When Jared Auner of Mondo Macabro posts about a new label devoted to Asian Cult cinema, MMC! takes gleeful notice!
With the announcement below, Auner and his partners Jesse Nelson and Brian Izzi of Cauldron Films launch Neon Eagle Video, a new home video boutique imprint dedicated to Asian cult cinema, and reveal their first release, the Taiwanese revenge-fest Kill Butterfly Kill. This inaugural edition will offer multiple cuts of the film and promises a stacked, double-Blu-ray, limited edition release. Needless to say, MMC! is intrigued by Kill Butterfly Kill’s cartoonish violence and its Pinky Violence meets Turksploitation sensibility (not to mention that cover image which appears to include appropriated Kamen Rider V3 masks!). NEV promises future releases including a title from Japan – just take MMC!’s money already!
NEW ASIAN-FOCUSED LABEL ‘NEON EAGLE VIDEO‘ MAKES DEBUT WITH DELUXE BLU-RAY EDITION OF THE TAIWANESE EXPLOITATION MOVIE ‘KILL BUTTERFLY KILL’
Cauldron Films’ Jesse Nelson and Brian Izzi, in collaboration with Mondo Macabro’s Jared Auner are proud to announce the formation of a new home video boutique imprint, Neon Eagle Video (NEV),that will focus on the trashier side of Asian cinema, highlighting exploitation, action, horror, and other ‘cult’ films that have been neglected in the High Definition era.
Each disc will be lovingly curated and produced by Jared Auner, with restoration, authoring, manufacturing, and distribution handled by Cauldron Films. Each release will be sold through the Cauldron Films site and DiabolikDVD.com.
Before Japan’s direct-to-video film industry exploded into the V-Cinema phenomenon that defined much of the 1990s, filmmakers during the 1980s were testing the limits of gore and taste with a wave of horror videos that were short on runtime but long on trauma. This collection celebrates this “V-Splatter” era with six hard-to-find classics, many of which are presented here for the first time on Blu-ray and DVD in the West.
Taking inspiration from the mini-monsters that became popular in American horror films of the 1980s, Masayoshi Sukita’s Gakidama features a reporter who is possessed by a forest spirit and spawns a gruesome little humanoid monster that torments him and his wife. Next, Akihiro Kashima’s Biotherapy combines 1950s science fiction with Italian giallo killers as a group of scientist are stalked by a murderous alien monster who hides its identity beneath a black hat and trench coat. Shigeru Izumiya’s seminal cyberpunk film Death Powder features an android hunter who finds his consciousness radically altered when he breathes in a replicant’s powdery remains. Kazuo “Gaira” Komizu’s Guzoo: The Thing Forsaken by God – Part 1 merges The Thing with the “young women in peril” slasher film to create the prototypical Japanese tentacle-horror film. In Takuro Fukuda’s Conton, a young man is harassed by gangsters and plagued by dreams of a creature hunted by monstrous knights until his dream and his reality combine. Finally, Jôji Iida’s Cyclops takes place in a world where mutants hide amongst us and where The Terminator is spiked with a violent dose of body horror.
Running just 30 to 60 minutes each, these mind-blowing, stomach-turning Japanese nasties pack a fleshy punch for horror fans and Japanophiles alike.
Special Edition Contents:
High Definition (1080p) Blu-ray presentations of all six films
Original uncompressed Japanese mono audio for all six films
Optional English subtitles on all six films
New interviews with director Masayoshi Sukita and visual effects artist Shin’ichi Wakasa, actors Hirohisa Nakata and Jun’ichi Haruta, director Shigeru Izumiya, and director Kazuo “Gaira” Komizu
Interview with director Jôji Iida
Newly filmed appreciations by critic Kat Ellinger and special effects artist Dan Martin
Extensive image galleries
Illustrated collector’s booklet featuring new writings by Japanese cinema experts Tom Mes and Jasper Sharp
Three stories. Three eras. Three men. One is an orderly in a remote outpost during World War II consumed by lust but who passes the boredom by spying on the women around him and discovering his ability to ejaculate fire. The next is his son, a corpulent speed-eater competing for the glory of the Communist state and the attention of a hefty female colleague. The last is their son, a master taxidermist in the post-socialist era who turns his trade onto himself with gruesome effect. This is Taxidermia, a grotesquely surreal offering from director György Pálfi that inscribes the history of his native Hungary into the unusual bodies of three generations of men who are all damned from birth. Based in part on the stories of Lajos Parti Nagy, Pálfi creates a queasy masterpiece of historical body horror not recommended for the squeamish.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation
Original DTS-HD Master Audio 5.1 audio
Optional newly translated English subtitles
Feature-length audio commentary with director György Pálfi
Making of Taxidermia behind-the-scenes featurette
Horrific Histories and Bachelor Machines, a brand new featurette with Steven Shaviro on the film’s political and philosophical underpinnings
Deleted scenes with optional director’s commentary
Visual design and concept gallery
