For every MMC! proposal that turns into an actual spine numbered release, there are numerous other films that get swanky editions before this blog ever gets to imagine one. These films are unfortunately struck from MMC!‘s list of potential titles with no fanfare, never achieving the glory of stepping into our fantasized spotlight. Today’s “Trailer Tuesday” post celebrates a few of these films recently denied the chance to shine MMC!, but first we’ll celebrate an overdue title proposed for a spine number 6½ years ago!
As a longstanding favourite of MMC!, we’re naturally overjoyed with news that Severin Films is debuting a new 4K restoration of Álex de la Iglesia’s Perdita Durango (1997) at the 2019 Fantasia Film Festival and that a Blu-ray release is expected to be announced later this year! Personally, I can’t wait to decommission my two bootleg copies of the film and finally get to discuss with others the genius that is Rosie Pérez and the further proof that the quality of a film is directly proportional to the craziness of Javier Bardem’s hair. Thank you Severin! Better late than never!
Let’s kick off this “Trailer Tuesday” with the Janus Films trailer for Jackie Chan’s two Police Story films. This sizzle reel for every wild stunt and action sequence in the two movies is as thrilling as they come. I had never really imagined that a future Criterion release would boast “NEW ASS-KICKING 4K RESTORATIONS” but here we are and I’m grateful for it. These films arrive to the Collection on April 30 so start hydrating now!
The Criterion Collection’s announcements for January 2019 look great, but it’s the contrast between the trailers of two forthcoming films that I find particularly intriguing this month. On the one hand, we have the simple, elegant, unadorned trailer for Abbas Kiarostami’s 24 Frames (2017). Painterly and quietly compositional in its attention, the trailer ably expresses Kiarostami’s focus on “movement, perception, and time.” More non-narrative films go Criterion please!
Let’s kick off this “Trailer Tuesday” with my favourite film of the year so far – Panos Cosmatos’ Mandy (2018). For me, this is Cage Rage by Tor Books and I completely love it. Mandy is so clearly defined in its aesthetic bravura, so hilariously aware of its fantastic absurdity. Cosmatos’ direction is stunning, managing to swing between hilarity, tragedy, awe, and back again within the same scene. (Plus, it’s always great to see the dildo from Se7en still working.)
Sure, there have been a lot of announcements of late – Criterion, Arrow, Shout Factory, etc. – and they’re all great, but what I’m really excited about and what has revived “Trailer Tuesday” at MMC! is the launching yesterday of Nicolas Winding Refn’s free subscription website byNWR!
byNWR calls itself “an unadulterated cultural expressway of the arts” and describes its organization as follows:
Born from a passion for the rare, the forgotten and unknown, byNWR breathes new life into the culturally intriguing, influential and extreme.
Quarterly volumes of content divide into three monthly chapters, each featuring a fully-restored film. These cinematic revivals inspire a wealth of original content, drawn together by our special Guest Editors. As we evolve and expand, we will encourage exploration of a wide range of avenues by curators, writers and the engaged public, building a community of those who like to create, to watch, to read, look or listen. In a world of the instant, byNWR takes its time on a tangential line towards the undiscovered…where we share, enjoy, and look to the future–with hope, prosperity, and the idea that culture is for everyone.
With the Chattanooga Film Festival just over a week away and with a stacked program stuffed into only 3½ days, careful planning and difficult prioritizing is required to get the most out of this year’s CFF. MMC! takes this opportunity to celebrate this year’s bounty and offer a quick preview of the CFF with a “Trailer Tuesday” devoted to making some hard choices.
1. Lowlife vs. Madeline’s Madeline vs. WTF
The CFF’s opening block of films is a doozy, programming Ryan Prows’s wonderful Lowlife opposite Josephine Decker’s Sundance darling Madeline’s Madeline and the WTF (Watch These Films) block of short films. I’ve already expressed my admiration for Lowlife, which is both an excellent pastiche of 1990s New Hollywood Violence and a canny take on MAGA-era America, and with director Ryan Prows in attendance for a Q&A and Carey Williams’ short Emergency accompanying it, that’s a hard to miss screening. Madeline’s Madeline came out of this year’s Sundance Film Festival with great reviews, reportedly a coming of age drama/experimental film about a young actor who joins an acting troupe and immerses herself in her current role rather too deeply for comfort, and the WTF block of shorts has some really intriguing titles including Laura Moss’s Allen Anders, a found footage presentation of a notorious stand-up performance from 1987, and John F. Beach and Jonathan Hoeg’s The Accomplice, about a man who discovers his unwitting participation in a bank robbery through a series of answering machine messages. All of these screenings reappear later in the CFF schedule, but that doesn’t really make the choice any easier!