Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
“TENSE, TOUCHING … AND FASCINATING.” — LEONARD MALTIN
Oscar-winning* director Jean-Jacques Annaud transports audiences 80,000 years straight back in time to the last Ice Age with this accomplished prehistoric spectacle. Three Neanderthal men (Everett McGill, Ron Perlman, Nicholas Kadi) go on an epic journey of survival to bring fire back to their tribe, encountering along the way savage predators, dangerous cannibals, and a mysterious woman unlike any they have seen before (Rae Dawn Chong). Shot on location in Scotland, Iceland, Canada, and Kenya, this award-winning drama of early man’s survival is a singular cinematic experience and “a first-rate, compelling film about the dawn of man” (Video & DVD Guide).
* 1977: Best Foreign Language Film, Black and White in Color, Jean-Jacques Annaud
- NEW Hi-Def Transfer From The Negative, Scanned At 4K And Supervised By Director Jean-Jacques Annaud
- NEW Interviews With Director Jean-Jacques Annaud And Actors Ron Perlman, Everett McGill, Nicholas Kadi And Rae Dawn Chong
- Audio Commentaries With Director Jean-Jacques Annaud
- Audio Commentary With Producer Michael Gruskoff and Actors Ron Perlman and Rae Dawn Chong
- The Quest for Fire Adventure – TV Featurette With Orson Welles
- 15 Video Galleries With Director’s Commentary
- Interview With Director Jean-Jacques Annaud
- Backstage of Quest for Fire, a featurette for French television by Michel Parbot
- Trailers and TV Spots
The Criterion Collection, a continuing series of important classic and contemporary films presents Thirty Two Short Films About Glenn Gould.
François Girard provides in this unconventional bio-pic a compelling and memorable exploration of Canadian musician Glenn Gould, arguably the 20th Century’s greatest classical pianist. Through thirty-two elegantly constructed vignettes mixing drama, documentary, animation, and avant-garde, Girard reveals glimpses of Gould as performer, recording artist, humorist, outdoorsman, speculator, recluse, and iconoclast. Taken together, Thirty Two Short Films About Glenn Gould offers a prismatic understanding of Gould’s complex genius and his personal struggles without dispelling the enigmatic power of his legend.
Merry Christmas Eve!
With the holiday season in mind, enjoy this short made for The Candid Eye documentary series recounting Christmas preparations in Montreal, Canada. The Days Before Christmas (Stanley Jackson, Wolf Koenig and Terence Macartney-Filgate, 1958) has everything you’d expect from the Christmas season and more – department store Santas and anxious children, choir practices, recitals, and Christmas pageants, holiday travellers and long-distance calls home, smoky nightclubs and lively jazz acts, cab drivers, traffic cops, and Brink’s guards with pistols drawn.
And to all those wonderful readers who arrive here regularly or stumble into MMC! accidentally, happy holidays and the best of the season to you! Enjoy yourselves, stay safe, and keep those titles in order of spine number!
The Saskatoon Fantastic Film Festival closed with a massive final day that included five feature films, five shorts, and screenings of the films participating in the Festival’s 48 Hour Movie Making Challenge. SFFF closed the four day run with a trio of Asian films – the Mo Brothers’ Headshot (2015), Yeon Sang-ho’s Train to Busan (2016), and Kôji Shiraishi’s Sadako vs. Kayako (2016) – that were collected to thrill audience members and get their communal adrenaline pumping. These efforts seemed to prove successful, but the best of Day 4 was found elsewhere and the final day offered some welcome surprises along the way.
Day 3 put generational conflict at the forefront of the SFFF and the kids were far from alright. It also marked the Festival’s greatest distance from the horror genre, moving into the rock-doc, the coming of age film, and whatever kind of trash bag meltdown The Greasy Strangler may be. That’s no criticism of Jim Hosking’s film; just a statement of fact. We’ll get to 2016’s most notorious film soon enough, but first things first…
Saskatoon is slightly warming as the week proceeds. I’m reluctant to say this is directly attributable to the Saskatoon Fantastic Film Festival but after a surprisingly strong Day 2, I see no other credible explanation for it. Including the What the Hell! – Totally Messed Up Short Films block, Day 2 offered 16 different works for consideration, injecting a heavy dose of bizarro randomness into the Festival and creating a decidedly different tone from the previous day’s atmospheric horror extravaganza.