The Criterion Collection, a continuing series of important classic and contemporary films presents Elegant Beast.
In this contemporary melodrama scripted by Kaneto Shindo, director Yuzo Kawashima creates a scathing depiction of greed and hypocrisy in a society facing rapid modernization and Westernization. The small apartment of the Maeda family is transformed by inventive and meticulous cinematography into a claustrophobic battleground where cheating, embezzlement, and corruption are natural occurrences and where the Maedas are turned from swindlers to swindled by a beautiful but mercenary accountant played by Ayako Wakao in a virtuoso performance. Little know outside of Japan, Yuzo Kawashima’s Elegant Beast is an underappreciated masterpiece in filmmaking and a bitter statement on what it took to get ahead in post-war Japan.
- New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- New interview with critic, filmmaker, and festival programmer Tony Rayns
- New program with Eric Nyari on the film and its restoration
- New English subtitle translation
- PLUS: An essay by Japanese film scholar Tomoyuki Sasaki
The Saskatoon Fantastic Film Festival went globe-trotting to start Day 2. The “Drawn from Around the World” block of animated shorts offered some enthralling works. Many conveyed a sad or lamenting poignancy. Keiro (Tatiana Jusewycz, Benoît Leloup, Franck Menigoz, Zoé Nérot, and Charlotte Poncin, 2016) traced a girl’s journey to adulthood and its effect on the giant creature that accompanies her, Beyond the Books (Jérôme Battistelli, Mathilde Cartigny, Nicolas Evain, Maéna Paillet, Robin Pelissier, and Judith Wahler, 2017) envisioned the highly detailed collapse of an impossibly immense library, the Spanish short Dead Horses (Marc Riba and Anna Solanas, 2016) revealed the brutality of war from a child’s perspective and amid fabric devastation, and the Indian film Schirkoa (Asian Shukla, 2017) imagined political strife in a world where citizens wear bags and boxes on their heads. Others brought the funny, like Daniel Sterlin-Altman’s Hi, It’s Your Mother (2017), about motherhood, blood loss, and middle class living told in crude claymation, and Deuspi (Megacomputer, 2017), a very short work about a pair of astonishingly inept stick-up men and their hilarious fates.
Even before I arrived in Saskatoon, I felt like Fantastic Film Festival-action was meeting me like a herald of things to come. It had something to do with the man waiting at my flight’s gate conspicuously wearing a black eyepatch that threatened spy movie villainy. It also had something to do with the man behind me in security and his laptop that tested positive for “explosive residue.” Fortunately for me, action-thrillers weren’t slated until Day 2 of the Saskatoon Fantastic Film Festival and my flight proceeded without complication, bringing me to Day 1 of SFFF and a block of films featuring some disturbed title characters.
MMC!‘s proposed collection of Tai Katô films continues with another exceptionally titled movie – Fighting Tatsu, the Rickshaw Man (1964). Adapted by Katô and Noribumi Suzuki from Gohei Kamiya’s novel, Shafu yukyoden – kenka tatsu (Fighting Tatsu‘s Japanese title) is a lighter take on the yakuza genre, injecting a romantic comedy into its story of mob politics and gang warfare. The film still manages its share of bloodshed, untimely deaths, and wild, riotous street fights to satisfy strict genre fans.
The movie opens in 1898 with scruffy and truculent rickshaw driver Tatsu (Ryôhei Uchida) arriving from Edo to Osaka ready to start his career with the town’s only rubber-wheeled carriage. Before even leaving the Victorian-designed train station, Tatsu bumps into a high-ranking official and gets into a brawl with him, his assistant, and his bodyguard. When told to mind his place and defer to the official, Tatsu proclaims that they live in a new era where all are “born equally now.” By these first few minutes, the film’s main character is immediately and perfectly defined – headstrong, independent, egalitarian, pugnacious – and no question is left as to how Fighting Tatsu will develop its dramatic conflicts.
The Criterion Collection, a continuing series of important classic and contemporary films presents Little Murders.
After directing the successful off-Broadway revival of Jules Feiffer’s acclaimed play, Alan Arkin made his feature film directing debut translating the senseless, hysterical world of Little Murders to the screen. Apathetic photographer Alfred (Elliott Gould) and feisty optimist Patsy (Marcia Rodd) are a young mismatched couple in a frantic metropolis where sniper attacks, power outages, and obscene phone calls are commonplace. With riotous supporting performances by Vincent Gardenia, Elizabeth Wilson, Jon Korkes, Lou Jacobi, Donald Sutherland, and Arkin himself, Feiffer’s satirical screenplay takes absurdist aim at the meaningless violence and spreading disenchantment in American life and produces a blackly hilarious comedy classic.
- New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary from 2004 featuring actor Elliott Gould and writer Jules Feiffer
- New interview program with director Alan Arkin, stars Elliott Gould and Marcia Rodd, and writer Jules Feiffer
- Short films directed by Arkin – T.G.I.F. (1967), People Soup (1969), Samuel Beckett is Coming Soon (1993), and Blood (Thinner Than Water) (2004)
- Gene Deitch’s Academy Award-winning short film Munro, written by Feiffer
- Theatrical trailer and TV spots
- PLUS: A booklet featuring a new essay by film scholar Jim Emerson and Roger Ebert’s original 1971 review