Domestic rivalry finds unexpected expression in Yasuzo Masumura’s The Wife of Seishu Hanaoka, the true-life story of the Japanese physician who first developed general anesthetic for use in 1804 and the women who competed to be his test subjects. Hanaoka (Raizð Ichikawa) has little attention for his imperious mother (Hideko Takamine) and his dutiful wife (Ayako Wakao) while he searches for the precise formula for his herbal anesthetic. Screenwriter Kaneto Shindo and director Yasuzo Masumura step away from the expected conventions of the bio-pic by focusing on the doctor’s spouse Kae, portraying her commitment and sacrifice to her husband’s endeavor as the truly heroic act of this dizzying tale of love and obsession.
In this riveting examination of mad love and social obligation set at the eve of the Russo-Japanese War, Okane (Ayako Wakao) returns to the small village of her youth where she endures the scorn and rejection of the townsfolk with sullen distemper. When Seisaku (Takahiro Tamura), the village’s “model youth,” returns from military service, the beloved patriot strikes up an unlikely romance with Okane, marginalizing himself in the process. Based on a story by Kojiro Yoshida and written by Kaneto Shindo, Seisaku’s Wife is a sensual tale of rebel love and wild obsession standing against the strict military demands of Imperial Japan.
In this complex and pessimistic melodrama, young Ayako Takigawa (Ayako Wakao) stands trial for the murder of her intolerable husband during a mountaineering accident. Flashbacks of the incident reveal Ayako suspended between her spouse below and the young man she secretly loves who struggles to hold their safety line from above. By cutting her husband’s rope, she saves herself and the young man, allows her husband to fall to his death, and breaches her cultural duties as both a climber and a wife. Wakao beautifully reconciles the competing desires of love, sex, and death within her tortured character, while director Yasuzo Masumura skillfully crafts a noir-infused tale of dark passions and claustrophobic oppression.
Eclipse is a selection of lost, forgotten, or overshadowed classics in simple affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.
Best known for his unsentimental portraits of stubborn individuality bordering on madness, Yasuzo Masumura and his alluring queen Ayako Wakao constructed tales of strong-willed women resisting the repression and abuse of Japanese society. In these exaggerated tales of obsession and desire set in the restrictive confines of traditional marriage, Masumura explores the tragedy of true love and devotion, the liberating power of eroticism, and the sacrifices demanded by corporate living and Japan’s post-war economic miracle. Wakao is irresistible in these four films, playing inviolable femme fatales whose sexuality and dedication leave them unmanageable to the culture that surrounds them and cruelly punished for their inability to conform.
The Most Valuable Wife (Saikô shukun fujin)
A formative work between Masumura and Wakao, the Mihara family’s three sons operate a trading company, with the eldest pair already married to daughters of the Nonomiya family, but when the Miharas’ youngest son Saburo (Hiroshi Kawaguchi) and the Nonomiyas’ youngest daughter Kyoko (Wakao) refuse to do the same, they raise the ire of their ambitious siblings.
A Wife Confesses (Tsuma wa kokuhaku suru)
Cited as one of Masumura’s masterpieces and the film that launched Ayako Wakao’s career, Wakao plays a young widow on trial for cutting her uncaring husband’s safety line during a mountaineering holiday and murdering him to pursue the affections of a younger man (Kawaguchi) and collect five million yen from her husband’s life insurance.
Seisaku’s Wife (Seisaku no tsuma)
In this antimilitarist portrait written by Kaneto Shindo and set during the Russo-Japanese war, a sullen woman (Wakao) ostracised in her small farming village falls into a mad, obsessive affair with the town’s favored son (Takahiro Tamura), a relationship that ultimately dooms them both.
The Wife of Seishu Hanaoka (Hanaoka Seishû no tsuma)
This portrayal of true-life physician Hanaoka Seishu (Raizô Ichikawa), the first doctor to use general anesthetic, pits his ardent but suffering wife (Wakao) and his harshly devoted mother (Hideko Takamine) as competitors offering themselves as subjects for his surgical experimentation.
With notes by Jonathan Rosenbaum
Eclipse is a selection of lost, forgotten, or overshadowed classics in simple, affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.
Virtually unknown in the West, Tatyana Lioznova’s 12-part mini-series Seventeen Moments of Spring is Russia’s most popular and acclaimed TV production, playing annually to millions of viewers since its release in 1973. Soviet spy Maxim Isaev (Vyacheslav Tikhonov), working in deep cover as a prominent SS officer named Max Otto von Stierlitz, receives direction from Moscow in February 1945 to gather information on peace talks rumored between the Americans and Nazis and frustrate any efforts that might allow the Germans to focus all their military power to the Eastern Front. What follows is a complicated battle of wits set within the Nazi administration with mortal consequences for Stierlitz and all of the USSR. This methodically suspenseful and widely successful espionage thriller celebrates the Russian war effort during World War II, valorizes the nation’s security agencies through the patriotic and canny Stierlitz, and subtly critiques Soviet bureaucratic authority in an era of thawing Cold War relations.
Includes the original version and the 2009 colorized version, with notes by historian Stephen Lovell.
Written by Teruo Ishii and director Hiromichi Takebe, Fire Line broke new ground for the Line series, leaving tales of underworld prostitution rings and focusing on the double dealings and triple crosses of rival gangs over 100 pistols sold by a shady black market arms dealer. In this twisty tale of gangland betrayal, a young sharpshooter and his friend are enlisted by a gang to help steal the guns but are then betrayed and blamed for the heist by the gang’s leader. The arms dealer, the sharpshooter, and the boss’s girlfriend concoct a plan to rob the gang and escape to South America, but members of the mob have other plans. The bankruptcy of Shintoho studios marks Fire Line as a premature conclusion to the series and Takebe’s only directorial effort, but the film remains a canny and faithfully hardboiled approach to noir sensibilities.