MMC! readers will know by now my soft spot for classic East Coast animation pastiche, so needless to say I’m currently awestruck by Jay-Z and Mark Romanek’s stunning video for “The Story of O.J.” Sampling Nina Simone’s “Four Women,” “The Story of O.J.” unpacks the unavoidable consequences of blackness’s various shades and the place of capital as a potential countermeasure. It’s a cool and canny track whose video takes as its reference point the racist stereotypes of early animation such as the Censored Eleven. Blogs like Cartoon Brew, Birth. Movies. Death., and Dazed have provided excellent accounts of the works referenced in “The Story of O.J.” and of the transtextual subversions being made by Jay-Z in this retrofitted homage, but I’m particularly struck with how the artistry and creativity of those problematic cartoons are merged with hip hop music video conventions and the issues addressed in conscious rap – the way an MC in direct address is situated with Fleischer-style backgrounds and vanishing points, how chipmunk soul vocals are fittingly located in a cartoon cabaret or how wacky surrealism is used to draw a shortcut connection between historical exploitation and its consequential products, and the way Jaybo’s matter-of-fact, unruffled skepticism reflects on the three-fingered cool of Bugs Bunny. A welcome companion to Beyoncé’s stunning Lemonade from last year, “The Story of O.J.” is a daring and ambitious work, sure to be one of the best of 2017.
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
All happy-go-lucky convict Jimmy Dworski (James Belushi) wants out of life is to see the Chicago Cubs win the World Series and so he promptly breaks out of prison after winning tickets to Game Six on a radio show. When he finds the day planner of ultra-organized executive Spencer Barnes (Charles Grodin), Jimmy assumes Spencer’s identity and proceeds to get the most out of both their lives, all expenses paid! Lost without his credit cards and contacts, Spencer’s frantic efforts to save his beloved book and stave off career suicide puts him on the wrong side of street gangs, cops, and county clubs. Hector Elizondo (Pretty Woman), Gates McFadden (Star Trek: The Next Generation), Anne De Salvo (Arthur), and Mako (Conan the Barbarian) also star in this hilarious take on mistaken identity and go-go careerism!
- NEW Being Spencer Barnes – Interviews With Charles Grodin And James Belushi
- NEW Straightforward And True – An Interview With Loryn Locklin
- NEW Don’t Be Afraid To Call Me – An Interview With Anne DeSalvo
- NEW It’s A Tough Prison – An Interview With Hector Elizondo
- NEW Put On Your Togs – New Interviews With John de Lancie and Thom Sharp
- Theatrical Trailer
The Criterion Collection, a continuing series of important classic and contemporary films presents The Incident.
As cynical and despairing a view of New York as you’re likely to find, Larry Peerce’s The Incident is a bitter pill clipping along a Bronx train line, gathering unsuspecting passengers and transforming them into the victims of two young thugs fresh from mugging a helpless old man. Tony Musante and Martin Sheen star as a pair of hoodlums who bait, taunt, and terrorize a melting pot of late-night commuters that includes a husband and wife with a sleeping child, a pair of young lovers, two soldiers recently returned home, an irritated Jewish couple, a bitterly anti-white African American man and his peaceful wife, and an introverted homosexual. Featuring performances by Beau Bridges, Ruby Dee, Jack Gilford, Brock Peters, Thelma Ritter, Donna Mills, and Ed McMahon, The Incident captures the social dissolution of late ’60s New York in the longest, tensest commute ever made between Mosholu Parkway and Grand Central.
- Restored 2K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
- New interview with director Larry Peerce
- New interview with actor Martin Sheen
- Ride with Terror, a 1963 teleplay for The DuPont Show of the Week written and adapted from by Nicholas E. Baehr and starring Tony Musante, Vincent Gardenia, and Gene Hackman
- PLUS: A new essay by Bruce Goldstein, director of repertory programming at New York’s Film Forum
Video Camera Demo Tape Fred Meyer (—, 2017) is 26-minutes of footage taken by a Washington State Fred Meyer superstore’s floor model VHS camera in the spring of 1992. Discovered by Kellie Rogers among her father’s old camcorder tapes intended for DVD conversion, this footage of early ’90s consumerism is oddly compelling and extremely watchable. Katie Rife of The A.V. Club calls it “2017’s most avant-garde documentary” and Sophia June of Willamette Week cites it as “the greatest time capsule ever.” Hyperbole aside, the footage offers plenty of grist for the theoretical mill – the independent and foregrounded presence of the apparatus (notice those autofocus corrections), the manner of its smart device-less, unconnected subjects, the transient and incidental quality of captured footage with the rising convenience of personal recording, the footage’s online success and the current culture’s thirst for nostalgia. For those disinterested with the philosophical implications of Video Camera Demo Tape Fred Meyer, there are plenty of fascinating period intricacies to take in – the early packaging of CDs in long boxes, the ubiquity of sweatshirts, commercial transactions actually paid with paper money, and the lamentable rise of fanny packs. Good times.
MMC! is hard at work on our next imagined Criterion Collection set. In the meantime, MMC! offers a kind of thematic preview to our next proposal with Born Like Stars (Steve Haddock and Brad A. Seibel, 2006), a Wholphin classic from Volume 2 and Best of Wholphin Vol. 1. The video, taken by a remotely operated vehicle called Tiburon from the Monterey Bay Aquarium Research Institute, depicts baby squid hatching from the 3,000 egg cluster of a deep sea squid. The Gonatus onyx is a small, deep sea squid with the rare practice of brooding its eggs between its arms rather than on the ocean floor, something only discovered in 2005. The undulating movement by the mother squid pumps oxygen through the cone of eggs. The short’s plinky-plunky, music box score works in perfect compliment to the subject matter, creating a nursery-like atmosphere around its seemingly alien footage.
With the Criterion Collection’s tease of Twin Peaks: Fire Walk with Me (David Lynch, 1992) and the screening of the first two parts of Lynch’s new Twin Peaks 18-part feature at the Cannes Film Festival, it seems like much of the CC world is abuzz over David Lynch and the prospects of new spine numbered editions being announced. This has got me thinking about my favourite shorts by Lynch and so today MMC! casts its spotlight on Premonitions Following an Evil Deed (David Lynch, 1995), a 52-second film made for the Lumière and Company anthology film (1995) celebrating the centenary of Auguste and Louis Lumière’s first films. Contributing shorts to the anthology used the original Cinématographe camera, were edited in-camera, could not be longer than 52 seconds, could not have synchronized sound, and were allowed no more than three takes. This eerie and foreboding short was filmed on five sets constructed at the house of Gary D’Amico, Lynch’s special effects co-ordinator. Premonitions is one of six restored short films included on Criterion’s edition of Eraserhead (David Lynch, 1977).