining short, full of wry humour and clever edits and Looney Tunes momentum thanks to its classical score. This is me enjoying A Brief History of John Baldessari (Henry Joost and Ariel Schulman, 2012).
Very much in the same vein is Ed Ruscha: Building and Words (Felipe Lima, 2016), another micro-portrait of another California artist narrated by another celebrity. This time it’s Owen Wilson, and while he’s no Tom Waits, he has pretty good voice for this too. I wouldn’t second guess anyone choosing him to narrate their life. Lima’s short takes a similarly machine gun approach to surveying the artist’s vast catalogue, and expands the talking head count along the way. It’s all enough to make you move to California and start exploring the artistic possibilities of label makers, road paint, or portraits of diner specials.
The Criterion Collection, a continuing series of important classic and contemporary films presents Thirty Two Short Films About Glenn Gould.
François Girard provides in this unconventional bio-pic a compelling and memorable exploration of Canadian musician Glenn Gould, arguably the 20th Century’s greatest classical pianist. Through thirty-two elegantly constructed vignettes mixing drama, documentary, animation, and avant-garde, Girard reveals glimpses of Gould as performer, recording artist, humorist, outdoorsman, speculator, recluse, and iconoclast. Taken together, Thirty Two Short Films About Glenn Gould offers a prismatic understanding of Gould’s complex genius and his personal struggles without dispelling the enigmatic power of his legend.
- New 2K digital restoration, supervised by director François Girard, with 2.0 surround DTS-HD Master Audio soundtrack on the Blu-ray
- Alternate 5.1 surround soundtrack, presented in DTS-HD Master Audio on the Blu-ray
- Audio commentary featuring writer/director François Girard and writer Don McKellar
- Wolf Koenig and Roman Kroitor’s 1959 documentaries Glenn Gould: Off the Record and Glenn Gould: Off the Record
- Judith Pearlman’s 58-minute film adaptation of Gould’s The Idea of North radio documentary
- “Variations on Glenn Gould,” Perry Rosamund’s 30-minute documentary on Gould for the Canadian TV program Telescope
- Early television appearances by Gould discussing Beethoven and Bach and appearing on “The Anatomy of the Fugue” for the television show Festival
- PLUS: A booklet featuring new essays by critic Ashley Clark and by Brian Levine, executive director of The Glenn Gould Foundation
Anyone who’s seen my Letterboxd account knows I’m a big fan of ESPN’s 30 for 30 documentaries. I’ve also alluded here at MMC! to my wife’s love of running. With that in mind, I thought I’d get 2017 off on the right foot with Gabe Spitzer’s Every Day (2015), a portrait of elderly runner Joy Johnson that I saw for the first time this week and left both me and my wife teary-eyed by its end. Johnson didn’t begin running until age 59 but became an accomplished distance runner nonetheless, completing numerous races at various distances, running the New York City Marathon 25 consecutive times, posting a best time at NYC in 1999 at 3:55:30 while age 73, and even running the Twin Cities Marathon and New York City Marathon just 4 weeks apart at the age of 81. Watching Joy should offer some ambition in facing 2017.