Mad God (Phil Tippett, 2021) – Fantasia International Film Festival 2021

READY YOUR EYES. READY YOUR SOULS. PREPARE TO MEET YOUR MAKER.

AV_Inferno_DVD_.inddFollow the Assassin, Mad God’s silent soldier, on his mysterious mission through Miltonesque worlds filled with grotesque monsters, mad scientists, and savage war pigs. This darkly surreal realm where nightmares roam free is forged from the subconscious mind of legendary visual effects and stop-motion craftsman Phill Tippett (contributor to the original Star Wars trilogy, RobocopJurassic Park, and Battleship Troppers). Commenced over thirty years ago and later resurrected at the behest of animators at Tippett’s Berkeley studio, this ambitious personal project employed hundreds of puppets, dozens of environments, and a crew of more than 60 artists who painstakingly animated every set, creature, and effigy in this macabre masterpiece.

Each element of Mad God is independently created and hand-crafted from its creator’s heart. At times, that heart bursts with love for its craft, while at other times it is morbidly gruesome, punctured and left bleeding. Altogether, Mad God is a testament to the power of creative grit and an homage to the timeless art of stop motion animation.

Limited Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • Original DTS-HD Master Audio 5.1 audio
  • Introduction by filmmaker Guillermo del Toro
  • Audio commentary by filmmaker Phil Tippett and special effects artist Dan Martin
  • Fantasia International Film Festival 2020 live-streamed tribute, masterclass, and Lifetime Achievement Award with Phil Tippett, hosted by Rupert Bottenberg
  • Phil Tippett: Mad Dreams and Monsters, Alexandre Poncet and Gilles Penso’s 2019 documentary on the life and work of Phil Tippett
  • Worse Than the Demon, a short film by Phil Tippett’s daughter, Maya Tippett, on the making of Mad God
  • Dammit Phil, You Had One Job!, Phil Tippett on his infamous meme
  • Nightmare Music, new interview with composer Dan Wool on the music of Mad God
  • Trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Matt Frank
  • Double-sided fold-out poster
  • Illustrated collector’s booklet featuring new writing on the film by Sam Ashurst and a gallery of exclusive production writing and artwork by filmmaker Phil Tippett

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The Triplets of Belleville (Sylvain Chomet, 2003)

The Criterion Collection, a continuing series of important classic and contemporary films presents The Triplets of Belleville.

French whimsy goes through the looking glass in this imaginatively offbeat animated wonder by animator Sylvain Chomet. A boy named Champion trains relentlessly for the Tour de France with the help of his diminutive and club-footed grandmother, Madame Souza, and their overweight dog, Bruno. When race day arrives, Champion and a few of his fellow racers are kidnapped by a pair of square-shouldered henchmen and taken across the ocean to thronging Belleville where they are forced to pedal as part of an illicit gambling operation. Bruno and Mme Souza follow to save their boy and find unlikely help from the renowned Triplets of Belleville, a trio of eccentric music hall stars turned elderly experimental musicians. Filled with twisted imagery and proceeding with the measured pace of a dream, The Triplets of Belleville is a strange, loving, and very French tribute to silent comedy and to bygone eras of traditional animation.

SPECIAL FEATURES:

  • New 4K digital master, approved by director Sylvain Chomet, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
  • New audio commentary with Sylvain Chomet
  • New conversation between Chomet and animator Bill Plympton
  • The Making of The Triplets of Belleville, a 36-minute documentary discussing the film’s production
  • The Cartoon According to Sylvain Chomet, a brief discussion with the director on designing his characters
  • Music Video by -M- for “Les Triplettes de Belleville” featuring animation from the film and a short piece on its making
  • Le temps d’un tournage, an interview with Chomet for French television on his earlier work
  • The Triplets As Seen By…, a selection of impressions on the film by animators Bill Plympton and Michel Ocelot, singer -M-, and comedian and cyclist Antoine de Caunes
  • The Old Lady and the Pigeons, Chomet’s 1997 short film about a starving policeman who dresses up like a pigeon to trick an old woman into feeding him
  • Carmen; Chomet’s music video collaboration with Belgian pop star Stromae
  • Chomet’s 2014 “couch gag” for The Simpsons
  • Trailers
  • New English subtitle translation
  • PLUS: A new essay by film critic Michael Sragow and flipbooks with art by Chomet

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The Old Lady and the Pigeons (Sylvain Chomet, 1997)

Before The Triplets of Belleville (2003) and The Illusionist (2010), Sylvain Chomet made the award-winning The Old Lady and the Pigeons (La Vieille Dame et les pigeons, 1997). The animated short features an impoverished and starving gendarme who dresses up like a giant pigeon in order to be fed by an old woman (and that barely scratches the surface of how hilariously bizarre the short gets). Chomet was inspired to make a film of his own after seeing Nick Park’s Creature Comforts (1989) and set upon his production after pitching the concept to Didier Brunner of the French animation studio Les Armateurs. Backgrounds were designed by Chomet’s comic book collaborator Nicolas de Crécy, although the two would later fall out over Crécy’s view that Chomet improperly copped his style for the designs of The Triplets of Belleville. The Old Lady and the Pigeons is silently comic and strangely surreal and establishes many of Chomet’s characteristic styles and themes, making it an easy access point to Chomet’s limited filmography. It is also a quick 24-minute scratch for those of us still itching to see his next film, The Thousand Miles, a Fellini-inspired story about the world’s most beautiful road race, Italy’s Mille Miglia.

