Amid the success of The Street Fighter and Sister Street Fighter series, Toei Company had found a new star in Etsuko Shihomi and had created its first female martial arts hero, one that was tough, virtuous, and courageous. In 1975, Shihomi found herself in possibly her sleaziest film: 13 Steps of Maki: The Young Aristocrats, a pinky violence genre mash-up that mixed girl gangs, women in prison, yakuza, and martial arts action into a single sensational movie. As Maki Hyuga, Shihomi is the leader of the Stray Cats girl gang, fighting for justice against evil gangsters and stuck up rich girls. Though her karate skills are unsurpassed, Maki is framed and thrown into a sadistic women’s prison. Will she escape and take her revenge?
Making its worldwide Blu-ray debut, 13 Steps of Maki: The Young Aristocrats is paired here with Norifumi Suzuki’s The Great Chase, an oddball action flick released the same year and starring Etsuko Shihomi as a race car driver moonlighting as a secret agent. Filled with unceasing action, outlandish situations, and plenty of female resistance to male domination, 13 Steps to Maki and The Great Chase reveal new shades to Etsuko Shihomi’s stardom and stand as spectacular examples of Japanese exploitation in the 1970s.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation of 13 Steps of Maki: The Young Aristocrats and The Great Chase
Original uncompressed Japanese mono audio on both films
Optional newly translated English subtitles on both films
New video interviews with actor Shinichi “Sonny” Chiba and director Makoto Naito
Theatrical trailers for both films
Stills and poster galleries for both films
Reversible sleeve featuring newly commissioned artwork by Kungfubob O’Brien
The Criterion Collection, a continuing series of important classic and contemporary films presents A Place in the Sun.
Based on Theodore Dreiser’s landmark novel An American Tragedy, George Stevens’ A Place in the Sun is a swooningly noir-stained melodrama featuring Montgomery Clift as a handsome young man eager to win a place in respectable society. His ambitious dream seems to fall into place when he accepts a job offer from a wealthy relation and falls deeply in love with a beautiful socialite (Elizabeth Taylor), however a secret relationship with a factory girl (Shelley Winters) and her pregnancy threatens his future and inspires his murderous impulses. Called “the greatest movie ever made about America” by Charlie Chaplin, Steven’s film skillfully alternates between affluent, sun-washed romance and shadowy, fateful film noir, crafting an idealized vision of movie love against a sour portrait of the American dream and what lies beneath it.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray
Audio commentary with George Stevens Jr. and associate producer Ivan Moffat
New interview with film critic Imogen Sara Smith
George Stevens and His Place in the Sun, a 20-minute documentary on the making of the film
George Stevens: The Filmmakers Who Knew Him, archival interviews with Warren Beatty, Frank Capra, Joe Mankiewicz, Rouben Mamoulian, Antonio Vellani, Robert Wise, Alan J. Pakula, and Fred Zinnemann
Happy Christmas Eve! And what better way for MMC! to extend its season’s greetings than by sharing Chowboys: An American Folktale (2018), the final work of Winnipeg’s irreverent Astron-6. Here, three stupid cowboys struggle to survive in the frigid mountains on the coldest night of the year. Beautiful hands, sheet cakes, St. Nicholas, and cannibalism make for a wacky and gory holiday short set on Christmas Eve. God bless us, everyone (although maybe not Wendigo Santa).
Pacific Northwest, 1983 A.D. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence in near isolation. When their pine-scented splendour is savagely destroyed by the sadistic Jeremiah Sand and his cult “The Children of the New Dawn,” Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Armed with a hand-forged battle axe and an insane thirst for revenge, Red won’t stop until he has destroyed Jeremiah and his disciples.
From the visionary mind of Canadian filmmaker Panos Cosmatos (Beyond the Black Rainbow), Mandy is an ultra-hard, stylishly told hell-trip with heavy metal symbolism, demonic motorcycle mutants, buzzing chainsaws, and a phenomenal performance by Nicolas Cage as an unstoppable, single-minded avenger. Arrow Video proudly presents this modern grindhouse classic for the first time on 4K Ultra-HD Blu-ray.
