David Byrne’s American Utopia (Spike Lee, 2020)

The Criterion Collection, a continuing series of important classic and contemporary films presents David Byrne’s American Utopia.

Deeply reflective and exceptionally high-spirited, David Byrne’s theatrical concert American Utopia stormed Broadway with the ex-Talking Head’s mix of iconic music and quirky ideas. With a collection of eleven talented musicians, singers, and dancers supporting him and informed by the work of James Baldwin, Janelle Monáe, Hugo Ball, and Kurt Schwitters, the show plucked at the connections between us and aimed to start making sense of it all. With director Spike Lee commemorating the show for the screen, David Byrne’s American Utopia transforms the stage production into an immersive, dynamic cinema experience that radiates with astounding performances, inventive contemporary dance, and political urgency. A clarion call for protest, compassion, and shared responsibility and a new masterpiece among concert films, David Byrne’s American Utopia is the life-affirming rock-doc arriving at precisely the right time, ready to burn down the house.

SPECIAL FEATURES:

  • 4K digital master, approved by director Spike Lee and David Byrne, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
  • Start Making Sense, a roundtable conversation with Lee, Byrne, musician Janelle Monáe, and critic Ashley Clark
  • One Fine Day, a new program of interviews with Lee, Byrne, and the film’s cast of performers
  • Slippery People, a conversation between choreographer Annie-B Parson and cinematographer Ellen Kuras
  • Remain in Light, an exploration of American Utopia stage design and its innovative lighting
  • Promotional discussions featuring Lee and Byrne
  • Meet the Band, introductory videos for the cast and crew
  • Additional performance of “Hell You Talmbout”
  • Trailer and teaser
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by film critic Robert Daniels

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Dinner in America (Adam Carter Rehmeier, 2020) – Fantasia International Film Festival 2020

AS AMERICAN AS APPLE PIE AND PUNK ROCK

In a dreary Michigan suburb, aggro punk rocker Simon (Kyle Gallner) finds himself on the run after a bout of arson and a close call with the police. A chance encounter with eccentric and socially awkward Patty (Emily Skeggs) provides him a place to hide from the law, though she fails to realize that her new friend is the anonymous lead singer of her favourite band. The pair embark on a series of misadventures and while their radically different personalities make them an unlikely duo, Simon and Patty realize that they have a lot more in common than first expected.

Dinner in America is an ode to the ’90s Nebraska punk-scene of writer-director Adam Carter Rehmeier and a hilarious underdog love story boosted by a generous helping of absurdity and some instantly quotable dialogue. Set to the beat of brilliant original songs and perfectly casting Skeggs and Gallner as a suburban Bonnie and Clyde, Dinner in America is a wild and empowering ride through the places and people of Middle America — in all their peculiar forms.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • 5.1 DTS-HD Master Audio and Uncompressed Stereo PCM
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with director Adam Carter Rehmeier and producer Ross Putman
  • One Night Only, new interview on the film’s music with Rehmeier, Emily Skeggs, Kyle Gallner, and composer John Swihart
  • Freedom from Want, new interviews with supporting cast members Lea Thompson, Mary Lynn Rajskub, Pat Healy, and Griffin Gluck
  • Straight Shooting, new interview with cinematographer Jean-Philippe Bernier
  • Apocalypse Yow, new interview with musician and actor David Yow
  • Detroit Punk City, stories from cast and crew on the shoot
  • Outtakes and deleted scenes
  • Original theatrical trailer
  • Soundtrack CD including a remix of “Watermelon” by Bernier
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by producer-director Ant Timpson

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Mandy (Panos Cosmatos, 2018)

HE’S A LUMBERJACK AND HE’S NOT OKAY

Pacific Northwest, 1983 A.D. Outsiders Red Miller and Mandy Bloom lead a loving and peaceful existence in near isolation. When their pine-scented splendour is savagely destroyed by the sadistic Jeremiah Sand and his cult “The Children of the New Dawn,” Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire. Armed with a hand-forged battle axe and an insane thirst for revenge, Red won’t stop until he has destroyed Jeremiah and his disciples.

From the visionary mind of Canadian filmmaker Panos Cosmatos (Beyond the Black Rainbow), Mandy is an ultra-hard, stylishly told hell-trip with heavy metal symbolism, demonic motorcycle mutants, buzzing chainsaws, and a phenomenal performance by Nicolas Cage as an unstoppable, single-minded avenger. Arrow Video proudly presents this modern grindhouse classic for the first time on 4K Ultra-HD Blu-ray.

LIMITED EDITION CONTENTS

  • 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) approved by director Panos Cosmatos
  • High definition Blu-ray (1080p)
  • Original DTS-HD 5.1 surround sound
  • Optional English subtitles for the deaf and hard of hearing
  • New audio commentary with Panos Cosmatos and filmmaker and critic Sam Ashurst
  • Behind-the-scenes featurette
  • Interview at the Sundance Film Festival with producers Lisa Whalen, Josh Waller, Daniel Noah, and Elijah Wood and special guests Nicolas Cage, Vince Neil from the band Mötley Crüe, and Panos Cosmatos
  • Acid Wash, new interview with cinematographer Benjamin Loeb
  • It’s Gobblin’ Good!, new interview with director Chris Casper Kelly and special effects artist Shane Morton on the Cheddar Goblin commercial
  • And Red All Over, new interview with designer Richard Kenworthy of Shynola on the film’s title cards
  • Standing on the Edge of Time, new interview with animation director David Garcia
  • The Blade and the Beast, new interview with weapon maker Tim Wagendorp
  • Deleted and extended scenes
  • Teasers and trailers
  • Concept art and stills gallery
  • Rewind This!, a feature-length documentary with audio commentary by director Josh Johnson, producer Carolee Mitchell and cameraman and editor Christopher Palmer
  • Soundtrack CD with music composer Jóhann Jóhannsson
  • 10″ vinyl single of “Amulet of the Weeping Maze” by Jeremiah Sand
  • Fold-out double-sided poster featuring original and newly commissioned artwork
  • Four retro-poster photos double-sided, postcard-sized lobby card reproductions, alternative posters and promotional images
  • 44-page collectors’ booklet featuring new writing on the film by Travis Woods and an introduction by Panos Cosmatos

