The second day of the Saskatoon Fantastic Film Festival leaned into bad behaviour, mostly by men, mostly among (supposed) friends. The program started light with Brent Hodge’s Who Let The Dogs Out (2019), an MMC! favourite of this year’s Calgary Underground Film Festival. Hodge, Alberta-born and in attendance at the SFFF, has found a niche with his self-described “comedy documentaries” like Freaks and Geeks: The Documentary (2018), I Am Chris Farley (2015), and A Brony Tale (2014), and Who Let The Dogs Out further confirms Hodge’s mastery of the subgenre. Devoted to the Baha Men’s 2000 hit “Who Let The Dogs Out,” its myriad authorship claims, and its various legal battles among friends and stranger alike, Hodge distills Ben Sisto’s eight-year exploration and three-hour lecture on the track into a tight, enthralling 62-minute doc. Sisto acts as the song’s scruffy biographer, travelling the world’s music studios, courtrooms, and high schools to trace the origin of the song’s ubiquitous catchphrase. This BOSUD (a “biopic of someone undeserving,” to use Dennis Bingham’s terminology) is a definite crowd-pleaser, being far more fascinating that its novelty subject matter should allow for. The SFFF was the last festival stop for Who Let The Dogs Out as it now transitions to cable and streaming platforms. Look for it on Crave in Canada!
Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.
Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.
Great news, everyone! I’ll be speaking at The Fifth Annual London Film & Media Conference (July 7-9) about Quentin Tarantino, music, and revenge. The draft conference schedule presents a truly international affair with a wide variety of topics discussed by scholars from around the world. I’m already looking forward to papers on tourism promotional videos, cancelled television series, poliziottesco, The Knick and Penny Dreadful, African cinema, and DIY culture.
Big thanks to the organizers for letting lil’ ole me slip in there somehow! See you there!
The Criterion Collection, a continuing series of important classic and contemporary films presents The Cook, the Thief, His Wife & Her Lover.
Taking aim at the neo-conservative values that dominated Britain through the 1980s, The Cook, the Thief, His Wife & Her Lover skewers the decadence and small-mindedness of the era with its visually sumptuous, overtly theatrical tale of food, sex, murder, and revenge. Albert Spica (Michael Gambon) is a gangster and cultural dilettante holding court nightly at a gourmet restaurant before his wife Georgina (Helen Mirren) and his coterie of thugs, unaware that Georgina is carrying on an adulterous affair with a bookish diner one table over. When Albert discovers the infidelity, his brutal action inspires Georgina to a gastronomic vengeance even more shocking and ghastly that Albert can imagine. Writer-director Peter Greenaway presents a lavish cinematic feast steeped in the conventions of 16th century British revenge tragedy, inspired by 17th century Dutch painting, and voicing his harsh dissent over the social, political and cultural failures of Thatcherite Britain.
- New 4K digital restoration of the film’s original 124 minute version, approved by writer-director Peter Greenaway, with 5.1 DTS-HD Master Audio soundtrack on the Blu-ray edition
- Audio commentary by Greenaway
- The Art of Revenge, a new video piece with Greenaway on the influences of art and theater in The Cook, the Thief, His Wife & Her Lover
- New interviews with cast members Helen Mirren, Michael Gambon, Richard Bohringer, and Tim Roth
- New interview with fashion designer Jean-Paul Gautier on the film’s costumes
- Hubert Bals Handshake, Greenaway’s 1989 short film
- “New Possibilities: Cinema is Dead, Long Live Cinema” and “Nine Classic Paintings Revisited,” two 2010 lectures by Greenaway at UC Berkeley
- Behind the scenes footage
- PLUS: A booklet featuring new essays by film scholars Tony Rayns, Douglas Keesey, and Ruth Johnston