Godzilla vs. Mito Komon (Shinya Takeshita, 1991)

A cult classic to knowing G-fans everywhere, Godzilla vs. Mito Kōmon was made by Shinya Takeshita around 1991 while a student at Osaka Art University. The short is loaded with DIY charm and cheeky ingenuity thanks to Takeshita playing a one-man show as a news reporter (with pop bottle microphone), various classic kaiju and tokusatsu characters (with cardboard fins and helmets), and even multiple utility poles. Takeshita also plays various roles from the iconic Japanese television series Mito Kōmon, including the title character and his various followers. The short is memorable in part for bringing two together two Japanese icons: Godzilla and his giant monster ilk and the characters of Japan’s longest-running period drama, Mito Kōmon (1,227 episodes from 1969 to 2011), which featured a feudal lord traveling in disguise with his samurai retainers and redressing some local injustice in each episode. In these socially distanced days where scores of people are taking their creativity to webcams and video-sharing in even greater abundance, Takeshita’s film is a reminder that wacky, enthusiastic, brilliant entertainment was always just one person and one camera away.

Dirkie: Lost in the Desert (Jamie Uys, 1970)

“One of the most…
TRAUMATIZING AND SADISITIC ‘FAMILY MOVIES’ EVER MADE.”
                                                 The San Francisco Bay Guardian

The Most Amazing Adventure A Boy Ever Lived Through
Now On Blu-Ray For The First Time Ever!

Filmmaker Jamie Uys (THE GODS MUST BE CRAZY) cast his own son as a sickly eight year-old boy stranded with his pet dog in the Kalahari Desert, “one of the most rugged and desolate regions on the face of the earth.” The result is a children’s feature so punishing and merciless that it has been nicknamed “The Passion of the Dirkie.” Severin Films proudly presents the “sadistic yet hilarious” (Ilovehotdogs.net) South African survival movie about a boy menaced by plain crashes, infernos, hungry hyenas, angry elephants, spitting cobras, stinging scorpions, dwindling cough medicine, dehydration, and a grueling landscape. Beautifully rendered in Techniscope and Technicolor despite nightmarish shooting conditions that took the film’s crew almost 7,000 miles through the wilderness of Namibia, DIRKIE: LOST IN THE DESERT set South African box office records on its release and traumatized select children all around the world.

“We’re all the better for receiving…
THIS ODDBALL ALL-AGES TRIP INTO AN ARID APOCALYPSE.”
Birth. Movies. Death

Special Features:

  • English and Afrikaans Theatrical Release Versions
  • New Commentary with Star Wynand Uys and Film Scholar Ernest Mathijs
  • … And Your Little Dog Too – An Interview with Producer Boet Troskie
  • Trailers
  • Poster Gallery
  • BONUS FILM: Papam Pasivadu, a Telegu-language re-make from India

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Interviews with My Lai Veterans (Joseph Strick, 1970)

MMC! concludes its short film preview of our next Criterion Collection proposal with Joseph Strick’s Oscar-winning documentary short, Interviews with My Lai Veterans (1970). With Haskell Wexler and Richard Pearce behind the camera, Strick interviews five former American soldiers involved in the My Lai Massacre of March 16, 1968, a search and destroy mission by the US military that killed hundreds of defenceless Vietnam civilians. Notwithstanding orders that barred them from speaking about the event, these veterans candidly describe the orders provided, the expectations that were held, and the brutality that proceeded. These accounts resisted the misinformation about the massacre circulating officially and offered chilling insights on some unimaginably outrageous acts.

Payday (Daryl Duke, 1972)

FOR MAURY DANN, EVERY DAY IS “PAYDAY”

In a rare starring role, Rip Torn plays Maury Dann, a hard-living country singer traveling the Deep South honky tonk circuit. Dann’s good ol’ boy smile charms even passing fans, but in private he is a greedy, entitled, and pitiless tyrant ruling from the back seat of a Cadillac sedan. Set over a day and a half, Payday reveals Maury’s unrepentant selfishness and cynicism, bedding young fans, popping pills, and casting off members of his entourage once they have outlasted his needs. Dann’s self-serving and hedonistic ways come to a head in a late night parking lot scuffle, transforming his megalomania into inevitable self-destruction.

