The Criterion Collection, a continuing series of important classic and contemporary films presents A Face in the Crowd.
Before he brought Mayberry, North Carolina, into American homes and became an icon of moral rectitude as Sheriff Andy Taylor, Andy Griffith burst onto cinema screens as Lonesome Rhodes, a charismatic drifter with a canny, down-home wit and an avaricious taste for status and influence. After charming Arkansas radio reporter Marcia Jeffries (Patricia Neal) and becoming a local media star, Rhodes leverages his growing popularity into national television fame and a trusted position among political and industrial power-brokers. Gradually Rhodes is corrupted by his own success and his laid-back attitude gives way to a monstrous off-camera personality. With stand-out supporting performances by Walter Matthau, Anthony Franciosa, and Lee Remick, director Elia Kazan and screenwriter Budd Schulberg create a roaring statement against grassroots fascism, advertising fakery, and the pernicious influence of television on the political process.
I don’t know about you, but it’s cold where I am. And it’s not going to get warm for a while. It’s all enough to make you lose it a little. Just ask Winston (Matt Kelly), the titular character of Aram Sarkisian’s award-winning short film, — Winston. I saw — Winston on the second day of the 2017 Saskatoon Fantastic Film Festival and it completely drew me in. In my Festival Report, I commented:
Aram Sarkisian crafts a snowy hell of murder and paranoia in —Winston (2017). Fevered letters recounting one man’s hatred for his neighbour offer a window into the main character’s descent into Poe-inspired madness and Sarkisian’s knack for stark design and affective montage (along with some great voice-acting) make —Winston a tiny masterpiece in the macabre.
Seeing it again, I’m further struck by Sarkisian’s intensified atmosphere, particularly those shots simulating a camera view struggling to maintain stability amid winds (and probably blood loss and slipping sanity). — Winston won the Short Film Audience Choice Gold and was my #4 film of the Festival. It’s still excellent and a great way to kick off 2018 at MMC!
The Saskatoon Fantastic Film Festival’s final day was even more massive than expected. With a packed program and an extra short film (moved from the previous day due to a technical issue), there was little downtime between screenings and the Festival’s final midnight show started late and wrapped well past 2:30 a.m. Those that saw the marathon day of screenings to its bleary end enjoyed without question the SFFF’s best block of films (plus some welcome giveaways for lucky attendees).
There’s a running joke in Bill Watterson’s Dave Made a Maze (2017), a film about a man who builds a massive cardboard maze (bigger inside than out) and then gets trapped within it. As Dave’s friend Gordon (Adam Busch) repeatedly points out, the maze is full of traps, making it, in fact, a labyrinth. Day 3 of the Saskatoon Fantastic Film Festival offered a disparate collection of films – a comedy recounting a slacker’s epic quest in a DIY fortress; a trippy, coming-of-age, prom night parable; a genre-mixing, science fiction blockbuster; and a dreamy descent into a housewife’s trauma and a cult’s terrifying prophecy. Each offers its own twists and turns, finding new dangers as they progress through corrugated caverns, genre conventions, and layered realities. In fact, they’re all labyrinths in their own ways.
Horror can be elegantly simple. Consider Rod Blackhurst and Bryce James McGuire’s Night Swim (2014), where a nighttime dip by Eve (Megalyn Echikunwoke) in a backyard pool results in an unexpected observer. Chills and scares are developed in the short’s brief four minutes using a novel idea and some carefully paced storytelling. Dive in, horror fans!
The Criterion Collection, a continuing series of important classic and contemporary films presents Puzzle of a Downfall Child.
Based on his own interviews with troubled fashion model Anne St. Marie, Jerry Schatzberg’s Puzzle of a Downfall Child is an unnervingly intimate, narratively-fragmented portrait of a top fashion model in personal and professional decline. Faye Dunaway, fresh from her star-making role in Bonnie and Clyde, delivers a tour-de-force performance as Lou Andreas Sand, once a celebrated model now shored up in an isolated beach house struggling to maintain her partial grasp on reality. Directly influenced by the European art cinema of Alain Resnais, Ingmar Bergman, and Michelangelo Antonioni and boasting a screenplay by acclaimed screenwriter Carole Eastman and supporting performances by Barry Primus, Roy Scheider, and Viveca Lindfors, Puzzle of a Downfall Child is a visionary film emblematic of the disenfranchised subjects, art-film sensibilities, and young, creative filmmakers that made the New American Cinema.
- New 4K digital restoration, supervised by director Jerry Schatzberg, with uncompressed monoaural soundtrack on the Blu-ray
- New interviews with Schatzberg and actor Faye Dunaway
- Alternate opening sequence prepared by the studio
- New interview with playwright Elisabeth Bouchaud
- Fashion of a Downfall Child, scholar Drake Stutesman on the film’s costumes and fashion trends
- Sounds from Across the Ocean, scholar Jay Beck on the film’s sound design
- PLUS: An essay by filmmaker and photographer Bruce LaBruce