The Vinni-Pukh Trilogy (Fyodor Khitruk, 1969/1971/1972)

Spring is here, Easter is this weekend, MMC!’s next imagined release is taking typically longer than expected, and it’s been some time since a post have gone up, so now seems like the perfect opportunity to offer something cute, furry, and vaguely off-centre. With that in mind, let’s take a moment to appreciate Fyodor Khitruk’s trilogy of short films adapting A. A. Milne’s beloved tales of Winnie-the-Pooh for Soviet audiences!

Khitruk’s trio of Vinni-Pukh films — Winnie-the-Pooh (1969), Winnie-the-Pooh Pays a Visit (1971), and Winnie-the-Pooh and a Busy Day (1972) — were made out of Soyuzmultfilm studios and without the director having seen Disney’s theatrical short Winnie the Pooh and the Honey Tree (Wolfgang Reitherman, 1966). Khitruk’s initial interest in the character came from English editions of Milne’s stories and he was only exposed to Boris Zakhoder’s Russian translations later. Zakhoder served as screenwriter to the Trilogy and he frequently clashed with Khitruk as Zakhoder promoted an approach faithful to the original stories while Khitruk sought to transform the material. The films reflect Khitruk’s vision, doing away with the authority-figure of Christopher Robin and presenting Milne’s characters living forest creatures, not stuffed toys brought to life. Pooh remains rather dim, but he is far more assertive and boisterous than Disney’s bear. The animation is wonderful, merging the primitiveness of children’s drawings with the clean abstraction of mid-century modernism and the earth-toned colour palettes of the ’60s and ’70s. The films adapt three stories from Milne’s original 1926 book, avoiding stories from Milne’s 1928 sequel, The House at Pooh Corner, which introduced the Tigger character. If these adaptations are new to you, congrats! You are now free from the adorable hegemony of the Disney films!

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Happy Halloween from the NFBoo!

HAPPY HALLOWEEN!

Seeing as how it’s snowing and blowing hard today, what better way to celebrate this chilly Halloween than with some spookerrific shorts from the National Film Board of Canada. We’ve got surrealist worlds, honking monsters, devilish visitors, chicken leg houses, and anti-smoking PSAs.

Batmilk (Brandon Blommaert, 2009)

“In this animated short, an oafish ghoul and his soft exposed brain are met with ruin when the brain is unexpectedly killed. Though paralyzed, the ghoul attains a fresh brain and is fed with new life. ” (NFB)

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Mandy (Panos Cosmatos, 2018)

HE’S A LUMBERJACK AND HE’S NOT OKAY

Pacific Northwest, 1983 A.D. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence in near isolation. When their pine-scented splendour is savagely destroyed by the sadistic Jeremiah Sand and his cult “The Children of the New Dawn,” Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Armed with a hand-forged battle axe and an insane thirst for revenge, Red won’t stop until he has destroyed Jeremiah and his disciples.

From the visionary mind of Canadian filmmaker Panos Cosmatos (Beyond the Black Rainbow), Mandy is an ultra-hard, stylishly told hell-trip with heavy metal symbolism, demonic motorcycle mutants, buzzing chainsaws, and a phenomenal performance by Nicolas Cage as an unstoppable, single-minded avenger. Arrow Video proudly presents this modern grindhouse classic for the first time on 4K Ultra-HD Blu-ray.

LIMITED EDITION CONTENTS

  • 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) approved by director Panos Cosmatos
  • High definition Blu-ray (1080p)
  • Original DTS-HD 5.1 surround sound
  • Optional English subtitles for the deaf and hard of hearing
  • New audio commentary with Panos Cosmatos and filmmaker and critic Sam Ashurst
  • Behind-the-scenes featurette
  • Interview at the Sundance Film Festival with producers Lisa Whalen, Josh Waller, Daniel Noah, and Elijah Wood and special guests Nicolas Cage, Vince Neil from the band Mötley Crüe, and Panos Cosmatos
  • Acid Wash, new interview with cinematographer Benjamin Loeb
  • It’s Gobblin’ Good!, new interview with director Chris Casper Kelly and special effects artist Shane Morton on the Cheddar Goblin commercial
  • And Red All Over, new interview with designer Richard Kenworthy of Shynola on the film’s title cards
  • Standing on the Edge of Time, new interview with animation director David Garcia
  • The Blade and the Beast, new interview with weapon maker Tim Wagendorp
  • Deleted and extended scenes
  • Teasers and trailers
  • Concept art and stills gallery
  • Rewind This!, a feature-length documentary with audio commentary by director Josh Johnson, producer Carolee Mitchell and cameraman and editor Christopher Palmer
  • Soundtrack CD with music composer Jóhann Jóhannsson
  • 10″ vinyl single of “Amulet of the Weeping Maze” by Jeremiah Sand
  • Fold-out double-sided poster featuring original and newly commissioned artwork
  • Four retro-poster photos double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images
  • 44-page collectors’ booklet featuring new writing on the film by Travis Woods and an introduction by Panos Cosmatos

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