TO FIGHT A DEMON, ONE MUST BECOME A DEMON!
Prehistoric demons, hideous and pitiless monsters that consume humans body and soul, secretly threaten mankind. Humanity’s only hope is to harness the demons’ power and turn it against them. With the help of his friend Ryo Asuka, the pure-hearted Akira Fudo merges with the demon Amon, God of War and Beast of Hell, to become Devilman, powerful defender of the human race with the strength and abilities of a demon! In Devilman: The Birth and Devilman: Demon Bird Sirène, this hellish anti-hero pits his infernal might against possessed party-goers, squid and spiders monsters, a sadistic turtle creature, and a beautiful and savage winged demoness.
Adapted from the 1972-1973 manga of visionary author and artist Go Nagai, Umanosuke Iida’s pair of original video animations faithfully represents the gory violence and incredible monstrosities that defined the series and made Devilman an iconic figure in Japanese popular culture. Arrow Video proudly presents these classic works of 1980s anime excess on high-definition Blu-ray with both their original Japanese audio and notorious English dub tracks.
- New High Definition digital transfer
- High Definition Blu-ray (1080p) presentation
- Original stereo audio for original Japanese and English dub tracks (uncompressed on the Blu-ray Disc)
- Isolated music tracks featuring the compositions of Kenji Kawai
- New optional English subtitle translation
- New interview with acclaimed author and artist Go Nagai
- “We All Steal from Go Nagai!” – Directors Guillermo del Toro, Rob Zombie, and Yoshihiro Nishimura on the legacy of Go Nagai and Devilman
- Reversible sleeve featuring newly commissioned artwork
- Illustrated collector’s booklet featuring new writing by Natsume Fusanosuke and Andrea Marinelli and an essay by creator Go Nagai written on the 30th anniversary of Devilman
- Devilman: Tanjo Hen – the single volume novel that originally accompanied the OVA in 1987, newly translated and reprinted in its entirety
- The Demon Bible – the original book published by Bandai in 1990 featuring artwork by Go Nagai, includes original Japanese and new English translations and reprinted in its entirety
The Criterion Collection, a continuing series of important classic and contemporary films presents They Shoot Horses, Don’t They?
On the Santa Monica Pier, in the shabby La Monica Ballroom, a bizarre Depression-era fad unfolds – the dance marathon. A worn out collection of hopefuls (Jane Fonda, Michael Sarrazin, Susannah York, Bonnie Bedelia, Red Buttons, and Bruce Dern) compete in hopes that a Hollywood casting agent spots them or that they at least win the contest’s $1,500 cash prize. But the competition is a grueling public spectacle, lasting thousands of hours and taking weeks to proceed, leaving dignity and salvation farther and farther away. Based on Horace McCoy’s brutally poetic novel and featuring stand-out performances including Gig Young’s award-winning role as the marathon’s huckstering emcee, Sydney Pollack’s seminal film puts a cap on 1960s idealism and paints a bleak portrait of the American Dream that still resonates today.
- New 2K digital transfer, presented with uncompressed stereo on the Blu-ray edition
- Audio commentary by director and producer Sydney Pollack
- Audio commentary with Jane Fonda, producer Irwin Winkler, former president of ABC Pictures and talent agent Martin Baum, Bonnie Bedelia, Michael Sarrazin, Red Buttons, and legendary hair stylist Sydney Guilaroff
- New interviews with actors Jane Fonda, Bruce Dern, and Bonnie Bedelia
- New interview with film critic Kim Morgan
- New interview with filmmaker Sarah Gertrude Shapiro discussing They Shoot Horses and introducing her 2013 short film Sequin Raze
- Original featurette on the making of the film
- PLUS: A booklet featuring an essay by film scholar Scott MacDonald, composer John Green’s musical continuity notes, Pollack’s forward to the screenplay, and notes, pictures, and diagrams taken from Pollack’s shooting script; a new paperback edition of McCoy’s original novel
Back in January, the Criterion Collection paired the Oscar-winning short film Logorama (Ludovic Houplain, Hervé de Crécy, and François Alaux, 2009) with Jean-Luc Godard’s Masculin féminin (1966). Created by the French collective H5, the short constructs Los Angeles entirely from (3,000 or so) trademarked logos and then presents these sanitized images of friendly consumerism in the sun-drenched violence typical to films like To Live and Die in L.A. (William Friedkin, 1985) and Heat (Michael Mann, 1995). The result is a clever statement on the ubiquity of capitalist commodification in our daily life and a somewhat nasty dismantling of the corporate messaging shorthanded into these capitalist symbols. Those interested in the legality of Logorama (or at least the American legality of a French film) should read Rose Lawrence’s “LOGORAMA: The Great Trademark Heist.” Lawrence’s unpacking of the legal tests for parody, satire, infringement, and dilution are particularly useful in considering the artistic aims, popular interactions, and social commentaries at work in the short film. As a bonus, Lawrence also touches upon important legal texts like George of the Jungle 2 (David Grossman, 2003) and Aqua’s “Barbie Girl.”
