There is no better place to start this survey of the National Film Board of Canada than with The Log Driver’s Waltz (John Weldon, 1979), one of the Canada Vignettes and a ubiquitous short for Canadian television watchers in the 1980s and ’90s. The Canada Vignettes were a series of shorts that served as interstitial programming to Canadian TV networks and were designed to promote Canadian culture. The Log Driver’s Waltz has since become an indelible part of Canadian culture itself and its folk song has consequently become a commonly known tune for Canucks of a certain vintage.
As per the NFB:
This lighthearted, animated short is based on the song “The Log Driver’s Waltz” by Wade Hemsworth. Easily on the most often requested films in the NFB collection, Kate and Anna McGarrigle sing along to the tale of a young girl who loves to dance and chooses the marry a log driver over his more well-to-do competitor. Driving logs down the river has made the young man the best dancing partner to be found.
The Criterion Collection, a continuing series of important classic and contemporary films presents Random Harvest.
From the best-selling novel by James Hilton, author of Goodbye, Mr. Chips and Lost Horizon, comes one of Hollywood’s most sentimental romances and one of 1942’s biggest hits. Ronald Colman stars as Charles Rainier, an amnesiac World War I veteran who falls in love with beautiful music hall performer Paula Ridgeway (Greer Garson) until a sudden accident restores the man’s true identity while erasing from his mind his relationship with Paula. Charles returns to his privileged life to become a successful industrialist but struggles with an unshakeable longing, all while Paula secretly suffers posing as the businessman’s executive assistant. A box-office triumph honored with seven Academy Awards nominations, Random Harvest is a first class melodrama featuring two of the era’s most distinguished performers.
The Criterion Collection, a continuing series of important classic and contemporary films presents The Forbidden Room.
Overwhelmed with narrative and fearful that their brains might explode under its pressure, Canadian cult filmmaker Guy Maddin and his co-creator Evan Johnson offer the ultimate epic phantasmagoria from the ectoplasmic residue of early cinema’s lost films. Two-Strip Technicolor havoc is created with the assistance of master poet John Ashbery, actor Udo Kier, and a host of French and Québécois stars who filmed on public sets at Paris’ Pompidou Center and Montreal’s Phi Center. The Forbidden Room is a kaleidoscopic viewing experience borne from cinema’s past, present, and future where flapjacking eating submarine crews, forest bandits, skeleton women, and vampire bananas await!
- New 4K digital master, with 5.1 digital DTS-HD Master Audio soundtrack on the Blu-ray
- Audio commentary with Guy Maddin and Evan Johnson
- Interviews and behind-the-scenes footage from the Phi Center shoots
- Endless Ectoloops
- Living posters
- Theatrical trailer
- Seven-episode series on Guy Maddin’s Seances from the Phi Center
- New interview with cinematographer Benjamin Kasulke
- New interview with production designer Galen Johnson on his design of the film’s more than 400 intertitle screens
- La chambre interdite, French version of The Forbidden Room with French intertitle screens
- The 1000 Eyes of Dr. Maddin, Yves Montmayeur’s 65-minute documentary on “the Canadian David Lynch”
- Once a Chicken, a séance with László Moholy-Nagy
- Bring Me the Head of Tim Horton, Guy Maddin, Evan Johnson and Galen Johnson’s short film on the making of Paul Gross’s Canadian war film, Hyena Road, with introduction by the filmmakers
- Footage from the Toronto Film Critics Association’s awards ceremony naming The Forbidden Room 2015’s Best Canadian Film
- PLUS: A booklet featuring essays by Guy Maddin and film critics Jonathan Rosenbaum and Hillary Weston
Domestic rivalry finds unexpected expression in Yasuzo Masumura’s The Wife of Seishu Hanaoka, the true-life story of the Japanese physician who first developed general anesthetic for use in 1804 and the women who competed to be his test subjects. Hanaoka (Raizð Ichikawa) has little attention for his imperious mother (Hideko Takamine) and his dutiful wife (Ayako Wakao) while he searches for the precise formula for his herbal anesthetic. Screenwriter Kaneto Shindo and director Yasuzo Masumura step away from the expected conventions of the bio-pic by focusing on the doctor’s spouse Kae, portraying her commitment and sacrifice to her husband’s endeavor as the truly heroic act of this dizzying tale of love and obsession.
In this riveting examination of mad love and social obligation set at the eve of the Russo-Japanese War, Okane (Ayako Wakao) returns to the small village of her youth where she endures the scorn and rejection of the townsfolk with sullen distemper. When Seisaku (Takahiro Tamura), the village’s “model youth,” returns from military service, the beloved patriot strikes up an unlikely romance with Okane, marginalizing himself in the process. Based on a story by Kojiro Yoshida and written by Kaneto Shindo, Seisaku’s Wife is a sensual tale of rebel love and wild obsession standing against the strict military demands of Imperial Japan.
In this complex and pessimistic melodrama, young Ayako Takigawa (Ayako Wakao) stands trial for the murder of her intolerable husband during a mountaineering accident. Flashbacks of the incident reveal Ayako suspended between her spouse below and the young man she secretly loves who struggles to hold their safety line from above. By cutting her husband’s rope, she saves herself and the young man, allows her husband to fall to his death, and breaches her cultural duties as both a climber and a wife. Wakao beautifully reconciles the competing desires of love, sex, and death within her tortured character, while director Yasuzo Masumura skillfully crafts a noir-infused tale of dark passions and claustrophobic oppression.