‘Stead of treated, the kids were getting tricked on Day 3 of the Saskatoon Fantastic Film Festival. Certainly the SFFF’s most celebrated film was Issa López’s festival darling Tigers Are Not Afraid (2017). MMC! has discussed López’s film on more than one of occasion, and so we’ll take its greatness as read and briefly discuss Jérémy Comte’s Fauve (2018), a Canadian short that feels tailor-made to open for Tigers. A Special Jury Prize-winner at this year’s Sundance Film Festival, Fauve concerns a pair of boys exploring a surface mine who “sink into a seemingly innocent power game with Mother Nature as the sole observer.” The short brings to mind Gus Van Sant’s Gerry (2002) and a very specific John Mulaney joke about an impression he had as a child, but these glib comparisons belie the truly heartbreaking nature of Comte’s film. Fans of Tigers would be well served to seek out Fauve.
There’s a running joke in Bill Watterson’s Dave Made a Maze (2017), a film about a man who builds a massive cardboard maze (bigger inside than out) and then gets trapped within it. As Dave’s friend Gordon (Adam Busch) repeatedly points out, the maze is full of traps, making it, in fact, a labyrinth. Day 3 of the Saskatoon Fantastic Film Festival offered a disparate collection of films – a comedy recounting a slacker’s epic quest in a DIY fortress; a trippy, coming-of-age, prom night parable; a genre-mixing, science fiction blockbuster; and a dreamy descent into a housewife’s trauma and a cult’s terrifying prophecy. Each offers its own twists and turns, finding new dangers as they progress through corrugated caverns, genre conventions, and layered realities. In fact, they’re all labyrinths in their own ways.
The Saskatoon Fantastic Film Festival closed with a massive final day that included five feature films, five shorts, and screenings of the films participating in the Festival’s 48 Hour Movie Making Challenge. SFFF closed the four day run with a trio of Asian films – the Mo Brothers’ Headshot (2015), Yeon Sang-ho’s Train to Busan (2016), and Kôji Shiraishi’s Sadako vs. Kayako (2016) – that were collected to thrill audience members and get their communal adrenaline pumping. These efforts seemed to prove successful, but the best of Day 4 was found elsewhere and the final day offered some welcome surprises along the way.