There’s a running joke in Bill Watterson’s Dave Made a Maze (2017), a film about a man who builds a massive cardboard maze (bigger inside than out) and then gets trapped within it. As Dave’s friend Gordon (Adam Busch) repeatedly points out, the maze is full of traps, making it, in fact, a labyrinth. Day 3 of the Saskatoon Fantastic Film Festival offered a disparate collection of films – a comedy recounting a slacker’s epic quest in a DIY fortress; a trippy, coming-of-age, prom night parable; a genre-mixing, science fiction blockbuster; and a dreamy descent into a housewife’s trauma and a cult’s terrifying prophecy. Each offers its own twists and turns, finding new dangers as they progress through corrugated caverns, genre conventions, and layered realities. In fact, they’re all labyrinths in their own ways.
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.
October is upon us and that means horror-themed shorts here at MMC!
We kick off our month with a trio of Lovecraftian parody films by Canadian writer-director Joseph Nanni. In the hustle and bustle of our workaday lives, it’s easy to forget the invisible world that exists alongside ours, abiding in slumber its fearsome indifference to our small place in an ancient multiverse. Thank goodness religion, medicine, and insurance are doing their parts to protect us!
Elder Sign (Joseph Nanni, 2009)
The Necronomicon (Joseph Nanni, 2009)
HP Lovecraft Insurance (Joseph Nanni, 2015)
Thoughts of the Fantasia Film Festival in Montreal (just underway) and various other fantastic film festivals still to come has me reflecting on cinematic weirdness and my attendance to the Saskatoon Fantastic Film Festival back in October. Among my favourites were Daniel Moshel’s two bizarre shorts, MeTube: August Sings Carmen ‘Habanera’ (2013) and MeTube 2: August Sings Carmina Burana (2016). The former is a hallucinatory tribute to awkward YouTube performances. Featuring Swiss tenor August Schram as a nerdy opera wanna-be and Elfie Wunsch as his grimly attentive mother, the short transforms a reserved and amateurish rendition George Bizet’s Habanera from Carmen into an EDM-infused, pan-sexual bacchanal, and it’s weirdo-glorious. Moshel’s crowd-funded sequel takes MeTube‘s classical mindfuck to the streets with a flash-mobbed carnival of “Opera on Acid.” For more by Moshel and a peek into the making of the films, check out his YouTube and Vimeo pages!
I’m working on our next proposal (an underappreciated comedy for the Shout Select label) so hopefully that will arrive soon. TCB, baby!
FROM BEYOND OBLIVION, THE SPOOKIES ARE HERE AGAIN!
An old, abandoned, isolated mansion seems like the perfect place for a group of young couples to party and let loose, but it may be perfect trap to lose their souls. Inside, a strange Ouija board leads the group into a supernatural web of terror, all plotted by an ancient sorcerer gathering sacrifices to restore his unwilling bride once again to life. Just a few more humans are needed to complete his spell …
A dizzying array of monstrous creatures are conjured by the wizard – hellish lizards, skeletal reapers, demons, zombies, seductive spider women, entrancing ghosts, and flatulent muck men, all empowered with a singular instinct to kill – and one by one, each guest is victim to this twisted, supernatural onslaught. Nothing can prepare you for the incredible special effects of Spookies, a horror cult classic that must be seen to be believed!
- New high definition digital transfer
- High-Definition Blu-ray (1080p) and Standard DVD Presentation
- Uncompressed monaural soundtrack on the Blu-ray edition
- Optional English SDH subtitles for the deaf and hard of hearing
- Introduction by the filmmakers
- Audio commentary with film historian Max Evry
- Interviews with actor Anthony Valbrio, visual effects artist Al Magliochetti, and co-producer Frank Farel
- Original ending taken from the interpositive held by the production’s original visual effects artist
- Theatrical trailer
- Illustrated collector’s booklet featuring new writing by regional horror historian Brian Albright
One last Halloween-ready short before we’re overrun by ghouls and goblins! Spencer Susser’s I Love Sarah Jane (2008) takes the zombie apocalypse to the Australian suburbs and mixes in a healthy dose of puppy love and some Lord of the Flies-type childhood nastiness to boot. I Love Sarah Jane reminds that zombies are bad but kids are the worst.