Happy 2019, kids! It’s less than a week after New Year’s and that means it’s primetime at gyms everywhere, so it’s the perfect opportunity to spend time with Ben Berman’s hilarious, moving, and all too true short film, How To Lose Weight in 4 Easy Steps (2016). The film is based on Aaron Bleyaert’s essay of the same title, discovered by Berman when it was forwarded to him by a friend after joining a gym. The short was shot in two halves with SNL‘s Beck Bennett (in a wonderful starring performance as a heartbroken mattress salesman) losing 30 pounds in the three months in between. Funny and disarmingly inspirational, How to Lose Weight in 4 Easy Steps is actually perfect anytime of the year.
This post is naturally dedicated to work-out loving wife and her friend who love anything with “humping” in it. LOL.
It’s another splendid month of announcements from the Criterion Collection. Without any doubt, I’m most interested in the release of Frank Borzage’s Moonrise (1948). This is mainly due to my fascination with MoMA’s recent program, Republic Rediscovered. Presented in two halves, with the first having wrapped up earlier this month and the latter half arriving in August, the series is presented by Martin Scorsese and the Film Foundation and offers 30 new restorations (compliments of Paramount Pictures) from the acclaimed poverty row studio, Republic Pictures. Moonrise will join the Criterion Collection in May and screen as part of the program’s second half in August. Until then, enjoy Gina Telaroli’s wonderful trailer.
Official and unofficial Criterion announcements having been rolling in since our last “Trailer Tuesday” and fans of the Collection are naturally excited for Alfred Hitchcock’s The Lodger: A Story of the London Fog (1927), Nicholas Ray’s They Live by Night (1948), and Andrei Tarkovsky’s Stalker (1979). They’re certainly great movies by celebrated directors, but MMC! will take a moment to praise the teased addition of Albert Brooks’ Lost in America (1985), a film that I saw for the first time a few years ago, introduced by Kid in the Hall Kevin McDonald, and that has been fixture on my own proposal list for some time. There are plenty of other great films by Brooks that could bear a wacky “C” and so hopefully we’ll find an opportunity to stump for one of those other titles soon.
Anyone who’s seen my Letterboxd account knows I’m a big fan of ESPN’s 30 for 30 documentaries. I’ve also alluded here at MMC! to my wife’s love of running. With that in mind, I thought I’d get 2017 off on the right foot with Gabe Spitzer’s Every Day (2015), a portrait of elderly runner Joy Johnson that I saw for the first time this week and left both me and my wife teary-eyed by its end. Johnson didn’t begin running until age 59 but became an accomplished distance runner nonetheless, completing numerous races at various distances, running the New York City Marathon 25 consecutive times, posting a best time at NYC in 1999 at 3:55:30 while age 73, and even running the Twin Cities Marathon and New York City Marathon just 4 weeks apart at the age of 81. Watching Joy should offer some ambition in facing 2017.
Red Desert is about industrialization and a lady’s hair.
— my wonderful wife after watching Criterion’s “3 Reasons” video.
(If you think about it, she’s actually dead-on correct.)