Final Cut: Ladies and Gentlemen, Pálfi’s feature-length extravaganza of movie love and adventure pieced together from found-footage taken from Hollywood and abroad
We’re nearly a quarter into 2022 and so this seems like a good opportunity to celebrate MMC!’s favourite short film discovery for the year thus far – Spike Jonze’s Video Days (1991). While I’m about the right vintage to have been awed by this seminal skate video on its initial release by Blind Skateboards, I was never a skater-kid and so I now come to Video Days fresh, and while the particulars of the tricks and locations mean relatively little to me, the energy, playfulness, and cheeky construction of Video Days is undeniable. Regularly credited as Spike Jonze’s first directorial effort (though Jonze directed the skate video Rubbish Heap in 1989), the 24-minute video features celebrated skaters Guy Mariano (a mere 14 years-old at the time), Jordan Richter, Mark Gonzales, Rudy Johnson, and Jason Lee. (Lee’s Gulf War ballad purportedly inspired Kevin Smith to cast him in Mallrats!) Jonze establishes a framing device of the five skaters riding in an Oldsmobile Ninety-Eight Regency and sets their trick footage against a diverse series of tracks including “I Want You Back” by The Jackson 5, “My War” by Black Flag, Dinosaur Jr.’s “Just Like Heaven,” “Cancion Mixteca” by Ry Cooder, and John Coltrane and the Ref Garland Trio’s “Traneing In” (billed during the end credits as “Some damn good jazz”). Jonze caps off the video with a shocking ending and some hilarious end-credits that had kids in the early ’90s scratching their heads over whether or not this quintet of niche-celebrities survived the production. Video Days is regularly lauded as providing the definitive skate video template and being arguably the greatest skate video of all time, though it should also be appreciated as a stunning opening salvo in the film and videography of now-heavyweight director and VICE creative director Spike Jonze.
What’s scarier than the exploitation of capitalist culture, our societal collapse into a dystopian nightmare, and our inexorable march into cosmic obliteration? Answer: Nothing. And so MMC! celebrates this All Hallow’s Eve with a trio of animated mind-melters from Canadian animator Nick Cross. First up is The Pig Farmer (2010) – “a simple tale of a wayward soul, awash in an ocean of tragedy and regret.” Well, that and various pork-related gags. Don’t be fooled by the fairy tale-vibe and cutesy look; this short ain’t for the kids!
Next up is Perihelion (2013), “a sort of animated tone poem” inspired by German Expressionist and Surrealist painters of the early 20th Century like Otto Dix, Richard Oelze, Ingrid Griebel-Zietlow, Rudolf Schlichter, and Max Ernst, as well as Francisco Goya. The short operates as something of a Möbius strip tracking a cycle of human downfalls. The effect is amazing in execution and awful in vision. You’re welcome!
Lastly, we wrap up this dispiriting tribute to Nick Cross with The Clockwork Elves (2020). Cross’s summary of the short is questionable: “The Clockwork Elves could be a pyschotropic exploration of spirituality and death – or it could be a tale of a little goofball hopped up on goofballs. Either way — it’s a cartoon.” Made single-handedly over seven years, the short takes the animator’s critiques of late capitalism deeper into the psychedelic nightmare than ever before, creating a vision quest montage that is amazingly spectacular, shockingly vibrant, and exceptionally apocalyptic. This is the squished and squashed, cutesy-pie version of Pearl Jam’s “Do the Evolution” video and it’s just as bracing.
If all of this is a bit too nightmarishly heavy for you, then MMC! recommends revisiting Over the Garden Wall (2014), a modern Halloween classic that perfectly celebrates American colonial folklore, historical commercial art, and East Coast animation. Cross worked as the series’ art director and it should be required viewing for any Halloween fanatic.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Triplets of Belleville.
French whimsy goes through the looking glass in this imaginatively offbeat animated wonder by animator Sylvain Chomet. A boy named Champion trains relentlessly for the Tour de France with the help of his diminutive and club-footed grandmother, Madame Souza, and their overweight dog, Bruno. When race day arrives, Champion and a few of his fellow racers are kidnapped by a pair of square-shouldered henchmen and taken across the ocean to thronging Belleville where they are forced to pedal as part of an illicit gambling operation. Bruno and Mme Souza follow to save their boy and find unlikely help from the renowned Triplets of Belleville, a trio of eccentric music hall stars turned elderly experimental musicians. Filled with twisted imagery and proceeding with the measured pace of a dream, The Triplets of Belleville is a strange, loving, and very French tribute to silent comedy and to bygone eras of traditional animation.
New 4K digital master, approved by director Sylvain Chomet, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
New audio commentary with Sylvain Chomet
New conversation between Chomet and animator Bill Plympton
The Making of The Triplets of Belleville, a 36-minute documentary discussing the film’s production
The Cartoon According to Sylvain Chomet, a brief discussion with the director on designing his characters