A Face in the Crowd (Elia Kazan, 1957)

The Criterion Collection, a continuing series of important classic and contemporary films presents A Face in the Crowd.

Before he brought Mayberry, North Carolina, into American homes and became an icon of moral rectitude as Sheriff Andy Taylor, Andy Griffith burst onto cinema screens as Lonesome Rhodes, a charismatic drifter with a canny, down-home wit and an avaricious taste for status and influence. After charming Arkansas radio reporter Marcia Jeffries (Patricia Neal) and becoming a local media star, Rhodes leverages his growing popularity into national television fame and a trusted position among political and industrial power-brokers. Gradually Rhodes is corrupted by his own success and his laid-back attitude gives way to a monstrous off-camera personality. With stand-out supporting performances by Walter Matthau, Anthony Franciosa, and Lee Remick, director Elia Kazan and screenwriter Budd Schulberg create a roaring statement against grassroots fascism, advertising fakery, and the pernicious influence of television on the political process.

Disc Features:

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Aboard the Calypso – Sea and Cinema with Jacques Cousteau

The Criterion Collection, a continuing series of important classic and contemporary films presents Aboard the Calypso – Sea and Cinema with Jacques Cousteau.

Explorer. Inventor. Author. Conservationist. Filmmaker. Jacques Cousteau was an iconic figure in marine exploration, spending more than sixty years investigating undersea kingdoms and sharing his tales with the world. Over three award-winning feature films spanning twenty years, Cousteau reveals the beauty and dangers beneath the waves of the Red Sea, the Indian Ocean, the Mediterranean, and the frozen Antarctic, finding seldom seen tropical wonders, describing the pressures of living in an underwater base for weeks at a time, and persevering through the life or death struggle to survive at the South Pole. Both the committed naturalist and the keen showman, Cousteau portrayed his oceanic marvels with the idealism and the spectacle of science fiction and inspired generations to care for alien worlds here at home and no longer hidden from view.

Special Edition Three-Blu Ray Set Features:

  • New high definition digital transfers of The Silent World, World Without Sun, and Voyage to the Edge of the World, with uncompressed monaural soundtracks on the Blu-rays
  • French and English-language audio tracks
  • Introductions by Wes Anderson, James Cameron, and Werner Herzog
  • Of Silence and Men: The Pioneers of The Silent World, a 50-minute documentary featuring interviews with Jacques Cousteau, co-director Louis Malle, camera designer André Laban, Cousteau scholar Franck Machu, and Malle biographer Pierre Billard
  • Two Men, A Masterpiece, an interview with Jacques Cousteau and Louis Malle
  • The Silent World’s Legacy, interviews with Jacques Cousteau, Luc Besson, and Jacques Perrin
  • Early films of Jacques Cousteau: 18 Meters DeepShipwrecksLandscapes of Silence, Seals in the Sahara, Around a Reef, Off Tunisian CoastsOne sortie du “Rubis,” SCUBA DiaryDanger Under the SeaRhythm on the Reef, and The Red Sea
  • Station 307 and The Fountain of the Vaucluse, a pair of short films by Louis Malle made in collaboration with Jacques Cousteau
  • Edmond Séchan’s Academy Award-winning short The Golden Fish, produced by Jacques Cousteau
  • Restoration demonstration
  • Trailers
  • New and improved English subtitle translation
  • PLUS: A booklet featuring an essay by filmmaker Luc Jacquet and excerpts from Cousteau’s 1953 book The Silent World: A Story of Undersea Discovery and Adventure

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Trailer Tuesday

Criterion’s announcement of new releases for May was a landslide of titles with a stunning nine new films joining the Collection and two blu-grades thrown in for good measure. It’s pretty impressive for a month without any titles including the name “Zatoichi.” And while Martin Scorsese’s World Cinema Project No. 2 is an amazing addition that includes titles by Edward Yang, Lino Brocka, and Apichatpong Weerasethakul, MMC! is most excited by the new edition of Yasujiro Ozu’s Good Morning (1959), a delightful film with a very dated DVD. Here’s hoping that Shochiku’s 4K restoration is as great an up-grade as Tatsuro Kiuchi’s new cover treatment!

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Trailer Tuesday

MMC!‘s “Trailer Tuesdays” are the blogosphere’s most viewed posts. Period.

With that out of the way, let’s watch some trailers!

Rialto Pictures is promoting a new restoration of Julien Duvivier’s Panique (1946), a thriller about murder and betrayal that looks great in this re-release trailer. The Criterion Collection has already declared its appreciation of Duvivier (as has MMC!), so we should naturally be hopeful that a stacked Blu-ray for Panique might appear bearing a wacky “C.”

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The Days Before Christmas (Stanley Jackson, Wolf Koenig, and Terence Macartney-Filgate, 1958)

NFBMerry Christmas Eve!

With the holiday season in mind, enjoy this short made for The Candid Eye documentary series recounting Christmas preparations in Montreal, Canada. The Days Before Christmas (Stanley Jackson, Wolf Koenig and Terence Macartney-Filgate, 1958) has everything you’d expect from the Christmas season and more – department store Santas and anxious children, choir practices, recitals, and Christmas pageants, holiday travellers and long-distance calls home, smoky nightclubs and lively jazz acts, cab drivers, traffic cops, and Brink’s guards with pistols drawn.

And to all those wonderful readers who arrive here regularly or stumble into MMC! accidentally, happy holidays and the best of the season to you! Enjoy yourselves, stay safe, and keep those titles in order of spine number!

The Tell-Tale Heart (Ted Parmelee, 1953)

Ted Parmelee’s beautifully decrepit adaptation of Edgar Allan Poe’s story is a wonder, full of decay and madness in the mid-century modernist animation style typical to UPA. The Tell-Tale Heart was the first cartoon to receive an X rating (compliments of the BBFC); garnered an Academy Award nomination for Animated Short; counts Leonard Maltin, Jerry Beck, and Guillermo del Toro among its admirers; and was admitted to the National Film Registry for preservation in 2001. James Mason’s narration and the film’s final, unexpected POV shot are remarkable.

(I probably should have saved this for October, but why deny ourselves this impressive film? It deserves to be better known.)