The Saskatoon Fantastic Film Festival has upgraded the apparatus with its 2018 edition. That means fewer midnight screenings in favour of an extra day of programming, a 3-hour cartoon and cereal party, a snazzy new booklet, new voting ballots, some clever bumpers running before the screenings, sponsorships and promotions from Vinegar Syndrome and Shudder, and even an after party with cast and crew of Supergrid. And with turnout for Day 1 looking robust, Festival Director John Allison and his team must be feeling positive about the prospects for this year. There’s always a desire to find a theme to a given day’s program but finding a common thread between Anna and the Apocalypse (John McPhail, 2018), Rock Steady Row (Trevor Stevens, 2018), Videodrome (David Cronenberg, 1983), and their supporting short films is something of a challenge. At best, it might be said that most of these films attend to breakdowns in community and some very unlikely ways to reassemble them.
The Buried Alive Film Festival wraps up this Sunday and MMC! is here to tell you why you should go! In addition to another screening of The Golem with a live score by the band Samadha (just in case you miss the screening and performance this Friday), there are two feature films, two supporting shorts, the “Why Bury Good Meat?” short program, and BAFF’s awards ceremony.
There’s plenty of good stuff to see on BAFF’s final day and MMC! has its favourites. Here, dear readers, are five MMC!-approved titles to BAFF this Sunday:
Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.
Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!
MMC! will cover the 2018 Buried Alive Film Festival by previewing each day of its programming, focusing on those wonderful films that achieve MMC!-approval!
With BAFF’s emphasis on short films and a full program of these titles playing each day the Fest, there’s hardly any limit on the number of good reasons to attend! BAFF kicks off on November 14 with a screening of the films made as part of its 3rd annual Sinema Challenge, a 13 day filmmaking challenge that sees its participants randomly select a horror genre and a subject from a deck of Cards Against Humanity cards and then make a movie based on their selections.
The Fest’s main program starts on November 15 with a feature, a supporting short film, and BAFF’s first short program: “For the Love of the Undertaker.” For those counting, that’s thirteen separate works in a single evening of film fest-ing! There’s lots to enjoy, but here are MMC!‘s five favourite reasons to BAFF next Thursday.
Our latest MMC! proposal is an art-horror favourite around these parts and will arrive tomorrow, just in time for Halloween. In the meantime, let’s get a jump on the 2018 Ithaca Fantastik with a trio of short films that screened as part of The Eyeslicer Halloween Special!
First up is Laura Moss’s Fry Day (2017), an atmospheric and disturbing film about a young woman who finds herself in uncertain circumstances when she joins three young men one evening. Fry Day occurs on the night of Ted Bundy’s execution, located on the pasture across from the Raiford prison where revelers celebrated, and the spectre of Bundy’s crimes adds a particularly oppressive air to an already unsettling situation. This is a gorgeous and crushing short film. Director Laura Moss has two films in The EHS, the other being the equally disturbing but decidedly more unusual Allen Anders – Live at the Comedy Castle (2018).
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
Dead tired and flat broke after driving 1,200 miles, Michael Williams (Nicolas Cage) walks into a local tavern in the dusty town of Red Rock, Wyoming, and is immediately offered a job. There’s only one problem: the bar owner (J. T. Walsh) thinks Michael is a hitman and the “job” is murdering his wife (Lara Flynn Boyle). And just as Michael decides to take the money and skip town without killing anyone, the real hitman (Dennis Hopper) arrives ready to do the job right. Recalling Blood Simple and other classic thrillers of the ’80s and ’90s, Red Rock West is a stylish and cutthroat neonoir full of jealousy, murder, greed, and corruption and where your best friend is a loaded gun.
- NEW HD Film Transfer
- Audio Commentary With Director And Co-Writer John Dahl
- In Conversation: Nicolas Cage And John Dahl
- Lyle From Dallas: Remembering Dennis Hopper
- In Conversation: Dwight Yoakam On The Soundtrack
- Original Theatrical Trailer
- Image Gallery