SFFF Day 4 – Wives and Water Buffalo! Witches and Wes Craven!

The banner event for Day 4 of the Saskatoon Fantastic Film Festival was the Drunken Cinema screening of Wes Craven’s A Nightmare on Elm Street (1984), described by Drunken Cinema‘s attending creator Serena Whitney as “the scary one.” Audience members had rules to follow, glow sticks to shake, and themed cards with personalized drinking rules to enhance their interaction and to get soused in the process. The event seemed an ironic success considering that nearly all the screenings at the SFFF are licensed and the Broadway Theatre’s concession stand was ready to make every screening drunken if patrons were so inclined. Still, the appeal of endorsed booze and rowdiness cannot be underestimated and Saskatoon movie fans can expect to seen more Drunken Cinema events between now and the next SFFF.

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10 Reasons to Get Buried Alive This Weekend – The 2019 Buried Alive Film Festival

The 2019 Buried Alive Film Festival wraps up this weekend at the 7 Stages Theatre in Atlanta, Georgia, and there’s plenty of great features and shorts to see. Over the next two days, BAFF offers five feature films and five short film blocks, plus a Troma-themed burlesque show! With a wealth of cinematic riches, MMC! is here to point the way with ten films to watch out for this Saturday and Sunday!

Check the BAFF schedule for program information to plan your burial and MMC!’s Letterboxd list for the Fest for more reviews!

1. J.R. “Bob” Dobbs and the Church of the Subgenius (Sandy K. Boon, 2019)

One of MMC!’s BAFF favourites, Sandy K. Boon’s J.R. “Bob” Dobbs and the Church of the Subgenius examines the countercultural religion of “two self-proclaimed weirdos in Ft. Worth, Texas” and their crusade against normalcy. This documentary features wonderful interview subjects, including Richard Linklater, Penn Gilette, and Nick Offerman, as well as an array of Bob followers providing thoughtful reflection on 40 years of protecting their slack against the conspiracy. Subgenius is an intriguing companion to another popular 2019 portrait of an alternative religion, Penny Lane’s Hail Satan?, as both the Subgeniuses and The Satanic Temple embrace an absurdly theatrical image, however Boon’s film offers a mature reflection on cult’s complicated history that contrasts Lane’s earnestly sanitized presentation of the Temple as it searches for legitimacy. Preserve your slack and check out J.R. “Bob” Dobbs and the Church of the Subgenius at 2:00 on Sunday!

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