SHE CAN’T SPEAK. SHE CAN’T SCREAM. SHE CAN’T BEG FOR MERCY.
Working on a low-budget horror film in Russia, Billy Hughes (Marina Zudina), a mute American makeup artist, witnesses a brutal murder on a movie-set, however her claims are doubted by her friends and by Moscow police. Still, the killers know the truth and the instructions received from their underworld boss is clear: no witnesses. So begins a night of terror for Billy as she struggles to save her own life and trust a KGB agent (Oleg Yankovskiy) who claims to be her saviour.
Anthony Waller’s Mute Witness is an expertly made thriller comparable to the classic suspense of Alfred Hitchcock and Wait Until Dark and the contemporary shocks of Brian de Palma and Silence of the Lambs. Watch it and be left speechless.
SPECIAL EDITION CONTENTS
- Brand-new 2K restoration from the original camera negative, produced by Arrow Films exclusively for this release
- High Definition Blu-ray (1080p) presentation
- Original 2.0 and 5.1 Dolby Surround Options
- Audio commentary with writer-director Anthony Waller
- Speaking Up, new interview with actress Marina Zudina
- Bearing Witness, new interviews with actors Fay Ripley and Evan Richards
- Illustrated collector’s booklet featuring new writing by Steven Jay Schneider
The Criterion Collection, a continuing series of important classic and contemporary films presents Our Friends in the North.
Based on Peter Flannery’s 1982 stage-play, this award-winning BBC mini-series charts the lives of four friends from Newcastle over four decades – Nicky, a radical socialist preoccupied with the class struggle; Tosker, a cocky young man with dreams of celebrity and success; Mary, who struggles with the pressures of marriage and motherhood while pursuing her own professional ambitions; and Geordie, a troubled young man who flees his hometown for London. Over its nine episodes, Our Friends in the North traces the fortunes of an ever-changing England through the break-out performances of Christopher Eccleston, Mark Strong, Gina McKee, and Daniel Craig. The Criterion Collection is proud to present this sprawling milestone in British drama for the first time ever in North America.
- New 4K digital restoration, with 2.0 surround DTS-HD Master audio soundtrack on the Blu-ray
- Interview with Christopher Eccleston and Gina McKee
- Retrospective with Peter Flannery, producer Charlie Pattison, executive producer Michael Wearing, and directors Pedr James and Simon Cellan Jones
- New interviews with Christopher Eccleston, Gina McKee, Mark Strong, and Daniel Craig
- Visual essay by playwright Michael Eaton
- Complete soundtrack listing with chart history
- Precis and color stills of the original first episode
- TV spots
- PLUS: A booklet featuring essays by film scholar Marcus Hearn and television scholar Robin Nelson
Next up, we offer a short film of short films – the indie-animated anthology Ghost Stories (2013). Containing 11 minimalist shorts, Ghost Stories is the product of various members of the Late Nite Work Club crafting these pieces between projects and classes. MMC! is particularly fond of Charles Huettner’s The Jump, Caleb Wood’s Rat Trap, and Alex Grigg’s Phantom Limb, although Ghost Stories is an impressively satisfying effort throughout. In fact, the omnibus format of Ghost Stories produces a convivial effect, expanding the regard for these shorts by placing them alongside one another and creating a whole greater than its parts.
Robert Morgan’s The Cat With Hands (2001) has become something of a horror short classic over the last 15 years, utilizing stop-motion animation’s unsettling, uncanny look to ghastly perfection. The short was inspired by a recurring childhood nightmare of the director’s sister and passed that distress on to its viewers now. Enjoy!
Charlie Lyne’s wonderful work of montage-documentary Copycat (2015) tells the story of Rolfe Kanefsky’s There’s Nothing Out There (1991), a self-aware horror-comedy made by the 19 year-old filmmaker for $100,000. You may not have seen this pioneering cult classic-neverwas … or maybe you have and you just don’t know it.
The Saskatoon Fantastic Film Festival closed with a massive final day that included five feature films, five shorts, and screenings of the films participating in the Festival’s 48 Hour Movie Making Challenge. SFFF closed the four day run with a trio of Asian films – the Mo Brothers’ Headshot (2015), Yeon Sang-ho’s Train to Busan (2016), and Kôji Shiraishi’s Sadako vs. Kayako (2016) – that were collected to thrill audience members and get their communal adrenaline pumping. These efforts seemed to prove successful, but the best of Day 4 was found elsewhere and the final day offered some welcome surprises along the way.