LIMITED EDITION CONTENTS
4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) approved by director Panos Cosmatos
High definition Blu-ray (1080p)
Original DTS-HD 5.1 surround sound
Optional English subtitles for the deaf and hard of hearing
New audio commentary with Panos Cosmatos and filmmaker and critic Sam Ashurst
Interview at the Sundance Film Festival with producers Lisa Whalen, Josh Waller, Daniel Noah, and Elijah Wood and special guests Nicolas Cage, Vince Neil from the band Mötley Crüe, and Panos Cosmatos
Acid Wash, new interview with cinematographer Benjamin Loeb
It’s Gobblin’ Good!, new interview with director Chris Casper Kelly and special effects artist Shane Morton on the Cheddar Goblin commercial
And Red All Over, new interview with designer Richard Kenworthy of Shynola on the film’s title cards
Standing on the Edge of Time, new interview with animation director David Garcia
The Blade and the Beast, new interview with weapon maker Tim Wagendorp
Deleted and extended scenes
Teasers and trailers
Concept art and stills gallery
Rewind This!, a feature-length documentary with audio commentary by director Josh Johnson, producer Carolee Mitchell and cameraman and editor Christopher Palmer
Soundtrack CD with music composer Jóhann Jóhannsson
10″ vinyl single of “Amulet of the Weeping Maze” by Jeremiah Sand
Fold-out double-sided poster featuring original and newly commissioned artwork
Four retro-poster photos double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images
44-page collectors’ booklet featuring new writing on the film by Travis Woods and an introduction by Panos Cosmatos
The Criterion Collection, a continuing series of important classic and contemporary films presents The Limey.
Terence Stamp is Wilson, a English ex-con who arrives in Los Angeles to hunt down the man responsible for his daughter’s “accidental” death, a record producer named Terry Valentine (Peter Fonda). Propelled along an increasingly brutal search for the truth, Wilson’s singleminded desire for revenge splinters into a meditation on cultural dislocation, an elegy on fatherhood, and a radical, fragmentary investigation of memory. Conceiving of the film as “Alain Resnais making Get Carter” and featuring throwback casting with Stamp, Fonda, Barry Newman, and Joe Dallesandro, Steven Soderbergh’s The Limey is a modern tough guy classic and a seminal work of American independent cinema.
Restored 4K digital transfer, approved by director Steven Soderbergh and cinematographer Edward Lachman, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
Audio commentary with Soderbergh and writer Lem Dobbs
Audio commentary with Terence Stamp, Peter Fonda, Lesley Ann Warren, Barry Newman, Joe Dallesandro, Soderbergh, and Dobbs
New introduction by Soderbergh
New conversation with Soderbergh, editor Sarah Flack, cinematographer Edward Lachman, and actors Luis Guzmán and Lesley Ann Warren
After packing in 200 or so people for the Saskatoon Fantastic Film Festival’s second annual Saturday Morning All You Can Eat Cereal Cartoon Party, Day 5 was all about director Joe Dante, actress Belinda Balaski, and a trio of features film celebrating their work. Screenings of The ‘Burbs (1989), Gremlins (1984), and The Howling (1981) were each introduced by Dante and followed by a Q&A session. All three films looked great on the big screen and Dante and Balaski were open and affable with the SFFF audience, answering questions and recounting stories. Dante discussed working as a consultant to an upcoming animated Gremlins prequel and briefly acknowledged that his long desired project about Roger Corman, The Man with Kaleidoscope Eyes, was being produced by SpectreVision and should see production in 2020. Balaski recounted a popular story about how the designers of Gremlins’ Gizmo obtained Steven Spielberg’s elusive approval of the creature when she recommended that they take inspiration from the King Charles Cavalier Spaniels Spielberg had recently acquired. When asked which of their films they felt deep-diving fans should explore, Balaski cited Mark L. Lester’s youth culture/crime drama movie Bobbie Jo and the Outlaw (1976) while Dante nodded at his under-seen (and unfortunately prescient) political satire The Second Civil War (1997). The pair were generous with their time, even sitting down on the Broadway Theatre’s stage floor to sign programs and badges for remaining diehards, and they proved to be excellent guests for the SFFF’s landmark 10th year.