The banner event for Day 4 of the Saskatoon Fantastic Film Festival was the Drunken Cinema screening of Wes Craven’s A Nightmare on Elm Street (1984), described by Drunken Cinema‘s attending creator Serena Whitney as “the scary one.” Audience members had rules to follow, glow sticks to shake, and themed cards with personalized drinking rules to enhance their interaction and to get soused in the process. The event seemed an ironic success considering that nearly all the screenings at the SFFF are licensed and the Broadway Theatre’s concession stand was ready to make every screening drunken if patrons were so inclined. Still, the appeal of endorsed booze and rowdiness cannot be underestimated and Saskatoon movie fans can expect to seen more Drunken Cinema events between now and the next SFFF.
An inspiration to the Nelvana animation studio’s first feature, Rock & Rule (Clive A. Smith, 1983), The Devil and Daniel Mouse (Clive A. Smith, 1978) was the Canadian animator’s second television special. Following 1977’s A Cosmic Christmas (Clive A. Smith, 1977), this Halloween program takes its inspiration from Stephen Vincent Benét’s classic short story “The Devil and Daniel Webster” and mines Canadian artistic anxieties over American cultural imperialism and selling out. Struggling folk duo Jan and Daniel Mouse are fired from their last gig and Jan sells her soul to the demonic record producer B.L. Zebub, transforming her into the hit sensation Funky Jan. Success is bittersweet for Jan as she misses Daniel but when B.L. claims his payment under the contract, it’s Daniel who stands up for her in a trial of the damned that culminates in a musical final statement that carries the day. The short features some solid tracks by John Sebastian of The Lovin’ Spoonful and singer-songwriter Valerie Carter, as well as some stunning animation for the infernal B.L. Zebub.
Those looking for more on The Devil and Daniel Mouse, Rock & Rule, and the failed early efforts of Nelvana to achieve its own commercial and artistic independence should consult Keir-La Janisse’s excellent essay “A Song from the Heart Beats the Devil Every Time: The Fear of Selling Out in Nelvana’s The Devil and Daniel Mouse and Rock and Rule” in Gina Freitag and André Loiselle’s The Canadian Horror Film: Terror of the Soul.
The Buried Alive Film Festival’s program for Saturday, November 17, is STACKED with three new feature films, one rep-pick, two supporting features, the Eyeslicer short film program, nine more short films in the “It’s Never Too Early to Start Digging Graves” block, and one burlesque show compliments of Blast Off Burlesque. Now that’s a full day of entertainment!
Overwhelmed with a bounty of goodness, MMC!‘s previews can only be more important, pointing the path from mere goodness and toward greatness. Here, dear readers, are five MMC!-approved reasons (that are actually nine reasons) to BAFF this Saturday:
Sure, MMC! made the Buried Alive Film Festival’s first day of full programming sound great, but BAFF really comes into its own on Friday, November 16th. There, BAFF offers three feature-length movies, one live score, one supporting short, and a full program of 10 short films entitled “Bury Me With My Favorite Films.” There’s plenty to see and enjoy at the 7 Stages Theatre this Friday. Those on the fence about attending or those looking for a preview of what to watch thankfully have MMC! to point the way.
Here, dear reader, are MMC!‘s five favourite reasons to BAFF this Friday!
Our latest MMC! proposal is an art-horror favourite around these parts and will arrive tomorrow, just in time for Halloween. In the meantime, let’s get a jump on the 2018 Ithaca Fantastik with a trio of short films that screened as part of The Eyeslicer Halloween Special!
First up is Laura Moss’s Fry Day (2017), an atmospheric and disturbing film about a young woman who finds herself in uncertain circumstances when she joins three young men one evening. Fry Day occurs on the night of Ted Bundy’s execution, located on the pasture across from the Raiford prison where revelers celebrated, and the spectre of Bundy’s crimes adds a particularly oppressive air to an already unsettling situation. This is a gorgeous and crushing short film. Director Laura Moss has two films in The EHS, the other being the equally disturbing but decidedly more unusual Allen Anders – Live at the Comedy Castle (2018).
MMC! was lucky enough to see Kier-La Janisse’s latest Saturday Morning All-You-Can-Eat Cartoon Party and the best of the program was Jerry Lieberman’s Huff ‘n Puff, an anti-smoking PSA for the American Cancer Society that riffs on the story of the Three Little Pigs with some strange gallows humour. We could only assume that the Big Bad Wolf died just after the short ended. The short seems to have been part of a larger campaign that included an illustrated story offered as a pamphlet. (If anyone knows the year this animated short was produced or released, I’d appreciate the info!)