The Criterion Collection, a continuing series of important classic and contemporary films presents Leadbelly.
In his final theatrical film, celebrated director Gordon Parks cast Roger E. Mosley as the iconic blues and folk singer Huddie Ledbetter, better known to music history as Lead Belly, the King of the 12-String Guitar. Dramatizing the musician’s turbulent life from his early 20s to his mid-40s, Leadbelly follows Huddie as he performs at bars and sukey jumps, learns the blues from “Blind Lemon” Jefferson, faces violent racism and its deadly consequences, and twice finds himself incarcerated, labouring on back-breaking chain gangs and performing at the behest of white authorities. Combining pastoral simplicity with the resilient and rebellious spirit of the 1970s, all to the sounds of Lead Belly’s iconic songs, Leadbelly offers a vibrant and harrowing portrait of the segregated Jim Crow South and stood as the film Parks most admired amongst his own filmography.
New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
New interview with filmmaker Spike Lee and music historians Kip Lornell and Charles Wolfe
The Criterion Collection, a continuing series of important classic and contemporary films presents I Am a Fugitive from a Chain Gang.
Based on I Am a Fugitive from a Georgia Chain Gang!, the autobiographical book of chain gang escapee Robert E. Burns, Mervyn LeRoy’s uncompromising and starkly realistic 1932 drama, about an out of work veteran twice railroaded into the hell of a Georgia chain gang, still has the power to shock. Paul Muni commands the screen in a brilliantly lived-in performance as a man whose only prospect is a life perpetually on the run, and the film’s gritty realism spares no anger at a cruel and unjust legal system. Eighty years later, I Am a Fugitive from a Chain Gang remains the studio era’s greatest social message film and it stands as a crucial turning point for Warner Bros., Paul Muni, Robert E. Burns, and the American prison system.
New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
Audio commentary from 2005 by film historian Richard B. Jewell
Vintage musical short 20,000 Cheers for the Chain Gang!
The Criterion Collection, a continuing series of important classic and contemporary films presents A Place in the Sun.
Based on Theodore Dreiser’s landmark novel An American Tragedy, George Stevens’ A Place in the Sun is a swooningly noir-stained melodrama featuring Montgomery Clift as a handsome young man eager to win a place in respectable society. His ambitious dream seems to fall into place when he accepts a job offer from a wealthy relation and falls deeply in love with a beautiful socialite (Elizabeth Taylor), however a secret relationship with a factory girl (Shelley Winters) and her pregnancy threatens his future and inspires his murderous impulses. Called “the greatest movie ever made about America” by Charlie Chaplin, Steven’s film skillfully alternates between affluent, sun-washed romance and shadowy, fateful film noir, crafting an idealized vision of movie love against a sour portrait of the American dream and what lies beneath it.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray
Audio commentary with George Stevens Jr. and associate producer Ivan Moffat
New interview with film critic Imogen Sara Smith
George Stevens and His Place in the Sun, a 20-minute documentary on the making of the film
George Stevens: The Filmmakers Who Knew Him, archival interviews with Warren Beatty, Frank Capra, Joe Mankiewicz, Rouben Mamoulian, Antonio Vellani, Robert Wise, Alan J. Pakula, and Fred Zinnemann
The Criterion Collection, a continuing series of important classic and contemporary films presents Straight Time.
In this highly underrated classic of ’70s crime cinema, Dustin Hoffman shrewdly stars as Max Dembo, an ex-con just released from a six-year stretch in prison for armed robbery and struggling to go straight while under the oversight of his smug parole officer. Despite finding a job, a home, and even a girl of his own, Max remains trapped in an unrelenting criminal system until he breaks free with ruthless, criminal abandon and tragic consequences. Adapted from Edward Bunker’s No Beast SoFierce, featuring a score by David Shire, and boasting a terrific supporting cast including Theresa Russell, Harry Dean Stanton, Gary Busey, M. Emmet Walsh, and Kathy Bates, Ulu Grosbard’s Straight Time is a lean and bitter portrait of inevitable recidivism.
New 4K digital master with uncompressed monaural soundtrack on the Blu-ray edition
Audio commentary from 2007 with director Ulu Grospard and actor Dustin Hoffman
New interviews with actors Hoffman, Theresa Russell, and Kathy Bates
Straight Time: He Wrote It For Criminals, a 1978 documentary on writer Edward Bunker and the making of the film
English subtitles for the deaf and hard of hearing
The Criterion Collection, a continuing series of important classic and contemporary films presents Winchester ’73.
A one-of-a-kind rifle, the Winchester ’73, passes through a diverse group of desperate characters, summarizing the Western genre while also revitalizing it. In his first of eight indelible collaborations with director Anthony Mann, James Stewart is cast against type as Lin McAdam, an upright frontiersman obsessed with tracking down murderer Dutch Henry Brown (Stephen McNally) and always finding himself a step behind the iconic rifle wrongfully stolen from him. Featuring Shelley Winters as a saloon girl looking to settle down, Dan Duryea as a crazed outlaw, John McIntire as a sly gun trader, Rock Hudson as an aggrieved Indian chief, and a young Tony Curtis in an early screen role, Winchester ’73 ushered in a new era for the Western that replaced squeaky clean heroes with flawed, complex protagonists and re-made James Stewart into a mature, complicated screen presence.
New 4K digital restoration, undertaken by Universal Pictures in partnership with The Film Foundation and in consultation with filmmakers Martin Scorsese and Steven Spielberg, with uncompressed monaural soundtrack on the Blu-ray
New introduction by Scorsese
Audio commentary with actor James Stewart and film historian Paul Lindenschmidt
Lux Radio Theatre adaptation of the film from 1951, featuring actors James Stewart and Stephen McNally
PLUS: An essay by film scholar Sarah Hagelin and an except from firearm historian R.L. Wilson’s Winchester: An American Legend
In a rare starring role, Rip Torn plays Maury Dann, a hard-living country singer traveling the Deep South honky tonk circuit. Dann’s good ol’ boy smile charms even passing fans, but in private he is a greedy, entitled, and pitiless tyrant ruling from the back seat of a Cadillac sedan. Set over a day and a half, Payday reveals Maury’s unrepentant selfishness and cynicism, bedding young fans, popping pills, and casting off members of his entourage once they have outlasted his needs. Dann’s self-serving and hedonistic ways come to a head in a late night parking lot scuffle, transforming his megalomania into inevitable self-destruction.
Music critic and Payday producer Ralph Gleason declared that the objective of this staggeringly jaundiced portrait was a desire to provide an honest portrayal of life in the country music business. Under the direction of Daryl Duke (The Silent Partner), Payday rejected the polished image of country music, pointed the way toward the approaching outlaw country movement, and placed a spotlight on the magnetic presence of Rip Torn.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation
Original mono audio (uncompressed LPCM)
Optional English subtitles for the deaf and hard of hearing
Feature-length audio commentary with director Daryl Duke and producer Saul Zaentz
Risk Management, a new interview with actor Michael C. Gwynne
Ride-along, a new interview with actor Elayne Heilveil
Passing Through, a new interview with actor Cliff Emmich
The Music Man, a new interview with music supervisor Ed Bogas
Original theatrical trailer
Reversible sleeve featuring two artwork choices
FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing by musician and scholar Kim Simpson