Matango (Ishiro Honda, 1963)

A HORROR THAT GROWS ON YOU!

AV_Inferno_DVD_.inddAfter a yacht is damaged in a storm and stranded near a deserted island, its passengers – a psychologist, his student, a wealthy businessman, a famous singer, a popular writer, a sailor, and the boat’s skipper – take refuge on a fungus covered ship marooned on the island’s shore.  With food scarce and the ship’s logs warning that the island’s plentiful mushrooms, called “Matango,” are to be avoided, the castaways find their characters tested, leading to private deals, sexual tension, and violence.  But when the hunger of the shipwrecked party becomes too great and its members begin eating the forbidden fungus, the true horror of Matango is revealed, transforming the castaways in mind and body into hideous fungal monsters!

Famed Japanese director Ishiro Honda assembles an all-star cast from his previous sci-fi films and monster movies for Matango, featuring performances by Akira Kubo, Kumi Mizuno, Kenji Sahara, Hiroshi Koizumi, and Yoshio Tsuchiya.  Captivating hallucinatory sequences, impressive set designs, and fantastically horrifying special effects by the celebrated Eiji Tsuburaya make this colorful B-movie a little known tokusatsu classic.  Based on the 1907 story “The Voice in the Night” by William Hope Hodgson, Matango is one of the strangest, most horrific Toho productions to date and is presented here, for the first time, in high-definition presentations of its original Japanese version and its American cut, Attack of the Mushroom People.

Special Features:

  • New high definition digital transfer of the Japanese cut of Matango and of the 1965 American version Attack of the Mushroom People edited for TV by American International Television
  • High Definition Blu-ray (1080p) and Standard DVD Presentation
  • Uncompressed monaural soundtracks on the Blu-ray edition
  • Newly translated English subtitles for the Japanese soundtrack
  • Optional English SDH subtitles for the deaf and hard of hearing
  • Audio commentary by star Akira Kubo
  • Interview with SFX cinematographer Teruyoshi Nakano
  • Spoken word reading by screenwriter Masami Fukushima
  • Vinyl Fungus – Artist Barry Allen Williams on Matango and its collectibles
  • “Voice in the Night,” a 1958 episode of Suspicion based on the same source material as Matango
  • Theatrical trailer
  • Production sketches
  • Collector’s booklet featuring a new essay by scholar Richard Pusateri and William Hope Hodgson’s original 1907 story “The Voice in the Night”

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A Matter of Life and Death (Michael Powell and Emeric Pressburger, 1946)

The Criterion Collection, a continuing series of important classic and contemporary films presents A Matter of Life and Death.

criterion logoAs his plane is going down in flames, doomed World War II pilot, Squadron Leader Peter Carter (David Niven) meets over the radio the love of his life, an American radio operator named June (Kim Hunter).  He miraculously survives the crash and the pair commence their romance, but Carter is troubled with a life-threatening brain injury treated by a village doctor (Roger Livesey) and a heavenly collector (Marius Goring) intent on escorting his errant soul to the other side.  Originally designed as a propaganda piece to promote better relations between Britain and the United States, Michael Powell and Emeric Pressburger’s A Matter of Life and Death became an English classic featuring delightful performances by its cast, accomplished Technicolor cinematography by Jack Cardiff, and spectacular production design by Alfred Junge.

Disc Features:

  • New 4K digital restoration, with uncompressed monaural soundtrack on the Blu-ray
  • Audio commentary by film historian Ian Christie
  • Martin Scorsese on A Matter of Life and Death
  • Thelma Schoonmaker Powell and Grover Crisp on AMOLAD and its restoration
  • Interview with cinematographer Jack Cardiff
  • A Matter of Fried Onions, Diane Broadbent Friedman on the medical foundation of AMOLAD
  • Behind the scenes footage, filmed during a visit to Denham Studios by Canadian soldiers
  • “The King and the Stars,” a Front Page newsreel by British Pathé on the 1946 Royal Command Film Performance screening, along with unused and unissued footage of the event and the press reception
  • New interview with author J. K. Rowling and actor Daniel Radcliffe in appreciation of the film
  • Two Lux Radio Theatre productions from 1947 (starring Ray Milland, Ann Blyth, and Nigel Bruce) and 1955 (starring David Niven and Barbara Rush)
  • The Hedda Hooper Show – This is Hollywood‘s 30-minute radio adaptation, starring David Niven, Kim Hunter, and Vincent Price
  • Screen Director’s Playhouse radio production from 1951, starring Robert Cummings and Julia Adams
  • Kinescope of the “Stairway to Heaven” TV adaptation for Robert Montgomery Presents, starring Richard Green, Jean Gillespie, and Bramwell Fletcher
  • Parody sketch from Big Train, featuring Simon Pegg, Kevin Eldon, Mark Heap, and Amelia Bullmore
  • Gallery of sketches and stills of Alfred Junge’s production designs
  • Sequence shot for Powell and Pressburger’s unmade The White Cockade, starring David Niven and Pamela Brown
  • PLUS: A booklet featuring behind the scenes photos, the script, and new essays by film critics Dave Kehr, Robert Horton, and Mark Kermode