The Criterion Collection, a continuing series of important classic and contemporary films presents Our Little Sister.
Hirokazu Kore-eda’s Our Little Sister (Umimachi Diary) is a scenic and gently sensitive domestic drama that confirms its maker’s reputation as a great director in the tradition of Yasujiro Ozu and Mikio Naruse. Adapted from a popular Japanese comic book, the film concerns three twentysomething sisters – Sachi, Yoshino, and Chika – who live together in an old, large house in the seaside city of Kamakura. When their long absent father dies, they travel to a small countryside town for his funeral and meet their shy, teenage half-sister for the first time. Bonding quickly with the orphaned Suzu, they invite her to live with them and the four sisters commence a new life of tentatively joyful discovery. With documentary precision and picturesque elegance, Our Little Sister is a touching survey of love, generosity, and the weight of family histories.
FROM BEYOND OBLIVION, THE SPOOKIES ARE HERE AGAIN!
An old, abandoned, isolated mansion seems like the perfect place for a group of young couples to party and let loose, but it may be perfect trap to lose their souls. Inside, a strange Ouija board leads the group into a supernatural web of terror, all plotted by an ancient sorcerer gathering sacrifices to restore his unwilling bride once again to life. Just a few more humans are needed to complete his spell …
A dizzying array of monstrous creatures are conjured by the wizard – hellish lizards, skeletal reapers, demons, zombies, seductive spider women, entrancing ghosts, and flatulent muck men, all empowered with a singular instinct to kill – and one by one, each guest is victim to this twisted, supernatural onslaught. Nothing can prepare you for the incredible special effects of Spookies, a horror cult classic that must be seen to be believed!
- New high definition digital transfer
- High-Definition Blu-ray (1080p) and Standard DVD Presentation
- Uncompressed monaural soundtrack on the Blu-ray edition
- Optional English SDH subtitles for the deaf and hard of hearing
- Introduction by the filmmakers
- Audio commentary with film historian Max Evry
- Interviews with actor Anthony Valbrio, visual effects artist Al Magliochetti, and co-producer Frank Farel
- Original ending taken from the interpositive held by the production’s original visual effects artist
- Theatrical trailer
- Illustrated collector’s booklet featuring new writing by regional horror historian Brian Albright
I like asking – if your life required narration, who would you want to provide it? No one has ever chosen Tom Waits, which is too bad because he does have a great voice. I like the idea that Tom Waits’s voice is a natural starting point for this micro-portrait of artist John Baldessari. It’s an entertaining short, full of wry humour and clever edits and Looney Tunes momentum thanks to its classical score. This is me enjoying A Brief History of John Baldessari (Henry Joost and Ariel Schulman, 2012).
Very much in the same vein is Ed Ruscha: Building and Words (Felipe Lima, 2016), another micro-portrait of another California artist narrated by another celebrity. This time it’s Owen Wilson, and while he’s no Tom Waits, he has pretty good voice for this too. I wouldn’t second guess anyone choosing him to narrate their life. Lima’s short takes a similarly machine gun approach to surveying the artist’s vast catalogue, and expands the talking head count along the way. It’s all enough to make you move to California and start exploring the artistic possibilities of label makers, road paint, or portraits of diner specials.