Before The Triplets of Belleville (2003) and The Illusionist (2010), Sylvain Chomet made the award-winning The Old Lady and the Pigeons (La Vieille Dame et les pigeons, 1997). The animated short features an impoverished and starving gendarme who dresses up like a giant pigeon in order to be fed by an old woman (and that barely scratches the surface of how hilariously bizarre the short gets). Chomet was inspired to make a film of his own after seeing Nick Park’s Creature Comforts (1989) and set upon his production after pitching the concept to Didier Brunner of the French animation studio Les Armateurs. Backgrounds were designed by Chomet’s comic book collaborator Nicolas de Crécy, although the two would later fall out over Crécy’s view that Chomet improperly copped his style for the designs of The Triplets of Belleville. The Old Lady and the Pigeons is silently comic and strangely surreal and establishes many of Chomet’s characteristic styles and themes, making it an easy access point to Chomet’s limited filmography. It is also a quick 24-minute scratch for those of us still itching to see his next film, The Thousand Miles, a Fellini-inspired story about the world’s most beautiful road race, Italy’s Mille Miglia.
The Saskatoon Fantastic Film Festival has reached its landmark tenth iteration this year and Festival Director John Allison and his team have ensured that this is the Fest’s biggest and brightest year yet by expanding it to six days, hosting a Drunken Cinema screening of A Nightmare on Elm Street, hosting another Saturday Morning All You Can Eat Cereal Cartoon Party, and bringing in as special guests director Joe Dante and actress Belinda Balaski for a three film retrospective. The SFFF kicked off with something of a soft-open with another new addition – a five film virtual reality experience held preceding the theatrical film program each weekday. Attendance was sparse on Day 1 so let this be a warning to those content to let the VR program pass them by – miss the SFFF’s Virtual Reality Experience section and you will certainly be missing out on some of the Fest’s most intriguing aspects.
Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.
Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.