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The Wife of Seishu Hanaoka (Yasuzo Masumura, 1967)

Eclipse LogoDomestic rivalry finds unexpected expression in Yasuzo Masumura’s The Wife of Seishu Hanaoka, the true-life story of the Japanese physician who first developed general anesthetic for use in 1804 and the women who competed to be his test subjects.  Hanaoka (Raizð Ichikawa) has little attention for his imperious mother (Hideko Takamine) and his dutiful wife (Ayako Wakao) while he searches for the precise formula for his herbal anesthetic.  Screenwriter Kaneto Shindo and director Yasuzo Masumura step away from the expected conventions of the bio-pic by focusing on the doctor’s spouse Kae, portraying her commitment and sacrifice to her husband’s endeavor as the truly heroic act of this dizzying tale of love and obsession.

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Seisaku’s Wife (Yasuzo Masumura, 1965)

Eclipse LogoIn this riveting examination of mad love and social obligation set at the eve of the Russo-Japanese War, Okane (Ayako Wakao) returns to the small village of her youth where she endures the scorn and rejection of the townsfolk with sullen distemper.  When Seisaku (Takahiro Tamura), the village’s “model youth,” returns from military service, the beloved patriot strikes up an unlikely romance with Okane, marginalizing himself in the process.  Based on a story by Kojiro Yoshida and written by Kaneto Shindo, Seisaku’s Wife is a sensual tale of rebel love and wild obsession standing against the strict military demands of Imperial Japan.

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A Wife Confesses (Yasuzo Masumura, 1961)

Eclipse LogoIn this complex and pessimistic melodrama, young Ayako Takigawa (Ayako Wakao) stands trial for the murder of her intolerable husband during a mountaineering accident.  Flashbacks of the incident reveal Ayako suspended between her spouse below and the young man she secretly loves who struggles to hold their safety line from above.  By cutting her husband’s rope, she saves herself and the young man, allows her husband to fall to his death, and breaches her cultural duties as both a climber and a wife.  Wakao beautifully reconciles the competing desires of love, sex, and death within her tortured character, while director Yasuzo Masumura skillfully crafts a noir-infused tale of dark passions and claustrophobic oppression.

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The Wives of Yasuzo Masumura

Eclipse is a selection of lost, forgotten, or overshadowed classics in simple affordable editions.  Each series is a brief cinematheque retrospective for the adventurous home viewer.

Eclipse LogoBest known for his unsentimental portraits of stubborn individuality bordering on madness, Yasuzo Masumura and his alluring queen Ayako Wakao constructed tales of strong-willed women resisting the repression and abuse of Japanese society.  In these exaggerated tales of obsession and desire set in the restrictive confines of traditional marriage, Masumura explores the tragedy of true love and devotion, the liberating power of eroticism, and the sacrifices demanded by corporate living and Japan’s post-war economic miracle.  Wakao is irresistible in these four films, playing inviolable femme fatales whose sexuality and dedication leave them unmanageable to the culture that surrounds them and cruelly punished for their inability to conform.

The Most Valuable Wife (Saikô shukun fujin)

A formative work between Masumura and Wakao, the Mihara family’s three sons operate a trading company, with the eldest pair already married to daughters of the Nonomiya family, but when the Miharas’ youngest son Saburo (Hiroshi Kawaguchi) and the Nonomiyas’ youngest daughter Kyoko (Wakao) refuse to do the same, they raise the ire of their ambitious siblings.

A Wife Confesses (Tsuma wa kokuhaku suru)

Cited as one of Masumura’s masterpieces and the film that launched Ayako Wakao’s career, Wakao plays a young widow on trial for cutting her uncaring husband’s safety line during a mountaineering holiday and murdering him to pursue the affections of a younger man (Kawaguchi) and collect five million yen from her husband’s life insurance.

Seisaku’s Wife (Seisaku no tsuma)

In this antimilitarist portrait written by Kaneto Shindo and set during the Russo-Japanese war, a sullen woman (Wakao) ostracised in her small farming village falls into a mad, obsessive affair with the town’s favored son (Takahiro Tamura), a relationship that ultimately dooms them both.

The Wife of Seishu Hanaoka (Hanaoka Seishû no tsuma)

This portrayal of true-life physician Hanaoka Seishu (Raizô Ichikawa), the first doctor to use general anesthetic, pits his ardent but suffering wife (Wakao) and his harshly devoted mother (Hideko Takamine) as competitors offering themselves as subjects for his surgical experimentation.

With notes by Jonathan Rosenbaum

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