I met Dave at a get-together hosted by a mutual friend eight years ago. Attended by professional, semi-professional, and amateur pop culture nerds, we were invited to share lists of our favourite films and Dave’s list expressed his love of music as well as his love of cinema at its biggest and most minute.
In the years that followed, we would watch movies together when we ran into each other at a screening, we would text about programming ideas and other movie stuff, and we would share festival discoveries. I would give him rides home when he needed them, he would hook my son up with Godzilla stuff, and my wife would restrain her urge to make him a sandwich. When I discovered he was in the hospital, I sent him a message wishing him well and asking him to reach out once he recovered, hoping he would find the message once he was discharged. Sadly that won’t happen, but I’m very grateful for the time I got to spend with Dave and I wish him the best on whatever new project he’s now moved on to.
In celebration of Dave, MMC! offers this brief tribute to the man on screen and there’s no better place to start than Dave’s 2014 short film Will the Real Dave Barber Please Stand Up?, a hilarious account of Dave being awarded a Queen’s Diamond Jubilee medal.
The Criterion Collection, a continuing series of important classic and contemporary films presents Simon & Garfunkel: Songs of America.
Directed by their friend Charles Grodin and airing almost two months before the release of Bridge Over Troubled Water, Paul Simon and Art Garfunkel’s 1969 television special Simon & Garfunkel: Songs of America previewed their landmark album and shows the two on stage, in the studio, and on a concert tour across a turbulent country. The documentary follows the duo in cinéma verité style while interspersing footage of the social movements that defined a nation growing more aware, more sophisticated, and more complex. The special’s initial sponsor infamously balked at footage of Cesar Chavez and the United Farm Workers, the Poor People’s March on Washington, and the recently slain Martin Luther King, Jr., President John F. Kennedy, and Senator Robert F. Kennedy. Though unpopular at the time, Songs of America has become an enduring portrait of an era and of Simon & Garfunkel as artists, with incisive commentary provided by iconic songs like “America,” “The Boxer,” “Scarborough Fair,” “Mrs. Robinson,” “The Sound of Silence,” “El Cóndor Pasa (If I Could),” and “Bridge Over Troubled Water.”
New high-definition digital restoration with uncompressed monaural soundtrack on the Blu-ray edition
Robert Ryan’s 1969 introduction to the television special
The Harmony Game, Jennifer Lebeau’s 2011 feature-length documentary on the making of Simon and Garfunkel’s Bridge Over Troubled Water album
Remembering Chuck, new interviews with Simon and Garfunkel on their personal and professional friendship with Grodin
Saturday Night Live sketch from 1977 featuring Charles Grodin, Paul Simon, and Art Garfunkel
PLUS: A new essay by rock journalist Ben Fong-Torres
Amid the success of The Street Fighter and Sister Street Fighter series, Toei Company had found a new star in Etsuko Shihomi and had created its first female martial arts hero, one that was tough, virtuous, and courageous. In 1975, Shihomi found herself in possibly her sleaziest film: 13 Steps of Maki: The Young Aristocrats, a pinky violence genre mash-up that mixed girl gangs, women in prison, yakuza, and martial arts action into a single sensational movie. As Maki Hyuga, Shihomi is the leader of the Stray Cats girl gang, fighting for justice against evil gangsters and stuck up rich girls. Though her karate skills are unsurpassed, Maki is framed and thrown into a sadistic women’s prison. Will she escape and take her revenge?
Making its worldwide Blu-ray debut, 13 Steps of Maki: The Young Aristocrats is paired here with Norifumi Suzuki’s The Great Chase, an oddball action flick released the same year and starring Etsuko Shihomi as a race car driver moonlighting as a secret agent. Filled with unceasing action, outlandish situations, and plenty of female resistance to male domination, 13 Steps to Maki and The Great Chase reveal new shades to Etsuko Shihomi’s stardom and stand as spectacular examples of Japanese exploitation in the 1970s.
Special Edition Contents:
High Definition Blu-ray (1080p) presentation of 13 Steps of Maki: The Young Aristocrats and The Great Chase
Original uncompressed Japanese mono audio on both films
Optional newly translated English subtitles on both films
New video interviews with actor Shinichi “Sonny” Chiba and director Makoto Naito
Theatrical trailers for both films
Stills and poster galleries for both films
Reversible sleeve featuring newly commissioned artwork by Kungfubob O’Brien
The Criterion Collection, a continuing series of important classic and contemporary films presents The Triplets of Belleville.
