Trailer Tuesday

What a month! Criterion knocks it outta the park with its October releases, trailers abound with the San Diego Comic Con in full swing, reviews from the ongoing Fantasia Film Festival keep rolling in, and I’m scheduled for 14 screenings at the Gimli Film Festival later this week! Wheeeee!

The stand out title in Criterion’s stacked October announcements is Stanley Kubrick’s Barry Lyndon (1975). It’s taken me quite a while to become comfortable with the contrasting beauty of Kubrick’s compositions and the coldness of his direction, but this tension has always felt right in Barry Lyndon, where the great director dissects the shallowness of his subject with great insight and depth. Everything about the Criterion Collection’s edition of Barry Lyndon looks amazing and I suspect I may need to re-write my Top Ten as a result.

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Taking Care of Business (Arthur Hiller, 1990)

Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.

FIRST-RATE. PHENOMENAL. SUPERLATIVE.

All happy-go-lucky convict Jimmy Dworski (James Belushi) wants out of life is to see the Chicago Cubs win the World Series and so he promptly breaks out of prison after winning tickets to Game Six on a radio show. When he finds the day planner of ultra-organized executive Spencer Barnes (Charles Grodin), Jimmy assumes Spencer’s identity and proceeds to get the most out of both their lives, all expenses paid! Lost without his credit cards and contacts, Spencer’s frantic efforts to save his beloved book and stave off career suicide puts him on the wrong side of street gangs, cops, and county clubs. Hector Elizondo (Pretty Woman), Gates McFadden (Star Trek: The Next Generation), Anne De Salvo (Arthur), and Mako (Conan the Barbarian) also star in this hilarious take on mistaken identity and go-go careerism!

Special Features:

  • NEW Being Spencer Barnes – Interviews With Charles Grodin And James Belushi
  • NEW Straightforward And True – An Interview With Loryn Locklin
  • NEW Don’t Be Afraid To Call Me – An Interview With Anne DeSalvo
  • NEW It’s A Tough Prison – An Interview With Hector Elizondo
  • NEW Put On Your Togs – New Interviews With John de Lancie and Thom Sharp
  • Theatrical Trailer

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MeTube: August Sings Carmen ‘Habanera’ (Daniel Moshel, 2013) and MeTube 2: August Sings Carmina Burana (Daniel Moshel, 2016)

Thoughts of the Fantasia Film Festival in Montreal (just underway) and various other fantastic film festivals still to come has me reflecting on cinematic weirdness and my attendance to the Saskatoon Fantastic Film Festival back in October. Among my favourites were Daniel Moshel’s two bizarre shorts, MeTube: August Sings Carmen ‘Habanera’ (2013) and MeTube 2: August Sings Carmina Burana (2016). The former is a hallucinatory tribute to awkward YouTube performances. Featuring Swiss tenor August Schram as a nerdy opera wanna-be and Elfie Wunsch as his grimly attentive mother, the short transforms a reserved and amateurish rendition George Bizet’s Habanera from Carmen into an EDM-infused, pan-sexual bacchanal, and it’s weirdo-glorious. Moshel’s crowd-funded sequel takes MeTube‘s classical mindfuck to the streets with a flash-mobbed carnival of “Opera on Acid.” For more by Moshel and a peek into the making of the films, check out his YouTube and Vimeo pages!

I’m working on our next proposal (an underappreciated comedy for the Shout Select label) so hopefully that will arrive soon. TCB, baby!

10 on the 10th – July 2017

Certainly the most prominent of the last ten films I’ve watched is Baby Driver. Edgar Wright’s reliance on musical conventions create some potential shortcomings – his characters are rather simply drawn, his romantic performances tend toward the syrupy, and the film’s early suggestions of a traditionally integrated musical (at least with regard to its main character Baby) sit uneasily with the rest of the movie – however Baby Driver‘s musically choreographed driving and action sequences (which makes up the majority of the film) are wonders, expertly constructed around a superb soundtrack and thrilling all the way to the movie’s edges. It’s essential summer movie-viewing, sure to be a mainstay on second-year film studies syllabi on the movie musical, and making for a very interesting ride home from the theatre.