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Muscle Beach (Irving Lerner and Joseph Strick, 1948)

Our next stop on the way to MMC!’s forthcoming Criterion Collection proposal brings us south of the Santa Monica Pier to the original Muscle Beach and to Joseph Strick and Irving Lerner’s Muscle Beach (1948). Strick had met Irving Lerner and other left-wing filmmakers through connections with a youth theatre company in New York. After enrolling to study physics at UCLA (because “that’s where movies were made”), Strick signed up as an aerial photographer searching of U-boats off the Atlantic coast during World War II. He worked as a copy boy at The Los Angeles Times upon his return to civilian life and shot Muscle Beach on weekends with the assistance of Lerner and using an army surplus bombsight camera with a “bottle-glass” lens and rigged up with a viewfinder made from “sellotape and paperclips.”

Muscle Beach is a warmly satirical look at an emerging subculture of bodybuilders, gymnasts, and exhibitionists. Originally constructed in 1934 by the Works Progress Administration as a park on a public beach, Muscle Beach in the 1940s has become a standing joke in trade magazines and a source of innuendo in Hollywood gossip columns. The short responds to this view with a lighthearted celebration of soaring feats, flirty sunbathers, and playing children, buoyed by music composed and sung by folk singer Earl Robinson with lyrics by screenwriter and poet Edwin Rolfe. Muscle Beach played in competition at Cannes in 1949, won a prize at the Edinburgh International Film Festival in 1951, and became a cult favourite among film clubs.

You Can Succeed, Too (Eizo Sugawa, 1964)

The Criterion Collection, a continuing series of important classic and contemporary films presents You Can Succeed, Too.

Sing, dance, and get ahead with You Can Succeed, Too, the closest Japanese cinema ever came to a full-blown Broadway-style musical! Set in a tourism company looking to secure a big American client in the run up to the 1964 Tokyo Olympics, an ambitious salesman (jazz drummer and comedian Frankine Sakai) and his handsome, undemanding colleague (musician and actor Tadao Takashima) struggle to negotiate love and business amid the pressures of a booming Japanese economy and the American-style changes brought to their department by the president’s daughter (Izumi Yukimura). Featuring music from avant-garde composer Toshiro Mayuzumi and lyrics by renowned poet and translator Shuntaro Tanikawa, director Eizo Sugawa creates a musical comedy in the spirit of Frank Tashlin’s Will Success Spoil Rock Hunter? and Frank Loesser’s How to Succeed in Business Without Really Trying, celebrating and skewering Japan’s growing global profile with singing salarymen and dancing office workers.

SPECIAL FEATURES

  • High definition digital transfer with uncompressed monaural soundtrack on the Blu-ray
  • Audio commentary with actor Tadao Takashima
  • Audio interview with director Eizo Sugawa and actor Frankie Sakai
  • A History of the Japanese Musical, a video essay by Hieu Chau
  • Theatrical trailer
  • Gallery of promotional materials
  • New English subtitle translation
  • PLUS: An essay by film scholar Michael Raine and 1994 interviews with composer Toshiro Mayuzumi

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Hinterland Remixed, Mobilize (Caroline Monnet, 2015), and Sign-off (Brett Bell, 2011)

I recently had the good fortune of attending the book launch for Andrew Burke’s Hinterland Remixed: Media, Memory, and the Canadian 1970s, a deep dive into the true north’s televisual archive and collective memory that includes considerations of the Hinterland Who’s Who vignettes, Michael Snow’s La Région centrale (1971), and SCTV. Professor Burke’s discussion and accompanying presentation diverted into a number of unexpected areas – the L’Atelier national du Manitoba film and art project, Kern-Hill Furniture Co-op commercials, electronic musicians Boards of Canada, the With Glowing Hearts short film (Ted Remerowski, 1979) – however two contemporary works stood out: Caroline Monnet’s Mobilize (2015) and Brett Bell’s Sign-off (2011).

Caroline Monnet, a Canadian artist of French and Algonquin heritages, obtained access to more that 700 films from the National Film Board of Canada to create Mobilize, an intense and passionate portrait of Canada’s indigenous people. With footage from the rural north and urban south, from traditional crafts to modern industry, Monnet captures the dynamism of the indigenous Canadian experience and, with the feverish score of Inuk artist Tanya Tagaq, provides a kind of sizzle reel made up of what the filmmaker calls “images of indigenous people kicking ass on screen.” MMC! fans may recognize scenes from Don Owen’s High Steel (1966)! Brett Bell’s Sign-off presents an absurdly nightmarish take on With Glowing Hearts and the anachronism of the television station sign-off culminating the day’s news and entertainment with a collage of landscapes and symbols set against the patriotism of the national anthem. Bell, born and based in Regina, Saskatchewan, creates something wonderfully weird and distinctly Canadian in Sign-off and for that MMC!’s heart does glow.