French whimsy goes through the looking glass in this imaginatively offbeat animated wonder by animator Sylvain Chomet. A boy named Champion trains relentlessly for the Tour de France with the help of his diminutive and club-footed grandmother, Madame Souza, and their overweight dog, Bruno. When race day arrives, Champion and a few of his fellow racers are kidnapped by a pair of square-shouldered henchmen and taken across the ocean to thronging Belleville where they are forced to pedal as part of an illicit gambling operation. Bruno and Mme Souza follow to save their boy and find unlikely help from the renowned Triplets of Belleville, a trio of eccentric music hall stars turned elderly experimental musicians. Filled with twisted imagery and proceeding with the measured pace of a dream, The Triplets of Belleville is a strange, loving, and very French tribute to silent comedy and to bygone eras of traditional animation.
New 4K digital master, approved by director Sylvain Chomet, with 5.1 surround DTS-HD Master Audio Soundtrack on the Blu-ray
New audio commentary with Sylvain Chomet
New conversation between Chomet and animator Bill Plympton
The Making of The Triplets of Belleville, a 36-minute documentary discussing the film’s production
The Cartoon According to Sylvain Chomet, a brief discussion with the director on designing his characters
Before The Triplets of Belleville (2003) and The Illusionist (2010), Sylvain Chomet made the award-winning The Old Lady and the Pigeons (La Vieille Dame et les pigeons, 1997). The animated short features an impoverished and starving gendarme who dresses up like a giant pigeon in order to be fed by an old woman (and that barely scratches the surface of how hilariously bizarre the short gets). Chomet was inspired to make a film of his own after seeing Nick Park’s Creature Comforts (1989) and set upon his production after pitching the concept to Didier Brunner of the French animation studio Les Armateurs. Backgrounds were designed by Chomet’s comic book collaborator Nicolas de Crécy, although the two would later fall out over Crécy’s view that Chomet improperly copped his style for the designs of The Triplets of Belleville. The Old Lady and the Pigeons is silently comic and strangely surreal and establishes many of Chomet’s characteristic styles and themes, making it an easy access point to Chomet’s limited filmography. It is also a quick 24-minute scratch for those of us still itching to see his next film, The ThousandMiles, a Fellini-inspired story about the world’s most beautiful road race, Italy’s Mille Miglia.
Spring is here, Easter is this weekend, MMC!’s next imagined release is taking typically longer than expected, and it’s been some time since a post have gone up, so now seems like the perfect opportunity to offer something cute, furry, and vaguely off-centre. With that in mind, let’s take a moment to appreciate Fyodor Khitruk’s trilogy of short films adapting A. A. Milne’s beloved tales of Winnie-the-Pooh for Soviet audiences!
Khitruk’s trio of Vinni-Pukh films — Winnie-the-Pooh (1969), Winnie-the-Pooh Pays a Visit (1971), and Winnie-the-Pooh and a Busy Day (1972) — were made out of Soyuzmultfilm studios and without the director having seen Disney’s theatrical short Winnie the Pooh and the Honey Tree (Wolfgang Reitherman, 1966). Khitruk’s initial interest in the character came from English editions of Milne’s stories and he was only exposed to Boris Zakhoder’s Russian translations later. Zakhoder served as screenwriter to the Trilogy and he frequently clashed with Khitruk as Zakhoder promoted an approach faithful to the original stories while Khitruk sought to transform the material. The films reflect Khitruk’s vision, doing away with the authority-figure of Christopher Robin and presenting Milne’s characters living forest creatures, not stuffed toys brought to life. Pooh remains rather dim, but he is far more assertive and boisterous than Disney’s bear. The animation is wonderful, merging the primitiveness of children’s drawings with the clean abstraction of mid-century modernism and the earth-toned colour palettes of the ’60s and ’70s. The films adapt three stories from Milne’s original 1926 book, avoiding stories from Milne’s 1928 sequel, The House at Pooh Corner, which introduced the Tigger character. If these adaptations are new to you, congrats! You are now free from the adorable hegemony of the Disney films!