The Criterion Collection, a continuing series of important classic and contemporary films presents Moonstruck.
In this award-winning, romantic comedy, Cher stars as Loretta, a widowed bookkeeper in Brooklyn who agrees to marry a mild-mannered man (Danny Aiello) even though she does not love him. Unlucky in love, she promptly falls for his estranged brother (Nicolas Cage), sparking a torrid affair with the moody, young man while her fiancé is absent at his mother’s deathbed. With wonderfully stylized dialogue by playwright John Patrick Shanley and a brilliant ensemble of supporting performances from Olympia Dukakis, Vincent Gardenia, John Mahoney, Julie Bovasso, Louis Guss, and Feodor Chaliapin Jr., Norman Jewison’s Moonstruck is a modern screwball classic and an operatic fable full of moonlit enchantment and the sweet charm of sugar cubes dissolved in champagne.
- New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New interviews with director Norman Jewison, writer John Patrick Shanley, and actors Cher, Nicolas Cage, Olympia Dukakis, and Danny Aiello
- Audio Commentary featuring Cher, Norman Jewison, and writer John Patrick Shanley
- A Night at the Opera, musicologist Marcia Citron on opera, La bohème, and Moonstruck
- Remarriage Italian Style, scholar William Day on Moonstruck and the comedy of remarriage
- Moonstruck: At the Heart of an Italian Family, a featurette on the making of the film
- Music of Moonstruck, a featurette on the film’s score
- Trailer and TV spots
- PLUS: An essay by scholar Mary Ann McDonald Carolan
These last ten films I’ve watched continues to reflect my desire to catch up with the best films of 2018 as well as my discovery of hoopla, another library streaming surface and a surprising home to a number of top films from last year. My intention is to round out my 2018 screenings, submit my top 20 to the Film Comment Reader’s Poll, and post my list at the end of the month. The deadline for submission is February 28, 2019, so get your lists in as well and maybe win some stuff!
- Roma (Alfonso Cuarón, 2018)
- Ryuichi Sakamoto: Coda (Stephen Nomura Schible, 2017)
- Blindspotting (Carlos López Estrada, 2018)
- Night is Short, Walk On Girl (Masaaki Yuasa, 2017)
- Support the Girls (Andrew Bujalski, 2018)
- Burning (Lee Chang-dong, 2018)
- The Night of the Virgin (Roberto San Sebastián, 2018)
- The Marriage of Chiffon (Claude Autant-Lara (1942)
- A Bay of Blood (Mario Bava, 1971)
- Day for Night (François Truffaut, 1973)
As far as surprises go, as much as I enjoyed Blindspotting (a West Coast, post-millennial reflection of Do The Right Thing), Masaaki Yuasa’s Night is Short, Walk on Girl was even more impressive, a trippily fanciful tale of romantic pursuit and youthful experience. This seems to be the year that Yuasa demanded recognition as a master of the animated form, having released Night as well as Lu Over the Wall (2017) and Devilman Crybaby (2017). Yuasa’s work is defined by thin lines, careful impressionism, and bravely untethered narratives. His style is not the typical aesthetic we are accustomed to in feature animation, sometimes resembling the appearance of rough storyboards (Yuasa has worked as a storyboard artist for many projects including Space Dandy and Adventure Time) and embracing a visual distortion beyond the typical stretch and squash, but his imagination and daring seems unparalleled. Add Yuasa to this year’s crop of Oscar snubs and keep a look out for his next film, If I Could Ride a Wave With You, a romantic story connected to Lu and centred around surfing.
The 2019 Sundance Film Festival is now in the books and the film that MMC! is most curious about is the feature-length adaptation of Paul Briganti’s Greener Grass (2015). Writers and stars Jocelyn DeBoer and Dawn Luebbe step into the roles of director with Greener Grass‘s feature film, no doubt answering a few of the short film’s nonsensical questions and likely posing a ton more. The 2015 short was an MMC! favourite at the 2016 Saskatoon Fantastic Film Festival, offering “an acid trip take on soccer mom insecurities and first world problems” and “bringing Buñuel to the California suburbs.” For those that enjoy Adult Swim-style transgressive comedy and looking for an unnerving mix of competitive conventionality, canine transformation, and orthodontic disgust, your minivan has arrived.
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favorites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
JUST WHEN YOU THINK YOU’VE FOUND THE RIGHT GUY, SOMEONE EVEN WORSE COMES ALONG.
The last thing Emma Moriarty expected to find in Eunice, Arizona, was love. So how does she wind up the object of MURPHY’S ROMANCE? Sally Field and James Garner star in this endearing comic love story from director Martin Ritt. Field plays a gutsy divorced mother eager to make it as a horse trainer on a small desert ranch. Enter the town’s most eligible widower, Murphy Jones (Garner). The lovable, free-wheeling pharmacist befriends Emma and eventually comes a-courting. But just when Emma may have found the right guy, her ne’er-do-well ex, Bobby Jack (Brian Kerwin), rides back into her life. Which one of these persistent suitors will lasso the reluctant filly? Share the warmth and feel-good humor of Field, Garner and MURPHY’S ROMANCE!
Let’s kick off this “Trailer Tuesday” with the Janus Films trailer for Jackie Chan’s two Police Story films. This sizzle reel for every wild stunt and action sequence in the two movies is as thrilling as they come. I had never really imagined that a future Criterion release would boast “NEW ASS-KICKING 4K RESTORATIONS” but here we are and I’m grateful for it. These films arrive to the Collection on April 30 so start hydrating now!
We knew it was coming and today it was announced: Elia Kazan’s A Face in the Crowd joins the Criterion Collection in April! MMC! imagined a Criterion edition of the film just one day shy of a year ago, although I must say that I think a few more extras might have been available looking back on our previous post. Still, I’m happy to take what I can get and glad to see this MMC! favourite in the Collection.
Those with more money burning a hole in their April 2019 pockets can pick up CC editions of Gillian Armstrong’s My Brilliant Career (1979), Jan Nemec’s Diamonds in the Night (1964), a set featuring Jackie Chan’s Police Story (1985) and Police Story 2 (1988), and blugrades of Jim Jarmusch’s Stranger Than Paradise (1984) and Night on Earth (1991)!