Music critic and Payday producer Ralph Gleason declared that the objective of this staggeringly jaundiced portrait was a desire to provide an honest portrayal of life in the country music business. Under the direction of Daryl Duke (The Silent Partner), Payday rejected the polished image of country music, pointed the way toward the approaching outlaw country movement, and placed a spotlight on the magnetic presence of Rip Torn.

Special Edition Contents:

  • High Definition Blu-ray (1080p) presentation
  • Original mono audio (uncompressed LPCM)
  • Optional English subtitles for the deaf and hard of hearing
  • Feature-length audio commentary with director Daryl Duke and producer Saul Zaentz
  • Risk Management, a new interview with actor Michael C. Gwynne
  • Ride-along, a new interview with actor Elayne Heilveil
  • Passing Through, a new interview with actor Cliff Emmich
  • The Music Man, a new interview with music supervisor Ed Bogas
  • Original theatrical trailer
  • Reversible sleeve featuring two artwork choices

FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing by musician and scholar Kim Simpson

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You Can Succeed, Too (Eizo Sugawa, 1964)

The Criterion Collection, a continuing series of important classic and contemporary films presents You Can Succeed, Too.

Sing, dance, and get ahead with You Can Succeed, Too, the closest Japanese cinema ever came to a full-blown Broadway-style musical! Set in a tourism company looking to secure a big American client in the run up to the 1964 Tokyo Olympics, an ambitious salesman (jazz drummer and comedian Frankine Sakai) and his handsome, undemanding colleague (musician and actor Tadao Takashima) struggle to negotiate love and business amid the pressures of a booming Japanese economy and the American-style changes brought to their department by the president’s daughter (Izumi Yukimura). Featuring music from avant-garde composer Toshiro Mayuzumi and lyrics by renowned poet and translator Shuntaro Tanikawa, director Eizo Sugawa creates a musical comedy in the spirit of Frank Tashlin’s Will Success Spoil Rock Hunter? and Frank Loesser’s How to Succeed in Business Without Really Trying, celebrating and skewering Japan’s growing global profile with singing salarymen and dancing office workers.

SPECIAL FEATURES

  • High definition digital transfer with uncompressed monaural soundtrack on the Blu-ray
  • Audio commentary with actor Tadao Takashima
  • Audio interview with director Eizo Sugawa and actor Frankie Sakai
  • A History of the Japanese Musical, a video essay by Hieu Chau
  • Theatrical trailer
  • Gallery of promotional materials
  • New English subtitle translation
  • PLUS: An essay by film scholar Michael Raine and 1994 interviews with composer Toshiro Mayuzumi

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Hinterland Remixed, Mobilize (Caroline Monnet, 2015), and Sign-off (Brett Bell, 2011)

I recently had the good fortune of attending the book launch for Andrew Burke’s Hinterland Remixed: Media, Memory, and the Canadian 1970s, a deep dive into the true north’s televisual archive and collective memory that includes considerations of the Hinterland Who’s Who vignettes, Michael Snow’s La Région centrale (1971), and SCTV. Professor Burke’s discussion and accompanying presentation diverted into a number of unexpected areas – the L’Atelier national du Manitoba film and art project, Kern-Hill Furniture Co-op commercials, electronic musicians Boards of Canada, the With Glowing Hearts short film (Ted Remerowski, 1979) – however two contemporary works stood out: Caroline Monnet’s Mobilize (2015) and Brett Bell’s Sign-off (2011).

Caroline Monnet, a Canadian artist of French and Algonquin heritages, obtained access to more that 700 films from the National Film Board of Canada to create Mobilize, an intense and passionate portrait of Canada’s indigenous people. With footage from the rural north and urban south, from traditional crafts to modern industry, Monnet captures the dynamism of the indigenous Canadian experience and, with the feverish score of Inuk artist Tanya Tagaq, provides a kind of sizzle reel made up of what the filmmaker calls “images of indigenous people kicking ass on screen.” MMC! fans may recognize scenes from Don Owen’s High Steel (1966)! Brett Bell’s Sign-off presents an absurdly nightmarish take on With Glowing Hearts and the anachronism of the television station sign-off culminating the day’s news and entertainment with a collage of landscapes and symbols set against the patriotism of the national anthem. Bell, born and based in Regina, Saskatchewan, creates something wonderfully weird and distinctly Canadian in Sign-off and for that MMC!’s heart does glow.