The Criterion Collection, a continuing series of important classic and contemporary films presents Thirty Two Short Films About Glenn Gould.
François Girard provides in this unconventional bio-pic a compelling and memorable exploration of Canadian musician Glenn Gould, arguably the 20th Century’s greatest classical pianist. Through thirty-two elegantly constructed vignettes mixing drama, documentary, animation, and avant-garde, Girard reveals glimpses of Gould as performer, recording artist, humorist, outdoorsman, speculator, recluse, and iconoclast. Taken together, Thirty Two Short Films About Glenn Gould offers a prismatic understanding of Gould’s complex genius and his personal struggles without dispelling the enigmatic power of his legend.
The Criterion Collection, a continuing series of important classic and contemporary films presents Our Friends in the North.
Based on Peter Flannery’s 1982 stage-play, this award-winning BBC mini-series charts the lives of four friends from Newcastle over four decades – Nicky, a radical socialist preoccupied with the class struggle; Tosker, a cocky young man with dreams of celebrity and success; Mary, who struggles with the pressures of marriage and motherhood while pursuing her own professional ambitions; and Geordie, a troubled young man who flees his hometown for London. Over its nine episodes, Our Friends in the North traces the fortunes of an ever-changing England through the break-out performances of Christopher Eccleston, Mark Strong, Gina McKee, and Daniel Craig. The Criterion Collection is proud to present this sprawling milestone in British drama for the first time ever in North America.
- New 4K digital restoration, with 2.0 surround DTS-HD Master audio soundtrack on the Blu-ray
- Interview with Christopher Eccleston and Gina McKee
- Retrospective with Peter Flannery, producer Charlie Pattison, executive producer Michael Wearing, and directors Pedr James and Simon Cellan Jones
- New interviews with Christopher Eccleston, Gina McKee, Mark Strong, and Daniel Craig
- Visual essay by playwright Michael Eaton
- Complete soundtrack listing with chart history
- Precis and color stills of the original first episode
- TV spots
- PLUS: A booklet featuring essays by film scholar Marcus Hearn and television scholar Robin Nelson
Designed for the film lover in mind, SHOUT SELECT shines a light on films that deserve a spot on your shelf. From acknowledged classics to cult favourites to unheralded gems, SHOUT SELECT celebrates the best in filmmaking, giving these movies the love and attention they deserve.
IN BOB WE TRUST.
Written, directed, and starring Tim Robbins, this mockumentary about an upstart celebrity candidate for the United States Senate is a hilariously fearsome prediction of American politics in the 25 years that followed. Conservative folksinger Bob Roberts manipulates media coverage of him while singing about the proliferation of welfare abusers, drug users, and soft-hearted liberals and resisting rumors of corruption and hypocrisy. Bob Roberts captures the false populism and soundbite superficiality of contemporary politics with unnerving prescience.
Tim Robbins assembles an all-star cast with Alan Rickman as Roberts’ shady campaign financier, Giancarlo Esposito as a crusading journalist, Gore Vidal as Robert’s political opponent, and an array of supporting appearances by Jack Black, Susan Sarandon, Ray Wise, James Spader, John Cusack, Helen Hunt, David Strathairn, Fred Ward, Bob Balaban, Peter Gallagher, Lynne Thigpen, Pamela Reed, and Brian Murray.
- Audio Commentary With Director And Star Tim Robbins
- Audio Commentary With Tim Robbins And Gore Vidal
- Audio Commentary With Alexander Cockburn and Jeffrey St. Clair of Counterpunch
- Back On The Campaign Trail – New Interview With Tim Robbins
- Buggin’ Out – New Interview With Giancarlo Esposito
- Getting Started – New Interview with Jack Black
- Original Bob Roberts Short Film Made For Saturday Night Live
- Deleted Scenes
- Photo Gallery
THE GREATEST VAMPIRE WESTERN-MUSICAL EVER MADE ABOUT SNOOKER!
Set within a twilight labyrinth of concrete corridors and bunker-like rooms, director Alan Clarke plays out a musical grudge match between conflicting generations of master snooker players. On one side is Billy the Kid (Phil Daniels), a cocky young cockney decked out as an Old West outlaw. On the other is seven-time world champion Maxwell Randall (Alun Armstrong as the Green Baize Vampire), a bloodsucking traditionalist resentful of his young challenger. Manipulated by his manager T.O. (Bruce Payne as “The One”) and a scheming loan shark called the Wednesday Man (Don Henderson), Billy agrees to a seventeen-frame snooker match against Randall where the loser will put down his cue forever. Can Billy vanquish his foe or does the Wednesday Man have some more tricks up his sleeve?