  1. Oh, Hello: On Broadway (Alex Timbers and Michael John Warren, 2017)
  2. The Graceful Brute (Yuzo Kawashima, 1962)
  3. Psychout for Murder (Rossano Brazzi 1969)
  4. The Creeping Garden (Tim Graham and Jasper Sharp, 2014)
  5. Baby Driver (Edgar Wright, 2017)
  6. A Report on the Party and the Guests (Jan Nemec, 1966)
  7. Never Too Young to Die (Gil Bettman, 1986)
  8. Taking Care of Business (Arthur Hiller, 1990)
  9. Blue Demon vs. the Infernal Brains (Chano Urueta, 1968)
  10. Jour de fête (Jacques Tati, 1949)

For those looking for quality international cinema, we recommend Yuzo Kawashima’s The Graceful Brute (about a family of con artists defending their ill-gotten lifestyle while their various embezzlements fall in around them) and Jan Nemec’s A Report on the Party and the Guests (an allegorical tale of totalitarianism set amid bucolic picnics and celebrations). Those looking for something more frivolous might consider Blue Demon vs. the Infernal Brains (where legendary luchador Blue Demon occasionally appears to do battle with nonsensical, super-science brain collectors).

The Incident (Larry Peerce, 1967)

The Criterion Collection, a continuing series of important classic and contemporary films presents The Incident.

As cynical and despairing a view of New York as you’re likely to find, Larry Peerce’s The Incident is a bitter pill clipping along a Bronx train line, gathering unsuspecting passengers and transforming them into the victims of two young thugs fresh from mugging a helpless old man. Tony Musante and Martin Sheen star as a pair of hoodlums who bait, taunt, and terrorize a melting pot of late-night commuters that includes a husband and wife with a sleeping child, a pair of young lovers, two soldiers recently returned home, an irritated Jewish couple, a bitterly anti-white African American man and his peaceful wife, and an introverted homosexual. Featuring performances by Beau Bridges, Ruby Dee, Jack Gilford, Brock Peters, Thelma Ritter, Donna Mills, and Ed McMahon, The Incident captures the social dissolution of late ’60s New York in the longest, tensest commute ever made between Mosholu Parkway and Grand Central.

Disc Features:

  • Restored 2K digital transfer, with uncompressed monaural soundtrack on the Blu-ray
  • New interview with director Larry Peerce
  • New interview with actor Martin Sheen
  • Ride with Terror, a 1963 teleplay for The DuPont Show of the Week written and adapted from by Nicholas E. Baehr and starring Tony Musante, Vincent Gardenia, and Gene Hackman
  • PLUS: A new essay by Bruce Goldstein, director of repertory programming at New York’s Film Forum

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Trailer Tuesday

First, a shout out to Cole and Ericca at The Magic Lantern Podcast who shared some love for MMC! in their recent discussion of Little Murders. Cole and Ericca provide a great (and very funny) discussion on the relationship at the centre of Arkin’s film. For the record, I’m with Cole – the wedding sequence stands as the most enjoyable part of the movie and Elliott Gould’s unresponsiveness to the demands of social convention or personal interactions is all too recognizable.

My most recent Criterion connection came by seeing Brazilian singer Seu Jorge perform live his selection of David Bowie covers from Wes Anderson’s The Life Aquatic with Steve Zissou (2004). Jorge put on an amazing show, providing a variety of entertaining anecdotes on the making of the film, displaying some nimble guitar-work, and filling the theatre with his deep, impressive voice. The trailer for The Life Aquatic prominently features Jorge’s covers, serving as an effective promo of the singer’s currently touring show. Don’t miss it!

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