10 Reasons to Get Buried Alive This Weekend – The 2019 Buried Alive Film Festival

The 2019 Buried Alive Film Festival wraps up this weekend at the 7 Stages Theatre in Atlanta, Georgia, and there’s plenty of great features and shorts to see. Over the next two days, BAFF offers five feature films and five short film blocks, plus a Troma-themed burlesque show! With a wealth of cinematic riches, MMC! is here to point the way with ten films to watch out for this Saturday and Sunday!

Check the BAFF schedule for program information to plan your burial and MMC!’s Letterboxd list for the Fest for more reviews!

1. J.R. “Bob” Dobbs and the Church of the Subgenius (Sandy K. Boon, 2019)

One of MMC!’s BAFF favourites, Sandy K. Boon’s J.R. “Bob” Dobbs and the Church of the Subgenius examines the countercultural religion of “two self-proclaimed weirdos in Ft. Worth, Texas” and their crusade against normalcy. This documentary features wonderful interview subjects, including Richard Linklater, Penn Gilette, and Nick Offerman, as well as an array of Bob followers providing thoughtful reflection on 40 years of protecting their slack against the conspiracy. Subgenius is an intriguing companion to another popular 2019 portrait of an alternative religion, Penny Lane’s Hail Satan?, as both the Subgeniuses and The Satanic Temple embrace an absurdly theatrical image, however Boon’s film offers a mature reflection on cult’s complicated history that contrasts Lane’s earnestly sanitized presentation of the Temple as it searches for legitimacy. Preserve your slack and check out J.R. “Bob” Dobbs and the Church of the Subgenius at 2:00 on Sunday!

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Pontypool (Bruce McDonald, 2008)

SHUT UP OR DIE!

Shock jock Grant Mazzy has been kicked off the airwaves and now works the only job he can get as the host of CLSY’s early morning radio show broadcast from the basement of a church in the small Canadian town of Pontypool. What begins as another mundane day of school bus cancellations quickly turns deadly when bizarre reports start piling in of people developing strange speech patterns and committing brutal acts of violence. Before long, Mazzy and CLSY’s small staff find themselves trapped in the station and struggling with the reality of a deadly virus being spread through language. Does Mazzy stay on the air in hopes of informing the public and saving himself or is he providing the virus with its ultimate leap over the airwaves and into the world?

Based on Tony Burgess’ 1995 novel Pontypool Changes Everything and inspired by Orson Welles’s 1938 radio adaptation of The War of the Worlds, Pontypool blends George Romero and David Cronenberg with Noam Chomsky and Richard Dawkins and creates a zombie apocalypse unlike any other.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with director Bruce McDonald and writer Tony Burgess
  • Original radio drama with optional slideshow of on-set photos taken by Caitlin Cronenberg
  • A New Arrangement for Life, a new interview with McDonald and Burgess looking back on Pontypool
  • Johnny Deadeyes and Lisa the Killer, a new interview with actors Stephen McHattie and Lisa Houle
  • Infected Words, a new video appreciation by filmmaker Guillermo del Toro
  • Siege Mentality, horror film scholars Andrea Subissati and Alexandra West on the Canadianness of Pontypool
  • Watching Night of the Living Dead, Canadian artist Dave Dyment’s 2018 reproduction of George Romero’s 1968 horror classic using clips taken from film and television that include footage from Night of the Living Dead
  • Two short films by Britt Randle: Dada Dum (2007) and Eve (2001)
  • Original theatrical teaser and trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing by critic Tim Robey

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SFFF Day 1 Report – An Apocalypse, a Dystopia, and a Hyperreality Walk Into a Film Festival …

The Saskatoon Fantastic Film Festival has upgraded the apparatus with its 2018 edition. That means fewer midnight screenings in favour of an extra day of programming, a 3-hour cartoon and cereal party, a snazzy new booklet, new voting ballots, some clever bumpers running before the screenings, sponsorships and promotions from Vinegar Syndrome and Shudder, and even an after party with cast and crew of Supergrid. And with turnout for Day 1 looking robust, Festival Director John Allison and his team must be feeling positive about the prospects for this year. There’s always a desire to find a theme to a given day’s program but finding a common thread between Anna and the Apocalypse (John McPhail, 2018), Rock Steady Row (Trevor Stevens, 2018), Videodrome (David Cronenberg, 1983), and their supporting short films is something of a challenge. At best, it might be said that most of these films attend to breakdowns in community and some very unlikely ways to reassemble them.

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5 Great Reasons to Attend the Buried Alive Film Festival – The November 18th Edition!

The Buried Alive Film Festival wraps up this  Sunday and MMC! is here to tell you why you should go! In addition to another screening of The Golem with a live score by the band Samadha (just in case you miss the screening and performance this Friday), there are two feature films, two supporting shorts, the “Why Bury Good Meat?” short program, and BAFF’s awards ceremony.

There’s plenty of good stuff to see on BAFF’s final day and MMC! has its favourites. Here, dear readers, are five MMC!-approved titles to BAFF this Sunday:

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Wild Zero (Tetsuro Takeuchi, 1999)

JAPAN’S JET ROCK ‘N’ ROLL SCI-FI ZOMBIE HORROR MASTERPIECE!

Ace, a rockabilly fan who really wants to be cool, is on his way to see his favorite rock band, Guitar Wolf, when some strange things occur … flying saucers invade the Earth and flesh-eating zombies rise from the grave! With the help of the (real life) Japanese rock-punk band Guitar Wolf, Ace negotiates an array of misadventures involving crazy rock managers in very tight shorts, transsexual love-interests, naked women shooting guns in the shower, and blood-thirsty zombies ready to tear them all apart! Music video director Tetsuro Takeuchi packs his début feature with everything you need: leather jackets, screeching feedback, laser guitar picks, motorcycles, muscle cars, and LOTS of fire! Think Dawn of the Dead meets Kiss Meets the Phantom of the Park with the humor of Evil Dead 2 and you start to approach riotous and ridiculous world of Wild Zero.

SPECIAL EDITION CONTENTS

  • High Definition Blu-ray (1080p) presentation
  • DTS-HD Master Audio 5.1
  • Original Japanese soundtrack with optional, newly translated English subtitles
  • Director Edgar Wright on Wild Zero
  • Behind-the-scenes music video
  • Guitar Wolf: Red Idol, director Tetsuro Takeuchi’s 2003 collection of videos, tributes, and live performances
  • Original trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Rockin’ Jelly Bean
  • FIRST PRESSING ONLY: Collector’s booklet featuring new writing on the film by Japanese film expert Tom Mes

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