Featuring music by celebrated composer George Fenton and inspired by the rivalry between true-life snooker players Ray Reardon and Jimmy White, Alan Clarke’s Billy the Kid and the Green Baize Vampire is an uncharacteristic foray into fantasy by a British master of gritty realism. The result is an astonishingly strange and captivating work that resembles a musical adaptation of The Hustler if remade by Ken Russell.
- New high definition transfers of the film in its 93-minute and 121-minute versions
- High-Definition Blu-ray (1080p) and Standard DVD Presentation
- Original 2.0 and 5.1 Dolby Surround Options
- Optional English SDH subtitles for the deaf and hard of hearing
- Making BTK – Extensive interviews on the film’s making with cinematographer Clive Tickner, composer George Fenton, production designer Jamie Leonard, costume designer Tudor George, and editor Steve Singleton
- Shooting from the Hip, a brand new interview with Phil Daniels made especially for this release
- Biting Back, a new interview with Alun Armstrong made especially for this release
- Being #1, a brand new interview with Bruce Payne
- Sullivan Reporting, a new interview with Louise Gold
- Bride of the Green Baize Vampire, a brand new interview with Eve Ferret
- Sports Life Stories: Jimmy White, an ITV documentary on Jimmy White, the inspiration for Billy the Kid
- Archival interview with Ray “Dracula” Reardon, the inspiration for Maxwell Randall, on the eve of the 1981 World Snooker Championship
- Illustrated collector’s booklet featuring new writing by Michael Brooke
The Criterion Collection, a continuing series of important classic and contemporary films presents Arthur Lipsett: In Between Artist.
Admired by cinema innovators like Stanley Kubrick, George Lucas, and Stan Brakage, Canadian filmmaker Arthur Lipsett was an experimental phenomenon within the National Film Board of Canada, creating avant-garde collage films that mapped the alienation of technological advancement and media saturation. These films, assembled from footage shot by Lipsett and collected from trimmings of other NFB productions, convey Lipsett’s view of increasing dehumanization under the pressures of modernity, yet they remains energetic and enthusiastic in their ironic juxtapositions and rapid-fire pace. This collector’s set provides a complete survey of Lipsett’s experimental works and four related films examining the life and art of one of experimental cinema’s most enigmatic filmmakers.
- New 2K digital restorations of all 8 films – Very Nice, Very Nice (1962), Experimental Film (1963), 21-87 (1963), Free Fall (1964), A Trip Down Memory Lane (1965), Fluxes (1968), N-Zone (1970), Strange Codes (1972) – with uncompressed monaural soundtracks on the Blu-rays
- Interview with director George Lucas
- Two Films by Lipsett, Donald Rennick’s 1967 documentary discussing Free Fall and A Trip Down Memory Lane with a group of teenagers
- Remembering Arthur, Martin Lavut’s 2006 feature-length documentary on his close friend, Arthur Lipsett
- The Arthur Lipsett Project: A Dot on the Histomap, a 52-minute documentary from 2007 by Eric Gaucher
- Lipsett Diaries, Theodore Ushev’s 2010 animated short featuring narration by Quebecois filmmaker Xavier Dolan
- PLUS: A booklet featuring essays and capsules by Lipsett scholars William Wees and Fred Camper and filmmakers Brett Kashmere, Amelia Does, and Dirk de Bruyn
Today, MMC! offers a trio of diverse animated films by longtime NFB animator Ishu Patel. First up is Perspectrum (1975), an abstract work of colourful geometry that adapted techniques developed by Norman McLaren. Next is Bead Game (1977), which takes its inspiration from the elaborate bead-work of Inuit women and provides a cautionary tale on our aggressive tendencies and the proliferation of nuclear weapons. Lastly, Patel’s beautifully luminescent Paradise (1984) examines the value and nature of beauty, hauntingly accompanied by James Last’s The Lonely Shepherd. Patel’s career with the NFB took him around the world conducting animation workshops in the Far North, Ghana, Yugoslavia, the USA, Japan, and back in his native India, and he was honoured with awards from major film and animation festivals including Ottawa, Annecy, Melbourne, and Berlin. His Bead Game received a BAFTA Award and an Oscar nomination, while Paradise won a Silver Bear at Berlin and gave Patel his second Academy Award nomination.
As per the NFB:
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the kyoto, a 13-string Japanese instrument.
As per the NFB:
In this animated short, thousands of beads are arranged and manipulated, assuming shapes of creatures both mythical and real. They continually devour, merge, and absorb one another in explosions of colour.
As per the NFB:
In this short animation film, a magnificent bird performs for the Emperor inside a glittering palace. Its plumage is a blaze of color. A blackbird, watching enviously, strives to acquire what he so desperately covets, only to discover that a golden cage can’t compete with the open skies.